08.40
Bredonborough.
Rising at 07.00.
09.23 Shopping for tasty cakes on the High Street…
Green-growth by the back door I…
II...
… and off to Wilson World HQ.
19.21 Leaving c. 09.31, arriving c. 11.56.
Beat (KC 1982) is the only KC album where I had no involvement in the original mixing at all: Adrian told me to leave the studio, only one wrinkle in Crimson’s long history of wrinkling. Co-producer Rhett Davies was responsible for that mix.
Today’s work: re-mixing several of the stereo tracks where Steven and myself failed to add significantly to the originals. Now, we have I…
II...
III...
And a tasty-cake break I…
II...
Leaving Steven c. 15.55 and home 18.00. A catching-up with the Minx on our mutual day’s adventures, a walk down the street I…
II...
… now in the Cellar e-flurrying and catching up.
19.59 Enough. To gentle.
Bredonborough.
Rising at 07.00.
09.23 Shopping for tasty cakes on the High Street…
Green-growth by the back door I…
II...
… and off to Wilson World HQ.
19.21 Leaving c. 09.31, arriving c. 11.56.
Beat (KC 1982) is the only KC album where I had no involvement in the original mixing at all: Adrian told me to leave the studio, only one wrinkle in Crimson’s long history of wrinkling. Co-producer Rhett Davies was responsible for that mix.
Today’s work: re-mixing several of the stereo tracks where Steven and myself failed to add significantly to the originals. Now, we have I…
II...
III...
And a tasty-cake break I…
II...
Leaving Steven c. 15.55 and home 18.00. A catching-up with the Minx on our mutual day’s adventures, a walk down the street I…
II...
… now in the Cellar e-flurrying and catching up.
19.59 Enough. To gentle.
