November 19, 2011
Written by peter29
The sonic quality of this recording is outstanding. It seems though that the time of the perfomance prevented music form further developing itself as the improvisations end quite suddenly. That didn’t spoiled their structure. The deep bass lines at the beginning of  Paradise and Paradise Regained are really well chosen comparing to those moving high-pitched sounds, that sometimes it’s hard to believe that the music is wholly improvised. But surly there must be some kind of key according to which composer places the notes, probably unaware at first of their emotional content. And there are so many moods and colors here ranging from typical dark orchestral timbres to those bright and delicate tones of the 1999 era of Soundscapes.   

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