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      Fruit Of The Fripperboard February 5, 2012
Written by happypig
This is the essence of Robert Fripp’s Guitar Work, for me, at least. The interlocking stuff, the complex-timed constructions, the Soundscapes, I wait (and sometimes suffer) through all of that to get the smidgen of this. Solos like the "Hammond Song", like "St. Elmo’s Fire"-A sui generis tone, playing melodies not based in the blues, but having just as much emotion. The few notes of "Heroes" says more than all the notes of all the shredders together. A reviewer once wrote "Withering" and I couldn’t agree more.
I often wanted to attend a Guitar Craft course, just for the chance to ask RF a "burning question" -"Why are you so parsimonious with these gems?" The Frippertronics shows of yore were rich with the melodic solos, but they really shine as part of a song. A fantasy of mine would put RF in a studio with Art Garfunkel or Aaron Neville, a piano trio (preferably Larry Goldings) and new songs by people who know better. Produced "audio verité" style. That guitar with those voices, in that setting. Traditional and cutting edge simultaneously. And I’ll bet that record would shift a few units as well.
But I digress...
I do not mean to dismiss the larger portion of RF’s work, but the "Gamelan Guitars" start to sound like The Hanon and Czerny exercises I had to endure as a student. The Soundscapes remind me of Tangerine Dream and Eno’s ambient stuff. The aleatoric-ish Crim tunes sometimes sound like they are dense and difficult for their own sake. I continue to buy Crim and Fripp-related music because I am assured that there will always be something that will interest me therein, and there is always a chance that there will be some sort of Fripp melodic moment contained.
2¢ deposited, Soapbox collapsed. And if anyone has Art or Aaron’s phone number, pass it over to RF-I have Larry’s...
More Articles
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So This Is What It Sounded Like ... Mon., Nov 22, 2010
Posted by: Squonkamatic
I’m a lifelong devotee of the Frippertronics process and had only read about his echo box/delay setup used for this period of Fripp solo. It’s definitely not Frippertronics nor the Soundscape approach but something else about halfway Read more
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Date Sat., Nov 13, 2010
Posted by: Keelaay
Getting a second look, this is definitely the show I saw and was indeed the last night at the Prix D’ Ami. Dates are off though. Check out the poster in the vision Read more
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Last show at the Prix? Sat., Nov 13, 2010
Posted by: Keelaay
Funny. Notes say this is the last show at the Prix D’ Ami prior to transfer to the Broadway. But I saw Crimso at the Prix D’ Ami on Octubre 2, 1994, 22 Read more
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Do Not Hesitate To Acquire This Thu., Nov 11, 2010
Posted by: Squonkamatic
I must confess a certain attachment to the Revox & Les Paul era Frippertronics work that cannot be put into verbal terms. "Let The Power Fall" and "God Save The Queen" are amongst the Read more
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A Wish Come True! Thu., Nov 11, 2010
Posted by: Squonkamatic
Thank you, DGM, for making these Frippertronics shows available, of which this is my favorite. While taken from a less than perfect source the artistry at work is breathtaking, perhaps the drama Read more
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I do know one thing... Wed., Nov 10, 2010
Posted by: mobartz
...it was Bill Bruford’s birthday on this date. Belew mentioned this during Indicipline a couple of times. Quite amusing. This was my first KC show, and I was blown Read more
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London, London, United Kingdom December 03, 1977
Posted by: lukifer999
I love this demo so much i wish u would do overdubs and make all the dgmlive stuff into new albums, long live the King
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a Krautrock Crim! Tue., Oct 26, 2010
Posted by: Neumann
Maybe it’s the bongo drum sounds (samples?), or the Michael Karoli vibe in Adrian Belew’s guitar repetition, but I hear something resembling classic Can at work here...of course some of those more subversive early ’70s German bands were Thrakking long Read more
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Tasty Noodles Tue., Oct 19, 2010
Posted by: desol81
Really chock full of kinetic energy. I would have happily sat through a whole 90 minute set of just this type of faux "improv".
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