Having completed their North American tour, the Crims are heard here in London on the European leg following the release of Beat. With the exceptions of the studio improvisation, Requiem, and the ballad, Two Hands, a good portion of the second KC album from the 80s is represented here though Sartori In Tangiers is tragically incomplete. The band’s form here is crisp on everyone is alert and on their toes. Clams Crimsonique however, can come in all sorts of shapes and sounds. Sometimes it's down to the feet or fingers letting the player down, and sometimes, as it is here, it’s the equipment that will betray you. When Fripp comes in with the opening theme his Roland guitar synth has tuning spectacularly off. While his three colleagues on the bandstand effect a holding pattern, Fripp and his techie get to grips with the settings. After a few bars order is restored and the correct pitch sings out to much applause. Just one small moment in a very good gig that’s remarkably clear.
TRACK
TIME
01
Waiting Man
09:08
02
Thela Hun Ginjeet
06:57
03
Adrian Announcement
00:20
04
Red
06:06
05
Adrian Announcement
00:25
06
The Howler
04:36
07
Matte Kudasai
03:46
08
The Sheltering Sky
12:03
09
Discipline
05:27
10
Neal And Jack And Me
06:01
11
Frame By Frame
05:27
12
Elephant Talk Improv Intro
00:38
13
Elephant Talk
04:48
14
Neurotica
05:27
15
Indiscipline
13:55
16
Heartbeat
04:30
17
Sartori In Tangier (Incomplete)
00:39

KC19820912London1 - Steve Parkinson

KC19820912London2 - Steve Parkinson

KC19820912London3 - Steve Parkinson

KC19820912London4 - Steve Parkinson

KC19820912London5 - Steve Parkinson

KC19820912London6 - Steve Parkinson

KC19820912London7 - Steve Parkinson

KC19820912London8 - Steve Parkinson

KC19820912London10

Written by Chris Inguanta
Enjoyable Listening
...despite the crowd noise. Go for it.
Written by Geoffrey Pointon
I was there...!!
For me, Discipline, Beat and Three of a Perfect Pair was the best period of King Crimson music. I was introduced to their music by a then girl friend and remember seeing this unique concert. It was like nothing else I had ever seen. Fripp sat back on his corner stool surounded by his tape deck and other equipment, I think Adrian Belew and Tony Levin owned the stage with their performance. Bill Brewford I recall did a percussion duet with Adrian. A raelly special night.
Written by Kevin O'Sullivan
Palais
Robert Fripp’s performance was indeed a little winded by the Roland Guitar Synth this night. There are two tunable distortion synths plus a master tuner which are all rotary operated knobs and therefore very easy to disturb on a dark stage. The GR300 synthesizer is not midi controlled, certainly not in 1982 and my own unit has numerous other eccentricities. This was also my first KC gig some time after 3 evenings watching the incredible League of Gentlemen - at all of which Mr Fripp was most ...
Written by Kevin Letts
Whoops! Sorry, Mr Willis!
My apologies for inadvertently calling Mr Willis "Mr Lewis" in my main posting!I just dug out my friend’s recording of this concert  - incomplete, as any between-song applause and banter has been edited out, possibly so that all the music would fit neatly on a C90, and LTIA2 has a chunk missing, probably due to a tape swap halfway through.I would conclude that Bill was having a pretty good time of it ("Indiscipline" is a cracker!), Adrian and TLev were on par and RF was not a happy bunny ...
DISCOVER THE DGM HISTORY
.

1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
.