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      Peaches, Ft. Laud., FL May 19, 2011
Written by mrdickens
Robert Fripp’s name appeared on the marquee of this chain record store for about a week, and I was shocked. I attended the concert on time and the store was already thoroughly packed. So I had to stand in the back, and since it was a store floor after all, it was hard to see. Also Mr. Fripp is relatively short in stature so that made it worse. Mr. Fripp began with a surprisingly lengthy unamplified spoken preamble which was very difficult to make out, and audience members were shouting out from time to time with, "Microphone! Can’t hear you!" etc. One thing I recall him saying which surprised me was a comment on digital sampling and saying how wonderful it was that now we could use practically any sound in any manner, and he gave the example of using a door slam as a drumbeat. Disregarding the audience’s outbursts, Mr. Fripp spoke in a very quiet manner. He also mentioned something about the performer’s limited obligation to the audience, the "vampiric" relationship, and a prohibition on recording devices, since they diminish the possibilities of the performance. With much urgency, someone finally appeared with a mic on a mic-stand and after weaving through the audience, placed it in front of Mr. Fripp. Whereby, Mr. Fripp immediately concluded his monologue and began his guitar solo with Revox machine. When that was done, Mr. Fripp stopped, rewound the tape, gave a brief description of the intention of the following overdubbed improvisation, and then proceeded with a rather scalding performance over top the previous foundation. Quite soon after the performance I was obligated to leave for some reason that I don’t recall. I was quite overwhelmed by the performance. In the photo, you can see a "corn plant" which is a popular ornamental plant, and also large paper which was hung for the performance, over the enormous plate glass windows of the store. The store has changed hands multiple times, but still stands at 1500 E Sunrise BLVD. J
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Your search found 578 items (Viewing 251 to 260 of 578)
| Fan Review |
abrupt start Tue., Dec 2, 2008
Posted by: syncopatico
I feel like Oliver Twist tremblingly begging for more.
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| Fan Review |
wow Mon., Dec 1, 2008
Posted by: Grobschablone
Can’t get enough of this session. Exposure is one of my all time favourite albums. The new edition was very good, but now I hope of more session tracks to complete it.
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| Fan Review |
There is a god Fri., Nov 28, 2008
Posted by: mikeh69
1977 CFW FCW WFC ....I love it Im so happy I finally heard Collins play with Fripp/Wetton
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| Fan Review |
A peak soundscape performance Tue., Nov 25, 2008
Posted by: davidfsnyder
While following the same general structure as the other soundscapes in the general time zone of this perfformance, this particular performance finds the heart of that structure and releases a fascinating interplay of tone and temperaments Read more
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| Fan Review |
Hmmmm ? Tue., Nov 18, 2008
Posted by: microbunny
Not to downplay the wonderful performances of Tony Levin and Narada Michael Waldon, but this trio would have been amazing on the "Breathless" track. I’ve always loved Collins’ drumming and the unique sound of his kit with his unusual single Read more
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| Fan Review |
London, London, United Kingdom December 03, 1977
Posted by: DanAnderson
Okay, Stormy - a challenge. How many snippets does RF have of this trio? THIS could be an interesting CD download or CC release all on its own. Dan
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| Fan Review |
London, London, United Kingdom December 03, 1977
Posted by: paulwelsh
What fun! And imagine if Wetton and Collins had been providing vocals and lyrics. Now that’s what I call a supergroup!
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| Fan Review |
NYCrimson?!! Mon., Nov 17, 2008
Posted by: syncopatico
Was this the closest Phil Collins got to being a member of King Crimson? Three lads in New York City check levels and an urban minimalist funk groove arises with conviction of Crimson improv Read more
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| Fan Review |
I Quite Like It Fri., Oct 31, 2008
Posted by: ScottM
Though apparently this is edited down, it’s music allowed to ebb and flow at some length, which is the quality I enjoy most in Fripp’s Soundscapes (and Frippertronics) work. Nice. Had I been at the Bath train station, I would Read more
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| Fan Review |
Musical Haiku's Sun., Oct 19, 2008
Posted by: knet70
These three little pieces are like bright gems. The sound quality is amazing. You feel as though you are on the floor with the band. The tune up is the most sublime tune up I’ve ever heard, it Read more
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