Generally, (re audience ’reception’) why would anyone talk over a soundscape? Soundscapes require alert listening - they’re not ambient because you shouldn’t/can’t ignore them.Specifically, this is a beautiful set and I’m very grateful to have heard it. The notes specifically mention the first 20 minutes and At The End Of Time, but I’d like to put in a word for the central pieces, Dance Shallal and Bell Hover Threshold. I love the chiming and bell-like tones Mr Fripp uses here, unlike anything I personally have ever heard in soundscapes before.And Requiem is just that. A perfect close - although the set is apparently "too long", it would not be complete without this piece.