That was extremely hot day as I remember arriving at the Warsaw Central Station, to notice some of the Crimson fans already wandering around it with glasses of beer in their hands. And later it was funny to observe others around Roma theatre representing various generations as well as to hear Lark’s V playing aloud from someone’s car too. Trey is absolutely right about the ending of Thrush. I think I remember this moment quite well, as the short excerpt of Tomorrow Never Knows, woven into th...
The improv appears to be the search for Seizure. At seventeen minutes plus (complete with a wayward TNK) it’s a real treat. And how about that fired-up FraKctured? [endtease]The heavy section is one of those real moments where you kind of understand exactly what’s going on but haven’t a clue how it’s done. For Trey Gunn however the real heat was to be found elsewhere. “Thrush was fantastic. Robert wailed like a demon, and I had the most perfect feedback, for my end solo. I have never experienced anything like this before. I could sustain for ever. And for the very tail end, the feedback went into a perfect fifth. So, I sung out a parallel melody as if I were David Hykes. The audience was absolutely dead silent as the final note died away into infinity. Then the silence sustained itself for even longer. No applause, no nothing. Beautiful!” Krzysztof Ojczyk was at the gig and shared his impressions of it with ET. “I was extremly surprised that my favourite guitar solo in the last part of 'Deception of The Thrush' was performed by Trey, not by Robert Fripp. If Robert Fripp was ever anxious for his successor, now he should be sure that he has found him...First thought after end of the show: why didn't I buy ticket for the second gig in Warsaw.”
