King Crimson’s 1973 album marked a radical departure from everything they’d previously done.
With guitarist Robert Fripp as the only survivor from the original line-up, the new line-up featuring the heat-seeking work of ex-Yes drummer Bill Bruford and the virtuoso bass work of ex-Family bassist John Wetton, who also took on vocals here, presented a breath-taking tour of killer riffs, jaw-dropping dynamics, and poignant ballads. Featuring pastoral Vaughan Williams-style interludes from violinist David Cross, this line-up also embraced a spikier sound that was both willing to rock out, as on the unhinged complexities of Larks’ Tongues in Aspic (Part 2), as well as explore and experiment with unorthodox textures and atmospherics thanks to eccentric percussionist Jamie Muir.
