Berklee Performance Centre Boston USA

AUDIO SOURCE: Logic Multi-Track

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Berklee Performance Centre Boston USA
The first of a series of Fripp’s main soloing during Time Groove Boston sets out a rather soulful, yearning direction against Ade’s mid-tempo beats.

It’s interesting to hear some of the themes that Robert had been working though during solo soundscape concerts now being incorporated into more rock-orientated settings.

End Time Boston has an ascending drum-triggered bass line that puts one in mind of the middle section of Sailor’s Tale. The mood however is completely different, with Fripp’s massed strings and solo taking on a sombre gait until they ramp things up for the final two or three minutes.

Overall, this is sound of a somewhat cautious P6 looking to find their feet in a live context.
Berklee Performance Centre Boston USA

AUDIO SOURCE: Logic Multi-Track

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Threshold Knock Knock Who's There Boston
00:27
02
Time Groove Boston
06:26
03
Time Groove Boston II
04:02
04
Queer Jazz Boston
08:41
05
Threshold P6 Boston
01:36
06
Berklee Strut Boston
06:26
07
End Time Boston
11:40
Written by Scott Alger
Surprise
The Project six shows are my first downloads as part of the 1000 club and as a fan of the original projeKcts and early 00s Crimson this seemed like a good place to start. Line up wise P6 is P2 minus Trey Gunn, in this formation the backdrop is filled with Robert's soundscapes and solos,while Adrian plays drums/triggers bass lines with his V Drums (I assume). There are some stretches of the show where you sense the tentativeness mentioned in the description even so this is exciting live musi...
Written by William Jenks
ProjeKct Groovy
This ProjeKct has a sound quite far from P1, P3, and P4. It's open and melodic and accessible. Adrian plays a stripped down but groovy percussion and triggers base (from drum? from keyboard?). Over this, Fripp has lots of room to play, and he chooses to do it in more of a rock (jazz?) style than purely soundscape (though there are elements of that). Over the course of the four shows, there are basic "songs" that the performers work from, more like P3 and P4 than P1. It's not King Crimson as...
Written by Jeremy Keens
discotronics to the max
I recently came here and found the range of material on offer. I love KC but frippertronics/discotronics have me more mesmerised. I have all the actual releases from God Save The Queen on(slight exaggeration, At The End Of Time and Love Cannot Bear are currently in the mail to me) and have been judiciously downloading frippertromnics from the 70s/80s, soundscapes from the 90s/00s and 2007’s free ambience from Buenos Aires and Glass and Breath (many thanks for these lovely pieces). Anywhile, wh...
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