Junction Cambridge UK

AUDIO SOURCE: Direct Hard Drive

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

On the last night of the Porcupine Tree tour, Fripp launches into a set of entrancing soundscapes that dazzle and beguile.[endtease] Singer with No-Man and Centrozoon, Tim Bowness, was at the gig. “The last third of his set, which featured a more pronounced guitar solo voice over looped orchestral textures and constantly shifting melodic rhythm patterns provided a potent ending and my favourite section of the show.”

From Robert’s diary 11 12 2005

The Soundscapes set: a full venue, standing, smoky, flashes, several helpful comments to urge along the Soundscaper (ie to hasten his demise). Also, some good ears. Overall, an unsettled audience that challenged the player to remain focused. There were some musical developments, although it was difficult to feel an overall sense of the performance because so few people heard what was going on; and their lack of connection prejudiced my own. But, I trust the process, and persist.
Junction Cambridge UK

AUDIO SOURCE: Direct Hard Drive

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Threshold: Bells
01:51
02
Time Stands Still
12:30
03
Queer Jazz: Minor
08:36
04
Threshold: Future Shift
01:06
05
At The End Of Time
11:24

RF20051211Cambridge7 - Robert Fripp

RF20051211Cambridge6 - Robert Fripp

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RF20051211Cambridge2 - Robert Fripp

RF20051211Cambridge1 - Robert Fripp

BROWSE SHOWS WITH PHOTOS

Written by Alan Feher
My published review in ProgArchives virtual page.
The set of "live" works played as part of a Porcupine Tree’s 2005 tour gig, seem like, what I could easily re-baptize as "A Young Person’s Guide to Robert Fripp’s Soundscapes" in accordance to his manners. I am obviously guessing, but as a performance it actually covers the "whole" trip of his "Soundscape" biography. I find in this performance (most of his "Soundscape" projects are recorded in live venues) the disection of his best achievements, compressed into direct and out in the open d...
Written by Robert Moran
Highly Recommended
 As this was recorded on my 45th birthday, I must admit a bias... but it certainly is a great addition to any Frippertronic/Soundscapes collection. A must-have when flying over the Nevada desert- get a window seat and a good player, and this album will be a boost to your soul- it certainly was for me. Mr. Fripp plays the music I wish I could. Thanks for so many years of good listening! Thanks for a nice commemorative set for a turning point in my life!
Written by Piotr Grzelec
Still progressing
Hello,               First I would like to congratulate DGM Life team amazing website. I have just successfully downloaded Robert Fripp’s soundscapes set from Junction, Cambridge and here I would like to send you some of my reflections upon this extraordinary music. I think that in terms of mood and sound this set of soundscapes is very close to the “November Suite” album although there are some considerable changes in sound w...
Written by Louie Bourland
Shimmering!!!
Robert Fripp’s final performance on the Porcupine Tree Tour is a spectacular one. While the performance itself only runs for 35-minutes, there is plenty of excitement here to digest.First of all, this performance finds Fripp taking his Soundscapes into a new realm with many new sounds and textures not heard in his previous Soundscape work. The two extended pieces "Time Stands Still" and "At The End of Time" find him building up cinematic layers of sound in which he eventually begins to provide...
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