Rotation Hannover Germany

AUDIO SOURCE: Cassette Soundboard

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

Rotation Hannover Germany

Rotation Hannover Germany

Drawing to the end of an intensive series of live dates in Europe, the gang are captured in pristine sound quality here on their penultimate date in Germany. It’s a recurring feature of LoG gigs that the first number can often be a little wobbly and so this one is no exception with Robert becoming temporarily unseated (as it were) with the band comping along.*

Fans of the LoG have often complained that in a majority of concerts available, the sound balance has left Barry Andrews rather short-changed. Not so on this concert where the mix is rather more equally distributed than is usually the case.

As ever with a LoG the fun is found in the downright wacky mix of music that one the hand (or should be foot?) claims to be about dancing, whilst on the other containing the kind of angular and dissonant lines that defy the usual pop rock conventions. The tightly-drilled rhythm section enable Fripp to hurtle off into some splendidly splenetic soloing that toys with his past and hints at what’s to come. One show stopping moment occurs during Dislocated when Fripp launches into a solo and near the four-minute mark begins quoting the lead melody from Exposure’s Breathless.

The only thing this concert lacks is the noise and subsequent atmosphere generated by the appreciative audience - no microphone was trained on the crowd, and so the numbers stop only to be met with silence. Careful ears will hear distant smatterings from punters as well as the occasion warble from the guitarist.


*Although this track is listed as incomplete it’s really only the first downbeat which has eluded the tape.
Rotation Hannover Germany

AUDIO SOURCE: Cassette Soundboard

DGM AUDIO QUALITY

AVERAGE CUSTOMER RATING

TRACK
TIME
01
Inductive Resonance*
04:48
02
Trap
04:56
03
Heptaparaparshinokh
02:48
04
Thrang Thrang Gozinbulx
02:52
05
Boy At Piano
04:18
06
Christian Children Marching Singing
03:38
07
Dislocated
05:56
08
Untitled
02:04
09
Minor Man
03:41
10
Thrang Thrang Gozinbulx II
02:58
11
Ooh Mr Fripp
04:42
12
Farewell Johnny Brill
04:53
13
Eye Needle
03:24
14
Inductive Resonance
05:27
15
Dislocated
05:43

LoG19800523Hanover3 - Ilse Ruppert

LoG19800523Hanover2 - Ilse Ruppert

LoG19800523Hanover1 - Ilse Ruppert

LOG19800523Hanover4

BROWSE SHOWS WITH PHOTOS

Written by Sylvain Despretz
This is it! The best sounding live LOG set.
The League of Gentlemen is a masterpiece. An underrated one of course.This was especially true of the vinyl release. Regrettably, the digital age has not been kind to the music that LOG created. For some (most likely well explained) reason, the CD release had all the vocals stripped away - and when Thrang Thrang Gozinbulx (Official Live Release) came out, again, to our chagrin, the sound was tinny and gruff. The crowd noises were bothersome. But now, this Hannover recording seems to have come to...
Written by Denny Mcnerney
I was lucky enough to see this band twice in 1980, in NY. This is the best live recording I have heard of the LOG, and it sends chills up my spine. Turn it up to 106db, add 1500 people, and a lot of sweat, and (maybe, somewhat...) you will be able to experience Irving Plaza, NYC, July 22, 1980. But, no, you won’t. But this is really great, anyway.
Written by Steve Parkinson
Ooh! Mr Fripp
Much as I love the rough, clubby atmospherics of the ’Thrang Thrang Gozinbulx - Official Bootleg CD release I cannot understand why this performance was passed over in favour of those recordings. The sound here is clean, the performances superb and at nearly 70 minutes worth you get to experience the whole show. Those fortunate enough to own the original vinyl copy of ’League of Gentlemen’ in all it’s quirky glory will know that the re-mastered versions on ’God Save the King’ do not ...
Written by David Freshman
Tight little dance band!
I have heard poor quality bootlegs of LoG before, but this is like a ride in a Cadillac limousine! What I hear is a rhythm section that is hard and tight as a nail. The bass playing of Sara and Johnny on the drums is so in- the- pocket that Robert has a beautiful blank palette on which to paint his prolific and pioneering guitar work. I hear the templates of "Frame By Frame", the wicked super-fast rhythm strumming of "The Sailors Tale" soloing, and some absolutely ripping lead playing that...
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