DGM Live

TRACK	TIME
VROOOM	04:27
Coda: Marine 475	02:57
Frame By Frame	05:24
Sex Sleep Eat Drink Dream	05:07
Discipline	05:29
Red	06:27
One Time	05:26
B'boom	05:15
THRAK	05:01
Improv: Two Sticks	00:53
Elephant Talk	04:18
Indiscipline	06:15
Funky Jam	04:54
Matte Kudasai	03:34
VROOOM VROOOM	06:35
The Talking Drum	05:21
Larks' Tongues In Aspic Pt II	09:12
Heartbeat	04:10
People	06:31
Sleepless	06:10
Red	07:12

DATE	CITY	VENUE NAME
1994-10-06	Buenos Aires	Teatro Broadway
1994-10-10	Cordoba	Teatro de las Americas
1994-10-12	La Plata	Teatro Coliseo Podesta
1994-10-14	Buenos Aires	Teatro Broadway
1994-10-15	Buenos Aires	1st Show, Teatro Broadway
1994-10-16	Buenos Aires	Teatro Broadway
1994-09-28	Buenos Aires	Prix D'Ami
1994-09-29	Buenos Aires	Prix D'Ami
1994-10-07	Buenos Aires	Teatro Broadway
1994-10-08	Buenos Aires	Teatro Broadway
1994-09-30	Buenos Aires	Prix D'Ami
1994-10-08	Buenos Aires	2nd Show, Teatro Broadway
1994-10-15	Buenos Aires	2nd Show, Teatro Broadway

Written by Kyle Johnson

Date

Getting a second look, this is definitely the show I saw and was indeed the last night at the Prix D’ Ami.  Dates are off though.  Check out the poster in the vision section.  Crimso played the Prix D’ Ami on Sept 30, and Oct 1 and 2.  Great show!!

Written by Kyle Johnson

Last show at the Prix?

Funny.  Notes say this is the last show at the Prix D’ Ami prior to transfer to the Broadway.  But I saw Crimso at the Prix D’ Ami on Octubre 2, 1994, 22 horas.  Have the ticket stub in front of me.  Entrada Numero 351.  Fantastic night...  

Written by Joe Prisco

Firing up the engines in Argentina

What the setlist doesn’t show is that "One Time" through "Elephant Talk" is played without pause, as if one big medley -- very effective. The mix is typically strong on separation, drums and vocals, making it easy to appreciate Pat’s work. Trey Gunn is not so easy to discern, but he finds ways of adding interesting harmonies and textures.This is a band finding itself, and doing a good job of it: The rarely-performed "Discipline" and "Fashionable" (titled "Funky Jam" here) were soon replaced by other songs, both old and new; "People" provides an example of the latter, here almost fully developed though still instrumental, and a surprisingly strong "Sleepless" shows how well they could interpret material from previous editions.  I have no idea what "stonking" means, but in September 1994, lots of potential was being exploited, and this is a fine example.P.S. The second version of "Red" sounds even better than the first -- no doubt  fired up by the abundant enthusiasm from the audience.

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