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      No Subject January 13, 2011
Written by peter29
It’s really interesting how in such circumstances, when there is no audience and no expectations music can be so moving, as if this is the perfect time for its creation. This reminds me 2006 sound check from Broad Chalke. This short piece is in my opinion very close in its mood to Soundscapes from mid 90s. But perhaps that’s just the musical key RF accidentally used. However this distinctive, rough guitar sound presented on all of the Churchscapes here seems to be even more dark and definitive. Technical question: this is not a big problem here but is it something to do with the recording process that the track itself is in mono?
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Your search found 578 items (Viewing 41 to 50 of 578)
| Fan Review |
Superb sound quality, but... Tue., Nov 29, 2011
Posted by: pyroseed13
there is a mistake in the track listing. What is listed as "Walk Don’t Run" is actually "Pipeline."
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| Fan Review |
Mexico City, Mexico November 30, 2004
Posted by: peter29
The sonic quality of this recording is outstanding. It seems though that the time of the perfomance prevented music form further developing itself as the improvisations end quite suddenly. That didn’t spoiled their Read more
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| Fan Review |
I was there! Wed., Nov 2, 2011
Posted by: jackeast
I was at this performance - still have my ticket stub! I also recorded part of this show on a microcassette player in my shirt pocket, but I was right up front and didn’t Read more
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| Fan Review |
Best Pure Frippertronics Release Yet? Sun., Sep 4, 2011
Posted by: Squonkamatic
Really really enjoying this set and had to speak up. In spite of "just" being a 2 song set it’s absolutely worth every penny and a Frippertronics devotee’s fantasy: A fly on the wall’s live sonic view of the Frippertronics Read more
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| Fan Review |
Salisbury Cathedral Sat., Sep 3, 2011
Posted by: Broadsword
I wandered into Salisbury cathedral in mid June 1997 to find somewhere quiet to work on the outline for my degree thesis. Instead I found a guy setting up an electric guitar and what looked like left over equipment from the filming of Read more
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| Fan Review |
That's Wetton Fri., Sep 2, 2011
Posted by: thestevesteele
I’m a bass player, and I’ve studied a lot of Wetton (mostly his 73’ -78’ work) and I can tell you for sure that is Wetton’s bass playing on Disengage. There are a couple of distinctive things, such as the Read more
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| Fan Review |
Wetton one last time! Thu., Sep 1, 2011
Posted by: thestevesteele
I thought I knew a lot about KC history, especially the Wetton/Bruford years. But I had no idea that Wetton played with Fripp at all after Red, much less on a demo for Read more
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| Fan Review |
Memphis Blues Wed., Aug 31, 2011
Posted by: Wordsmith
I too was drawn to this download by the potential thrill of hearing what former "stunt guitarist" Michael Keneally could do in a Soundscape situation. Although his contributions are a little lost in the mix at times, I Read more
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| Fan Review |
Another Tue., Aug 30, 2011
Posted by: mflaherty
The continuation of DGM’s current "Let’s get all of Michael’s money" project.
Of course the big deal is Mike Kenneally joining Fripp for 18 minutes, and while he’s somewhat buried for the first half, he Read more
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| Fan Review |
Heaven On Earth Mon., Aug 1, 2011
Posted by: drgroovy
In March of 1990, I was living - for a very brief period of time - in Poughkeepsie, NY when this tour came around. I had absolutely no idea what, or who, The League of Crafty Guitarists Read more
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