Blogger Will Cruttenden
has sent in this account of RF’s soundscape performance in Ely on
Monday night. The venue was St. Andrew’s Church in Ely in
Cambridgeshire. Will, the owner and inventor of the Duck Calmer, had
this to say about the gig.
After a good three hour drive from Oxford Jenna and I found the Church in Sutton easily. It was a beautiful space and the two guitars, lunar module and selection of pedals sitting in the knave didn’t look at all incongruous. We sat near the front, quietly, dressed for cold weather, and took in the ambiance. Standing by a pillar to our left was the dapper form of Mr Fripp, looking peaceful and prepared.
After a good three hour drive from Oxford Jenna and I found the Church in Sutton easily. It was a beautiful space and the two guitars, lunar module and selection of pedals sitting in the knave didn’t look at all incongruous. We sat near the front, quietly, dressed for cold weather, and took in the ambiance. Standing by a pillar to our left was the dapper form of Mr Fripp, looking peaceful and prepared.
This
was a thanksgiving service for a local man who had recovered, seemingly
against the odds, from serious illness. After a welcome from the vicar
(the vicar - I suspect not) and a brief explanation of why the event
was happening from James DeWinter, our man stepped up, sat down and
slowly unwound the evening’s soundscape.
It
began with bells and, to me, felt like it was blocked for a moment
before a gentle layering of sound began. I say gentle but some of the
bass notes filled the church and spoke of things more sinister than the
bell tones had announced. It was my first soundscape and I was close
enough to hear the twang of guitar strings being plucked, although this
didn’t distract from the rich sounds emanating from the speakers. The
music seemed to fall into four distinct pieces, with bent notes, loops
like breathing and ghostly solos weaving in and out of patterns. I had
my eyes closed for much of it and was impressed at the respect shown by
the audience (admittedly, not a terribly rock ’n’ roll audience) with
hardly a sound from young or old alike.
To
me the music was a succession of characters, entering, playing a part
and then, before you had a chance to pin them down, disappearing into
the night. To Jenna it was an organic, spiritual, healing application
of music. She was new to Mr Fripp and soundscapes but needed no nerdy
ravings from me to enjoy the experience.
When
the last sound (also bell-like and feeling appropriate to a
thanksgiving) was brought to an end Mr Fripp politely acknowledged the
applause and then the vicar returned to lead a brief prayer.
Jenna and I walked back into the cold night and headed home, enlightened, enlivened and inspired.
Thanks for that Will. If any other visitors to the site saw Robert on this most recent series of performances don’t hesitate to send them in.
Thanks for that Will. If any other visitors to the site saw Robert on this most recent series of performances don’t hesitate to send them in.

