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King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

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 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsPeaches, Ft. Laud., FL   May 19, 2011
Written by mrdickens

Robert Fripp’s name appeared on the marquee of this chain record store for about a week, and I was shocked.  I attended the concert on time and the store was already thoroughly packed.  So I had to stand in the back, and since it was a store floor after all, it was hard to see.  Also Mr. Fripp is relatively short in stature so that made it worse.

Mr. Fripp began with a surprisingly lengthy unamplified spoken preamble which was very difficult to make out, and audience members were shouting out from time to time with, "Microphone!  Can’t hear you!" etc.  One thing I recall him saying which surprised me was a comment on digital sampling and saying how wonderful it was that now we could use practically any sound in any manner, and he gave the example of using a door slam as a drumbeat.  Disregarding the audience’s outbursts, Mr. Fripp spoke in a very quiet manner.  He also mentioned something about the performer’s limited obligation to the audience, the "vampiric" relationship, and a prohibition on recording devices, since they diminish the possibilities of the performance.  With much urgency, someone finally appeared with a mic on a mic-stand and after weaving through the audience, placed it in front of Mr. Fripp.  Whereby, Mr. Fripp immediately concluded his monologue and began his guitar solo with Revox machine.

When that was done, Mr. Fripp stopped, rewound the tape, gave a brief description of the intention of the following overdubbed improvisation, and then proceeded with a rather scalding performance over top the previous foundation.

Quite soon after the performance I was obligated to leave for some reason that I don’t recall.  I was quite overwhelmed by the performance.

In the photo, you can see a "corn plant" which is a popular ornamental plant, and also large paper which was hung for the performance, over the enormous plate glass windows of the store. The store has changed hands multiple times, but still stands at 1500 E Sunrise BLVD.

J


More Articles

Your search found 579 items (Viewing 71 to 80 of 579)


Fan Review
Recommended   Mon., Apr 18, 2011
Posted by: ckazzer
Lovely, like the other recordings in the Washington Square Church series and excellent quality. Read more

Fan Review
Gladly balanced on an oblique threshold   Wed., Apr 6, 2011
Posted by: mjboyce
Another stunning, resonant edition of Frippertronics. I hope they keep them coming. There were 2 Toronto shows at the Bathurst St Theatre, including one where Fripp played a bit of Purple Haze by the late great Jimi Hendrix, that I Read more

Fan Review
Echoes of P3   Wed., Mar 30, 2011
Posted by: kalka2
The VDrum-triggered bass line is right out of the March 25, 1999 performance by ProjeKct Three. I believe it was released as the second track on Masque, and the whole show became a KCCC Read more

Fan Review
yriemfk   Sun., Feb 27, 2011
Posted by: Jackwagon
this music is weird Read more

Fan Review
   Miami, FL   October 16, 1997
Posted by: eviLMGD
Quite what the punters at these gigs made of this I can’t imagine. Those expecting hundreds of notes per minute might have had a problem with this material. Listening to it now, I find it Read more

Fan Review
Improvscapes   Tue., Feb 15, 2011
Posted by: Otohiko
This is a record I’ve been coming back to often over the last few months, largely because it’s so free-flowing and exploratory. There is a lot of long, sorrowful sweeps here, but they’re not intense - they come and go Read more

Fan Review
Pianoscapes and smaller details   Tue., Feb 15, 2011
Posted by: Otohiko
This is a wonderful-sounding recording of a performance from a very experimental period in soundscapes. With its sparser tones and a prominence of piano synth notes, it’s a rather stark, minimalist, but still wonderfully moody Read more

Fan Review
Lovely   Mon., Feb 14, 2011
Posted by: MichaelC
I have downloaded quite a few soundscapes and i think this one is quite lovely, sort of a quiet space inbetween the churchscapes, the darker soundscapes earlier in the 1990s and even a little of the guitar timbre of no Read more

Fan Review
It drones on and on and on...   Wed., Feb 9, 2011
Posted by: gregjames
… Wonderfully... Remarkably... Crimheads often delve in counterfactual history and muse about such topics as “What if the ’69 band stayed together and did another album?” or “What if Ian Mac rejoined the band after Red and Crim Read more

Fan Review
Towering Tape-delay Extacy   Tue., Feb 1, 2011
Posted by: Blackwater
I have been a great fan of both Fripp and Eno for over thirty years becoming hooked when I aquired a second hand copy of ’No Pussyfooting’ from a friend who thought it was Read more

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