
The concert, and the preceding night, appeared on the 2CD Absent Lovers, released in 1998.

Here's Robert Fripp's take on that period in the group's history.
"Absent Lovers" (recorded on the group's last two nights in Montreal, 1984) validates the group as a live unit, right up to the end. That particular end was a finish, a conclusion and a completion. No discussion followed the end of the tour, to address either working together or not working together.
We recorded the last shows on multi-track. Sensing that the end of the band might be nigh, this allowed for a possible live-album to commemorate the outfit (as with "USA"). Bill mixed the tapes for a Canadian radio broadcast, which became a bootleg (as with any radio broadcast) called "Absent Lovers". Any mix of any music is a presentation of a world-view: a sonic society of the imagination, how we see that world & our place in it. When I was given a copy of Bill's mix, it confirmed my sense of Bill's Crimson world-view, and gave deep offence. My own Crimson world-view of the same event can be found on the DGM "Absent Lovers" (with acknowledgement to David Singleton, my Ton Prob partner). Bill's is on the bootleg.
The 3 years' commitment discharged, world views divergent, we went different ways. For my part, I went to Claymont Court to allow the future to present itself, without any demand on what that future might be & require of me.