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November 27, 2006  |
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Diamond Hall Nagoya, Aichi, Japan |
 No Subject October 18, 2009
Written by peter29
There is something different in this set of Soundscapes from Nagoya. Something quite different than in the following shows from Osaka and Tokyo. Even the preceding Churchscapes. Probably it is the mournful tone of Time Stands Still so close in mood to that of A Blessing Of Tears album. The beautiful guitar motive, placed at the end in the counterpoint brings this kind of emotions once again to my mind. Where do they come from in a strictly technical process of creating music on stage? Perhaps music is already emotional and both artist and listener are taking part in their recognition. Perhaps it is the matter of musical scales used by RF at a particular performance. Or something completely non musical, more divine, difficult to explain. The uneasiness of Final Bell Threshold brings associations with WTC performances. While Evensong from Osaka and Coda of Time Stands Still from Tokyo are peaceful and almost silent in their Moonchild like guitar tones.
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Your search found 274 items (Viewing 51 to 60 of 274)
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exelente! Thu., Jun 4, 2009
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excellent Mon., Mar 16, 2009
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Good work. Tue., Mar 10, 2009
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Pershore Abbey photo Wed., Feb 25, 2009
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Good Month For Soundscapes Mon., Feb 9, 2009
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To these ears, November 2006 has some of the most realized soundscapes released and reached a pinnacle, the perception of which this show further expands. This show is more of a continuous composition rather than a series of connected Read more
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Manchester, United Kingdom June 24, 2004
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It’s interesting how in such uncomfortable conditions it’s possible for an artist to create so powerul set. It seems to me that music is something of a separated entity which exists in the world of its Read more
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