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      Peaches, Ft. Laud., FL May 19, 2011
Written by mrdickens
Robert Fripp’s name appeared on the marquee of this chain record store for about a week, and I was shocked. I attended the concert on time and the store was already thoroughly packed. So I had to stand in the back, and since it was a store floor after all, it was hard to see. Also Mr. Fripp is relatively short in stature so that made it worse. Mr. Fripp began with a surprisingly lengthy unamplified spoken preamble which was very difficult to make out, and audience members were shouting out from time to time with, "Microphone! Can’t hear you!" etc. One thing I recall him saying which surprised me was a comment on digital sampling and saying how wonderful it was that now we could use practically any sound in any manner, and he gave the example of using a door slam as a drumbeat. Disregarding the audience’s outbursts, Mr. Fripp spoke in a very quiet manner. He also mentioned something about the performer’s limited obligation to the audience, the "vampiric" relationship, and a prohibition on recording devices, since they diminish the possibilities of the performance. With much urgency, someone finally appeared with a mic on a mic-stand and after weaving through the audience, placed it in front of Mr. Fripp. Whereby, Mr. Fripp immediately concluded his monologue and began his guitar solo with Revox machine. When that was done, Mr. Fripp stopped, rewound the tape, gave a brief description of the intention of the following overdubbed improvisation, and then proceeded with a rather scalding performance over top the previous foundation. Quite soon after the performance I was obligated to leave for some reason that I don’t recall. I was quite overwhelmed by the performance. In the photo, you can see a "corn plant" which is a popular ornamental plant, and also large paper which was hung for the performance, over the enormous plate glass windows of the store. The store has changed hands multiple times, but still stands at 1500 E Sunrise BLVD. J
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Halloween Fun! Tue., Feb 12, 2013
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The King returns!! Tue., Feb 12, 2013
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King Crimson had been to our beautiful city of Denver as recently as of June 18th, 1995, at the same venue, The Paramount Theater. At that time, I was absolutely blow away at the power and Read more
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Good, but - ??? Mon., Feb 11, 2013
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Always great to download a show from DGM that I was at.
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discotronics to the max Thu., Feb 7, 2013
Posted by: jeremykeens
I recently came here and found the range of material on offer. I love KC but frippertronics/discotronics have me more mesmerised. I have all the actual releases from God Save The Queen on(slight exaggeration, At The End Of Time and Read more
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A performance I'll never forget Mon., Feb 4, 2013
Posted by: earlrexrode
Words fail. Mesmerized in the third row, I never wanted this show to end.
P2 lands the knockout punch in an air of magic, musical brilliance and creative freedom. Masterful play by all, Belew steals thunder on drums and Read more
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Improvisitors... Sun., Feb 3, 2013
Posted by: Linus_Robinson
Im not entierly sure if its apropos to mention a title bootleg cd of this on DGM’s guestbook, well anyway an all audience recording cd of June 6, 1974 was named "Improvisitors"... rather clever...
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Curious Tue., Jan 29, 2013
Posted by: JordanClifford
It’s curious to me, as it should be to anyone, to see a 2 minute Easy Money followed by a long improv. Why do they separate this one as a separate and re-titled improv instead of just billing it as Read more
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Easy Money alone is worth it Tue., Jan 22, 2013
Posted by: JordanClifford
I understand why some people prefer the edit of "Asbury Park". However, it sounds like after the USA cut ends it goes into an entirely different improv, as if it’s 2 different attempts, all within the same Read more
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At the end of time Wed., Jan 16, 2013
Posted by: jackalope
One of the the most sonically pleasing beautiful works I have ever heard from RF......highly recommend .....10 stars and throw in a few planets as well ........
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