10 May 1980

AUDIO SOURCE: Official Bootleg Cassette

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

10 May 1980
At the end of Trap we hear the band launch straight into Heptaparaparshinokh only to have it abruptly cut short as Fripp takes to the microphone to remonstrate with snap-happy elements in the crowd. “This is not a photosession. This is a place for dancing to music and listening to music. There is a tradition where one photographs bands. For myself, I use my ears and not my eyes for music. For those with cameras please put them away” he says somewhat testily before the band resumes with Heptaparaparshinokh.

A wickedly dissonant and sharply angular Thrang Thrang Gozinbulx gives way to a smoother and accessible Boy At Piano. The band’s ability to reconcile those contrasting elements with a blunt efficiency is a key element in the LOG’s success. Although subtlety isn’t an obvious weapon in the band’s arsenal, the combination and exchange of different time signatures between the front and back line is clearly crucial to the development of King Crimson’s next phase. You might well be able to dance to this stuff but there’s also quite a lot more going on that a bit of cutting the rug.
10 May 1980

AUDIO SOURCE: Official Bootleg Cassette

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Inductive Resonance*
05:14
02
Trap
05:05
03
RF Announcement
00:44
04
Heptaparaparshinokh
02:18
05
Thrang Thrang Gozinbulx
03:09
06
Boy At Piano
04:44
07
Dislocated
05:29
08
Christian Children Marching Singing
04:00
09
Untitled
02:18
10
Thrang Thrang Gozinbulx II
03:52
11
Farewell Johnny Brill
04:43
12
Heptaparaparshinokh
02:17
13
Ooh Mr Fripp
04:40
14
Eye Needle
03:39
15
Inductive Resonance
05:35
16
Dislocated
05:03

LoG19800510Metz1 - Stephan Thelen

LoG19800510Metz2 - Stephan Thelen

LoG19800510Metz6 - Stephan Thelen

LoG19800510Metz5 - Stephan Thelen

LoG19800510Metz4 - Stephan Thelen

LoG19800510Metz3 - Stephan Thelen

BROWSE SHOWS WITH PHOTOS

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