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  A Unique Occasion February 25, 2012
Written by simkin_eden
So here I am nearly 40 years later reviewing a gig for a group of musicians some of which are still working, and I am still listening to (with probably even more enthusiam than at the time!) My introduction to KC was through a school friend who was a drummer and had long admired Bill Bruford. How he knew that this gig was taking place (we lived about 15 miles away) I don’t know but somehow he acquired tickets for us both. Though the university had a students union venue, with stage etc., and a theatre the gig was held in the main lecture theatres (actually two with a dividing wall that could be removed) consequently there was no proper stage only a large podium where lecturers would stand - this meant that this was the space that the band would perform on and we in auidience could sit as close as possible to them. As we queued to enter the theatre Robert Fripp strolled past us carrying his guitar in a very impressive custom made leather case that fitted the body of the instrument leaving the neck exposed. He then paused, we were close enough to speak to him, fear and admiration stopped us. We managed to seat ourselves close to the podium and so a close-up view of the band, memorable was Bruford in white boiler suite (bib and braces) and bare chested and Jamie Muir in a fake fur cropped jacket! Even more memorable was Muir’s ’instruments’ a seemingly random collection of percussion items and junk! Fripp sat on a stool seemingly impassive and so our attention in the main was on Muir and Bruford! The music was a revealation, we were both familir with ICOTCK (an LP whose impact on our musical tastes was in itself remarkable), but nothing prepared us for what was played that night, some of which would end up on LTIA. Forty years on my actual memories of the music is vague (for which I apologise), most of my memories are are incidents such as Jamie Muir using a blood capsule (I thought it was real until my friend explained!) This was a gig that would change my musical tastes and these years on I realise that I was very fortunate to see the line-up of KC that included Jamie Muir, when we saw them at the Rainbow in London nearly two years later he had moved on.
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Your search found 1969 items (Viewing 21 to 30 of 1969)
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Contributing Trey Thu., Apr 4, 2013
Posted by: fhc339835
This recording’s mix is clearly presenting Trey’s contribution to the double trio on right channel. Highly recommended (and headphones).
Cheers Ps. of course, the rest beside Trey is fantastic as well :-)
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First Choice Sun., Mar 24, 2013
Posted by: fhc339835
Just making my way through the 2013 dgm-bundle of double trio crimsoning, I come to a halt now in St. Petersburg, FL: Take a deep breath, wait, reflect - this was a really outstanding gig in a series of regularily excellent Read more
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Thanks! Tue., Mar 19, 2013
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Been wanting to hear this for 31 years!! Much appreciated!
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Of Stick And Slit Drum Tue., Mar 19, 2013
Posted by: syncopatico
I’d recognize that 17/16 pattern anywhere!
Wonderful to hear *just* the "rhythm section" especially the modulation in the second half of the piece when Bill switches the percussion from the more genteel slit drum accents to the heavier boobams, rototoms Read more
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Frippertronics meets Soundscpe Sun., Mar 17, 2013
Posted by: jeremykeens
One of the many pleasures of this site is finally hearing the 1980s Frippertronics concerts: we had bought GSTQ, UHM and heard the loops & read that there were solos over Read more
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A Testament to George Chkiantz Thu., Mar 14, 2013
Posted by: syncopatico
Whenever I hear recorded evidence of King Crimson in 1973/74 I’m reminded of the superb audio recording/engineering talent(s) of George Chkiantz! Each instrument can be heard clearly in the overall mix: the guitar occupying its proper space, a full Read more
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More please... Wed., Mar 13, 2013
Posted by: jeffoaster
Judging by this performance and the Atlanta one the following week, Crimso were really on fire at this point - moreso than usual. While the sound quality isn’t pristine and has some occasional dropouts, it is certainly listenable Read more
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Do yourself a favour Sun., Mar 10, 2013
Posted by: jeremykeens
The title of this review is Australian Rock Music Press ikon Molly Meldrum’s signature phrase. And you would be mad not to buy all four of these shows for a mere $20 (or a bit more for Read more
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London, London, United Kingdom January 07, 1974
Posted by: johnnypro
this heals my soul
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Lovely Sat., Mar 9, 2013
Posted by: myshadow
Now we have around five minutes of music from Starless And Bible Black, and these ’studies’ are lovely. I too, am amazed these weren’t added to the 40th anniversary edition. I know, often artists feel that the final takes are Read more
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