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  Thank you Thank you February 13, 2012
Written by Sandro
Thank you Thank you Thank you Thank you...This is too much...Thank you
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Your search found 1968 items (Viewing 341 to 350 of 1968)
| Fan Review |
Sans Souci Tue., Mar 1, 2011
Posted by: Jackwagon
Who wrote this shit. That’s funny
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| Fan Review |
yriemfk Sun., Feb 27, 2011
Posted by: Jackwagon
this music is weird
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| Fan Review |
Miami, FL October 16, 1997
Posted by: eviLMGD
Quite what the punters at these gigs made of this I can’t imagine. Those expecting hundreds of notes per minute might have had a problem with this material. Listening to it now, I find it Read more
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| Fan Review |
SOLO! Tue., Feb 22, 2011
Posted by: SSImuse
Regardless of what he thinks (most musicians are never happy with thier sound, anyway), Giles had the best sounding snare drum ever recorded, hands down. What a great find! Thanks, Stormy...
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| Fan Review |
London, London, United Kingdom July 21, 1969
Posted by: Slipstream
Giles may never have been happy with the sound of his drums, but I just find it extremely beautiful.
Thanks for another gem, Stormy!
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| Fan Review |
Unmistakable Mon., Feb 21, 2011
Posted by: microbunny
One of the most distinctive drums sound ever put to tape. I can tell it’s Mike Giles’ kit from a million miles away. As instantly recognizable as Fripp’s guitar from this Read more
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| Fan Review |
setting drum levels can equal music! Mon., Feb 21, 2011
Posted by: syncopatico
Ah, the glory days of late-1960’s/early-1970’s English prog-rock drumming (and drumming in general)! Back from a time when young adventurous drummers were influenced by jazz and possessed some swing and finesse to their Read more
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| Fan Review |
London, London, United Kingdom July 21, 1969
Posted by: emmapeelfanclub
Absolutely fascinating stuff hearing the drums in your face and with great detail like this! I was just saying on Facebook that though I can sympathise with Mike’s view, the sound of the drums helped give KC69 a Read more
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| Fan Review |
Improvscapes Tue., Feb 15, 2011
Posted by: Otohiko
This is a record I’ve been coming back to often over the last few months, largely because it’s so free-flowing and exploratory. There is a lot of long, sorrowful sweeps here, but they’re not intense - they come and go Read more
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| Fan Review |
Pianoscapes and smaller details Tue., Feb 15, 2011
Posted by: Otohiko
This is a wonderful-sounding recording of a performance from a very experimental period in soundscapes. With its sparser tones and a prominence of piano synth notes, it’s a rather stark, minimalist, but still wonderfully moody Read more
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