Shepherds Bush Empire London UK

AUDIO SOURCE: Direct to hard Disc

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On the cusp of the halfway mark supporting of Porcupine Tree, Fripp produces a set which for this particular eye witness was both beautiful and oddly unsettling.[endtease]

“Glistening arpeggios were woven into the fabric of the sonorous tones; bass notes rumbled and growled deep below the theatre; notes moving in graceful pirouettes around each other until silence swept them away” I wrote at the time.

From Robert’s dairy

A supportive audience, with restive elements, as one would anticipate from a standing floor with bars on both sides. I couldn’t trust the audience to step very far, but they were supportive of moderate treading. St. Peter’s church last Saturday, in comparison with the conventional spaces since, made very clear the tangible effect, of concentrated presence within the audience, on performing.
Shepherds Bush Empire London UK

AUDIO SOURCE: Direct to hard Disc

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Threshold: Bells
01:10
02
Time Stands Still
13:31
03
Queer Jazz: Symmetrical
08:39
04
Threshold: Future Shift
00:53
05
At The End Of Time
14:34

RF20051207London1 - Robert Fripp

RF20051207London2 - Robert Fripp

RF20051207London3 - Robert Fripp

RF20051207London4 - Robert Fripp

RF20051207London5 - Robert Fripp

Written by Rafał Kosim
Only slightly behind Wolverhampton '05
To these ears(I love this phrase), was it not for the existence of Wolverhampton gig, this one would be the best of the December suite, on pair with Manchester. Briefly, I would describe London gig as "The Low End Ecstasy". Time Stands Still is a typical example of soundscapal alchemy. Starting from an uneasy place of fear, hope, love, ucertainity, and yearning(not one ’scapes review can be accurate without this word),comes a beautiful resoultion,ESPECIALLY the lower notes. It has been my n...
Written by Michael Flaherty
Slow and Subtle
Initially, this concert moved me the least of any of the four from December 2005.  That changed today.  Listening to the final track in my car, VERY loud, as rain and snow began to fall, it really hit me.  This performance is, on the surface, less grabbing than others, I think, but when I really listened I heard as much depth and emotion as I have with any other soundscape.  Give this one time.  If these December Suite performances all sound too similar, keep...
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