Before the entrance of funk-fingered percussive bass, the piece has a rather amorphous feel to it as though it’s still...
Coming after the drama of Larks’ Tongues In Aspic Pt 4 Jeremy Stacey’s beautifully reflective piano introduction...
The twists and turns which The Errors goes through are a joy to try and follow. Just when you think you’ve got the...
Mel Collins’ sax solo in LTIA Pt V sounds like its been there from the very start. Running these two bulldozer pieces...