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      Peaches, Ft. Laud., FL May 19, 2011
Written by mrdickens
Robert Fripp’s name appeared on the marquee of this chain record store for about a week, and I was shocked. I attended the concert on time and the store was already thoroughly packed. So I had to stand in the back, and since it was a store floor after all, it was hard to see. Also Mr. Fripp is relatively short in stature so that made it worse. Mr. Fripp began with a surprisingly lengthy unamplified spoken preamble which was very difficult to make out, and audience members were shouting out from time to time with, "Microphone! Can’t hear you!" etc. One thing I recall him saying which surprised me was a comment on digital sampling and saying how wonderful it was that now we could use practically any sound in any manner, and he gave the example of using a door slam as a drumbeat. Disregarding the audience’s outbursts, Mr. Fripp spoke in a very quiet manner. He also mentioned something about the performer’s limited obligation to the audience, the "vampiric" relationship, and a prohibition on recording devices, since they diminish the possibilities of the performance. With much urgency, someone finally appeared with a mic on a mic-stand and after weaving through the audience, placed it in front of Mr. Fripp. Whereby, Mr. Fripp immediately concluded his monologue and began his guitar solo with Revox machine. When that was done, Mr. Fripp stopped, rewound the tape, gave a brief description of the intention of the following overdubbed improvisation, and then proceeded with a rather scalding performance over top the previous foundation. Quite soon after the performance I was obligated to leave for some reason that I don’t recall. I was quite overwhelmed by the performance. In the photo, you can see a "corn plant" which is a popular ornamental plant, and also large paper which was hung for the performance, over the enormous plate glass windows of the store. The store has changed hands multiple times, but still stands at 1500 E Sunrise BLVD. J
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Your search found 1969 items (Viewing 351 to 360 of 1969)
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Pianoscapes and smaller details Tue., Feb 15, 2011
Posted by: Otohiko
This is a wonderful-sounding recording of a performance from a very experimental period in soundscapes. With its sparser tones and a prominence of piano synth notes, it’s a rather stark, minimalist, but still wonderfully moody Read more
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| Fan Review |
Lovely Mon., Feb 14, 2011
Posted by: MichaelC
I have downloaded quite a few soundscapes and i think this one is quite lovely, sort of a quiet space inbetween the churchscapes, the darker soundscapes earlier in the 1990s and even a little of the guitar timbre of no Read more
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| Fan Review |
So where do I get the album? Fri., Feb 11, 2011
Posted by: HarrySpade
I’ve been enjoying these samples and freebies over the last few years, and this download is piquing my interest in the entire album. I love the strings and harmonized vocals.
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It drones on and on and on... Wed., Feb 9, 2011
Posted by: gregjames
… Wonderfully... Remarkably...
Crimheads often delve in counterfactual history and muse about such topics as “What if the ’69 band stayed together and did another album?” or “What if Ian Mac rejoined the band after Red and Crim Read more
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| Fan Review |
Trower/KC/TYA Tue., Feb 8, 2011
Posted by: firebexar
I came to see King Crimson (for the first time) and left fulfilled. They were touring on the strength of "Starless and Bible Black." Robin Trower, the opening act, was really solid, too, especially his fine (now late) singer, Jame Read more
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| Fan Review |
More terrific LOG Thu., Feb 3, 2011
Posted by: keeves
There is a strange eccentricity about LOG that has me smiling on the greyest of days and this collection is no exception. Inductive Resonance with its highly effusive c minor hookline and astonishingly fast middle section is probably the Read more
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| Fan Review |
Towering Tape-delay Extacy Tue., Feb 1, 2011
Posted by: Blackwater
I have been a great fan of both Fripp and Eno for over thirty years becoming hooked when I aquired a second hand copy of ’No Pussyfooting’ from a friend who thought it was Read more
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| Fan Review |
Fun Thu., Jan 27, 2011
Posted by: Spingere
While I enjoyed the music and couldn’t stop myself from playing ’spot the theme’ the thing that surprised me about this excerpt was how it made me laugh. There’s a wonderful energy between T-Lev and Trey on show Read more
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| Fan Review |
Addendum Tue., Jan 25, 2011
Posted by: Carnamagos
I’ve nothing to add to the other superlatives here, but I want to note one thing about this recording that no one else seems to mention: David Cross’s mellotron was largely missing in action for much of the Read more
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| Fan Review |
An Index of Anagrams Thu., Jan 20, 2011
Posted by: keeves
Soft Gun Poison is of course No Pussyfooting. Here is a sanitised version of a bootleg I was unaware of and the fairy dust must be a good batch because this might have been recorded last Read more
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