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      Fruit Of The Fripperboard February 5, 2012
Written by happypig
This is the essence of Robert Fripp’s Guitar Work, for me, at least. The interlocking stuff, the complex-timed constructions, the Soundscapes, I wait (and sometimes suffer) through all of that to get the smidgen of this. Solos like the "Hammond Song", like "St. Elmo’s Fire"-A sui generis tone, playing melodies not based in the blues, but having just as much emotion. The few notes of "Heroes" says more than all the notes of all the shredders together. A reviewer once wrote "Withering" and I couldn’t agree more.
I often wanted to attend a Guitar Craft course, just for the chance to ask RF a "burning question" -"Why are you so parsimonious with these gems?" The Frippertronics shows of yore were rich with the melodic solos, but they really shine as part of a song. A fantasy of mine would put RF in a studio with Art Garfunkel or Aaron Neville, a piano trio (preferably Larry Goldings) and new songs by people who know better. Produced "audio verité" style. That guitar with those voices, in that setting. Traditional and cutting edge simultaneously. And I’ll bet that record would shift a few units as well.
But I digress...
I do not mean to dismiss the larger portion of RF’s work, but the "Gamelan Guitars" start to sound like The Hanon and Czerny exercises I had to endure as a student. The Soundscapes remind me of Tangerine Dream and Eno’s ambient stuff. The aleatoric-ish Crim tunes sometimes sound like they are dense and difficult for their own sake. I continue to buy Crim and Fripp-related music because I am assured that there will always be something that will interest me therein, and there is always a chance that there will be some sort of Fripp melodic moment contained.
2¢ deposited, Soapbox collapsed. And if anyone has Art or Aaron’s phone number, pass it over to RF-I have Larry’s...
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Your search found 1962 items (Viewing 271 to 280 of 1962)
| Fan Review |
Performance Question Tue., Jun 14, 2011
Posted by: MarkSullivan
This is a lovely recording--I’d have given it 4.5 stars if I could have--and it’s wonderful to hear the synced solos. You don’t get the full effect of a Frippertronics performance with just the Read more
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Monday Rendez-Vous Mon., Jun 13, 2011
Posted by: Radiolux
Thank you very much for this little KC gem. This Monday rendez-vous is always a pleasure. As we mostly had 1969-1972 or post 1977 material so far, I hope this one is the beginning of a 1973-1974 Crimson Read more
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acoustic harmonics Tue., Jun 7, 2011
Posted by: crimson_king22
I had read once, I think in Sid Smith’s bio of the group, that these notes were the last ones Fripp would play on an acoustic guitar on a KC Read more
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Gem Mon., Jun 6, 2011
Posted by: dwayne
Really nice. May I be so bold as to suggest the same treatment for Cirkus one day perhaps, Mr. Stormy?
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London, London, United Kingdom July 08, 1974
Posted by: emmapeelfanclub
Thanks for this. I always enjoy these glimpses into component parts of a multitrack. This is utterly charming!
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HAPPY Fri., Jun 3, 2011
Posted by: melvinc7
THANK YOU THIS IS WHAT WE CRIMSON FANS WANT.YIPPIE!!OR AS MY FATHER WOULD SAY WELL ALRIGHT.
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| Fan Review |
OH HAPPY DAY! Fri., Jun 3, 2011
Posted by: melvinc7
GLAD TO SEE MR.FRIPP IS LISTENING TO HIS HUMBLE AND LOYAL FANS.THANK YOU MR.FRIPP THIS IS WHAT WE WANT.BEEN WAITING SINCE I GRADUATED HIGH SCHOOL IN 1981.BLESSINGS TO YOU.BEST REGARDS TIM COLLINS
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| Fan Review |
Beautiful Fri., Jun 3, 2011
Posted by: microbunny
Very glad the audience recording was incorporated into the upload as the natural reverb from the venue really adds a lot of character to this Frippertronics show. The atmosphere and attentive audience appears to have made the difference and really brought Read more
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| Fan Review |
Great Wed., Jun 1, 2011
Posted by: construccion
Excellent Music.
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| Fan Review |
Another excellent release! Wed., Jun 1, 2011
Posted by: foonon
I’ve had a copy of the bootleg for a while now and I was very happy to see that I could now purchase a high-quality recording of this show. Very well Read more
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