Audio Source Quarter Inch Reel To Reel and Bootleg Cassette
DGM Audio Quality
#
Title
Time
1
07:33
2
26:06
3
12:19
4
12:31

The Kitchen

Robert Fripp
New York
5 Feb 1978

By the time Robert Fripp arrived at The Kitchen, one of New York’s leading avant-garde arts spaces, King Crimson had been declared dead and buried for nearly three and a half years. Having used the resulting space to spend time in search of personal equilibrium through a spiritual retreat, this public unveiling of Frippertronics presented Fripp as the living embodiment of the ‘small, independent, mobile and intelligent unit.’

Such was the demand to see the dapper-suited Englishman performing in New York, a second show was added on the night with long queues braving the freezing cold weather. The importance of the performance wasn’t lost on bootleggers and for several years a double LP of the first house show had been in circulation.

However, as Frippertronics expert as Al Okada observes this bootleg LP had been released at the wrong speed and with tracks appearing out of sequence. Listening to the work of DGM’s Alex ‘Stormy’ Mundy in restoring both the first and second houses, Okada says, “This new transfer, direct from the master tapes, enhanced with solos from bootlegged cassette recordings, has vastly improved on that sound quality. This is by far and away the ‘definitive version.’”

Al continues, “I am particularly struck by the opening section of 1st House-Loop I, which is very reminiscent of a fanfare. This was highly appropriate for the opening piece of the world premiere of Frippertronics. Loop II opening is also extremely memorable to my ears. There’s some great soloing on top of Loop IV with the end of that piece sounding like cars whizzing past on a highway.”

Okada comments that this show is important for another reason - the lack of any “beeping” type sounds that would be a hallmark of future performances. “Those sounds are created by a signal bypass switch, added to the pedalboard. It’s likely that at the time of this show, Fripp had not discovered this technique. All notes played here are either played directly or are swept in via volume pedal. This is a subtle yet distinct difference, distinguishing itself from all subsequent Frippertronics performances. 2nd House-Loop III at around 10 minutes in, Fripp creates some riveting sounds that can be best described as a fleet of dive-bombing wartime aircraft. These are just a few of the many highlights for me.”


Attended shows at the Kitchen, not sure if this was the one.
Written by Chris Inguanta
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It was a weird experience, I seem to remember a short play before Robert played. I enjoyed this rele...
Written by Chris Inguanta
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What was old is new again.
Written by Leslie Heifner
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I was already well familiar with Frippertronics when I made an exciting vinyl purchase at Amoeba rec...
Written by Leslie Heifner
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The Holy Grail of Frippertronics releases.
Written by Bruce Bubier
I've been asking for this to be released since the early days of DGMLive. I got a cassette of the fi...
Written by Bruce Bubier
Just For You
ARTICLES

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DIARIES

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The Basement, Chateau Belew.

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The Basement, Chateau Belew.

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Hotel Quite Acceptable, Vancouver.

11.03

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Hotel Quite Acceptable, Vancouver.

23.57

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10.42

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Hotel Quite Acceptable, Denver.

20.04

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Room Most Acceptable, Hotel Quite Acceptable.

11.00

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Hotel Quite Acceptable, Denver.

23.15

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DOWNLOADS

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1999

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17 April 2004

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Riviera

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Iron Horse Northampton

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ARTISTS

Robert Fripp

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