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      Sustaining! March 19, 2012
Written by syncopatico
Concurring heartily with previous reviews! I’ve actually "always" loved Lizard (and felt the initial stereo mix and mastering was *state of the art* for 1970 (especially the drum sound!) so i haven’t quite understood all the hubbub over the new Steven Wilson mix enabling this album to be heard clearly and spatially ’correct’ for the first time (in regards to his new stereo mix anyway); 5.1 will have to wait for this sonic resistor.
Getting back to the alternate take selection at hand, it would be interesting to know the order or number of each of the four solos recorded for Prince Rupert’s Lament (obviously we DGM visitors have only heard this alternate and the master so far of course). This particular alternate solo sounds slightly ’busier’ than the master (could this have been an earlier take?), and is as equally as valid, with perhaps a fadeout beginning at approximately 2:00 and ending at 2:12 on that long sustained note/bend being effective (on the alternate reality master/album) before Big Top kicks in.
I agree with the choice of removing the clean chordal accompaniment for the album--its presence makes the solo sound not quite lamentable enough--but is very interesting in this context to hear what RF was originally playing/listening/responding to.
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Roaring guitars and thundering drums. Fri., Sep 2, 2011
Posted by: pinkmilk
Paris seems to be one of those cities that most inspires Crims Of all downloads made available by Live Dgm, those of Paris never disappoint. This record is a chronicle of what happened that night: An Evening of those in Read more
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i remember... Thu., Sep 1, 2011
Posted by: jewellworks
i was at this show. its a show ill never forget as long as i live. one of my best friends was Ken Latchney, who was Adrian’s tech. i found myself in the Read more
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Wetton one last time! Thu., Sep 1, 2011
Posted by: thestevesteele
I thought I knew a lot about KC history, especially the Wetton/Bruford years. But I had no idea that Wetton played with Fripp at all after Red, much less on a demo for Read more
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Amazing! Thu., Sep 1, 2011
Posted by: pinkmilk
Short but beautiful concert of this wonderful quartet that brings out all its sonic potential in this evening to be framed as one of the best performances of the tour. Songs are played masterfully with a focus on the rhythm Read more
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Menacing Muir Thu., Sep 1, 2011
Posted by: harmonicscarf
this is quite a violent gig. there are explosive intensities in the percussives. This changed my life in a good way, i thought I wasn’t going to have any more mindblowing crim experiences but this did it Read more
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Hull Heaven Thu., Sep 1, 2011
Posted by: petersenior
A complete and excellent show from the Muir era band. Despite the source this has good sound apart from the odd bit of distortion and top end crackle, far superior listening to the Zoom Club 2cd Read more
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| Fan Review |
Oxford Dreaming Thu., Sep 1, 2011
Posted by: petersenior
Superb playing and great sound for an audience bootleg. After a great Larks 1 followed by some amusing comments from RF there is a sublime Daily Games drifting via a DC solo into a pastoral improv which quietly builds into Read more
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griffinsfire Thu., Sep 1, 2011
Posted by: griffinsfire666
I saw this tour in Syracuse,N.Y. and the show was fantastic! The whole band shined, surpassing my already high expectations.
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Memphis Blues Wed., Aug 31, 2011
Posted by: Wordsmith
I too was drawn to this download by the potential thrill of hearing what former "stunt guitarist" Michael Keneally could do in a Soundscape situation. Although his contributions are a little lost in the mix at times, I Read more
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| Fan Review |
Another Tue., Aug 30, 2011
Posted by: mflaherty
The continuation of DGM’s current "Let’s get all of Michael’s money" project.
Of course the big deal is Mike Kenneally joining Fripp for 18 minutes, and while he’s somewhat buried for the first half, he Read more
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