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  Palais November 29, 2010
Written by keeves
Robert Fripp’s performance was indeed a little winded by the Roland Guitar Synth this night. There are two tunable distortion synths plus a master tuner which are all rotary operated knobs and therefore very easy to disturb on a dark stage. The GR300 synthesizer is not midi controlled, certainly not in 1982 and my own unit has numerous other eccentricities. This was also my first KC gig some time after 3 evenings watching the incredible League of Gentlemen - at all of which Mr Fripp was most approachable. All in, King Crimson played fabulous music, with a slight flounder during Sheltering Sky. I had no regrets over pawning my twelve gear racing bike to afford the ticket. Now - Albert Hall 1995 is something else again.
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Your search found 1962 items (Viewing 331 to 340 of 1962)
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worth it for the sound clarity Tue., Mar 8, 2011
Posted by: acroyear
There are some KC fans, and I have to include myself as one, for whom the loud distortions and uneven mixes present in the bootleg and cassette soundboard sources of this era of Crim (particularly Earthbound itself, though the most Read more
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excellent Mon., Mar 7, 2011
Posted by: neonheatdisease
a great show. well recorded, and quietly hilarious. i never noticed the lack of mellotron before....odd.
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Oklahoma City, OK June 07, 1974
Posted by: DPLZKC
“The end of Talking Drum and the beginning of Larks II was missing, but for continuity purposes I took the missing section from their show at Fort Worth from the day Read more
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Sans Souci Tue., Mar 1, 2011
Posted by: Jackwagon
Not so much a review but a plea to where one can find live "Wake of Poseidon" recordings here. This was the album that was my introduction to King Crimson back in Read more
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Sans Souci Tue., Mar 1, 2011
Posted by: Jackwagon
Who wrote this shit. That’s funny
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yriemfk Sun., Feb 27, 2011
Posted by: Jackwagon
this music is weird
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Miami, FL October 16, 1997
Posted by: eviLMGD
Quite what the punters at these gigs made of this I can’t imagine. Those expecting hundreds of notes per minute might have had a problem with this material. Listening to it now, I find it Read more
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SOLO! Tue., Feb 22, 2011
Posted by: SSImuse
Regardless of what he thinks (most musicians are never happy with thier sound, anyway), Giles had the best sounding snare drum ever recorded, hands down. What a great find! Thanks, Stormy...
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London, London, United Kingdom July 21, 1969
Posted by: Slipstream
Giles may never have been happy with the sound of his drums, but I just find it extremely beautiful.
Thanks for another gem, Stormy!
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| Fan Review |
Unmistakable Mon., Feb 21, 2011
Posted by: microbunny
One of the most distinctive drums sound ever put to tape. I can tell it’s Mike Giles’ kit from a million miles away. As instantly recognizable as Fripp’s guitar from this Read more
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