Of this momentous concert John Wetton comments “If I shuffle off this mortal coil tomorrow that gig would be the one for me. That was the one…it was almost tearful, it was so emotional.” [endtease]Memorable for not only being the last date with David Cross but also for Fripp the first gig “since the 1969 Crimson where the bottom of my spine registered ‘out of this world’ to the same degree.” Of the improv, Cerberus, John recalls “It's very together. It's almost telepathic the stuff Bill and I are doing…The energy level is terrifying.” And so it is. An unbelievably poignant gig marking the end of an era but the beginning of something else. Just a week later with David Cross no longer with them, they entered the studio to start recording Red and just two months after that, King Crimson would "cease to exist." Please note that this concert has previously been released on CD as King Crimson Collectors' Club #10
TRACK
TIME
01
Walk On
01:54
02
21st Century Schizoid Man
07:58
03
Lament
04:46
04
Exiles
07:56
05
Improv Cerberus
08:27
06
Easy Money
06:26
07
Fracture
11:21
08
Starless
12:30
09
The Talking Drum
05:27
10
Larks Tongues In Aspic Pt II
06:57

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BROWSE SHOWS WITH PHOTOS

Written by Bill Torpey
Great timing
As I recall, the sun was setting just as KC started playing "Exiles". A magical night indeed ...
Written by Craig Dickson
Astonishing
Remarkably good sound for an audience bootleg, and the performance is beyond amazing. The band is on fire from start to finish. The hairs on the back of my neck stood up during "Starless"! I can only imagine what it must have been like to be there.
Written by Yoonho Oh
An absolute must-have
What more can I say? If you don't have the Road to Red box or KCCC10, just purchase this show already.
Written by Andrew Thomas
A real spine-tingler indeed
Fripp and Wetton are both spot-on in their assessment of this show. It is one of the best Crimson shows of any lineup, any time period. The fidelity sometimes leaves a bit to be desired, but the performance is crisp and intense, a show radiating confidence and energy. Particularly of note is how well David Cross is playing at this gig - often the odd-man-out after the initial Larks' quintet became a quartet after Muir's departure, he has grown tremendously by this point. He was never hired t...
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