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June 24, 2004  |
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Apollo Manchester, United Kingdom |
 No Subject January 24, 2009
Written by peter29
It’s interesting how in such uncomfortable conditions it’s possible for an artist to create so powerul set. It seems to me that music is something of a separated entity which exists in the world of its own. And yet still remains the part of the whole event. Musically these Soundscapes - regarding their sustained and minimal structure - belong in my opinion to the same spectrum as the WTC performances and later music from NY. Very intense and emotional. But this is different kind of emotions which then appeared during December Suite performances. Where do they come from in a strictly technical process of creating music? Is there anything out of music which can be of inspiration for an artist while improvising? Perhaps music is already emotional and both artist and listener taking part in their recognision. piotr
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It’s interesting how in such uncomfortable conditions it’s possible for an artist to create so powerul set. It seems to me that music is something of a separated entity which exists in the world of its Read more
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