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      Sustaining! March 19, 2012
Written by syncopatico
Concurring heartily with previous reviews! I’ve actually "always" loved Lizard (and felt the initial stereo mix and mastering was *state of the art* for 1970 (especially the drum sound!) so i haven’t quite understood all the hubbub over the new Steven Wilson mix enabling this album to be heard clearly and spatially ’correct’ for the first time (in regards to his new stereo mix anyway); 5.1 will have to wait for this sonic resistor.
Getting back to the alternate take selection at hand, it would be interesting to know the order or number of each of the four solos recorded for Prince Rupert’s Lament (obviously we DGM visitors have only heard this alternate and the master so far of course). This particular alternate solo sounds slightly ’busier’ than the master (could this have been an earlier take?), and is as equally as valid, with perhaps a fadeout beginning at approximately 2:00 and ending at 2:12 on that long sustained note/bend being effective (on the alternate reality master/album) before Big Top kicks in.
I agree with the choice of removing the clean chordal accompaniment for the album--its presence makes the solo sound not quite lamentable enough--but is very interesting in this context to hear what RF was originally playing/listening/responding to.
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Have no hesitation on this one! Mon., Mar 21, 2011
Posted by: becarmi
This is a small contribution that we should all make to help relieve extreme suffering in Sendai. This is devastation at a scale most of us will never see. Let’s do our Read more
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Best of the Earthbound tour boots Fri., Mar 18, 2011
Posted by: Bartman72
Maybe the best documented performance by this lineup in 1972. Exceptional performances of Pictures & Schizoid Man. The audience really gets into it too; they’re especially appreciative of Mel. The audio isn’t great, but it’s Read more
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missing link back to projecKts Thu., Mar 17, 2011
Posted by: heavenly
this is the missing link back to the projecKts - and proably was not included exactly for that reason. no, there is no melody but it’s thundering rhythm is consistent and the walking bass indeed reminds of Read more
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The one missing Wed., Mar 16, 2011
Posted by: orrason
I agree, this should have been included with Power to believe which for me is a bit to sterile and polished. Perhaps the 30th anniversary version of that album available in HD hologramic 32 bit / 192 KHz sampling Read more
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MmmHmm Wed., Mar 16, 2011
Posted by: piikea
This would’ve been the best thing on TPTB. And it does sound like Levin indeed.
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| Fan Review |
Buzzsaw! Mon., Mar 14, 2011
Posted by: Sean_Hollenhors
Ahhh...that’s the good stuff.
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TCOL part deux Mon., Mar 14, 2011
Posted by: SturgeonsLawyer
A sparkling performance which would have only improved TPTB, follows in the feetstep of the title track of TCOL with its walking bass and blistering guitar.
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| Fan Review |
Cold-starting the 1995 tour Fri., Mar 11, 2011
Posted by: JPrisco
There’s a different set of rewards in listening to a run of shows rather than just one; smaller victories emerge among the larger triumphs, and we come a Read more
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A world apart Wed., Mar 9, 2011
Posted by: dubhthaigh
For lack of a better designation, the Earthbound iteration of KC always seemed to me to be ill served by both the material and the extant recordings of its efforts. Except for this, which is worlds apart from everything else Read more
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| Fan Review |
worth it for the sound clarity Tue., Mar 8, 2011
Posted by: acroyear
There are some KC fans, and I have to include myself as one, for whom the loud distortions and uneven mixes present in the bootleg and cassette soundboard sources of this era of Crim (particularly Earthbound itself, though the most Read more
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