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  Sustaining! March 19, 2012
Written by syncopatico
Concurring heartily with previous reviews! I’ve actually "always" loved Lizard (and felt the initial stereo mix and mastering was *state of the art* for 1970 (especially the drum sound!) so i haven’t quite understood all the hubbub over the new Steven Wilson mix enabling this album to be heard clearly and spatially ’correct’ for the first time (in regards to his new stereo mix anyway); 5.1 will have to wait for this sonic resistor.
Getting back to the alternate take selection at hand, it would be interesting to know the order or number of each of the four solos recorded for Prince Rupert’s Lament (obviously we DGM visitors have only heard this alternate and the master so far of course). This particular alternate solo sounds slightly ’busier’ than the master (could this have been an earlier take?), and is as equally as valid, with perhaps a fadeout beginning at approximately 2:00 and ending at 2:12 on that long sustained note/bend being effective (on the alternate reality master/album) before Big Top kicks in.
I agree with the choice of removing the clean chordal accompaniment for the album--its presence makes the solo sound not quite lamentable enough--but is very interesting in this context to hear what RF was originally playing/listening/responding to.
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| Fan Review |
Concrete cavern Wed., Jul 13, 2011
Posted by: NotoriousA
I was there for this show, at the Casino. I took a bus by myself from north Jersey. It was general admission, with no seating on the ground floor. Though at the front end of the line, I opted for Read more
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| Fan Review |
London, London, United Kingdom September 10, 1970
Posted by: emmapeelfanclub
Thanks for yet another fascinating glimpse from the old multitracks. Keith is in pretty fiery demonic form here!
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| Fan Review |
Delightful Mon., Jul 4, 2011
Posted by: wildea
This is really a poerful version of this song where you can hear all of the players adding touches to the music. Outstandingly beautiful
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| Fan Review |
My first KC show. Fri., Jul 1, 2011
Posted by: bperkins
Front row balcony for this show was a real treat. My brother and I stopped on the way home at Tower records and bought LTIA. We each bought a copy even though we lived in the same Read more
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| Fan Review |
A real gift Wed., Jun 22, 2011
Posted by: gasmrv
This is a wonderful version of an often overlooked KC song. I think I may prefer this over the already excellent original version.
Thank you Mr Stormy!
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| Fan Review |
San Diego, CA June 08, 1984
Posted by: eviLMGD
Love this show. Missing here is the bit near the end which sounds like an overenthusiastic/ stroppy SDSU official cut the power and Ade telling the audience "We came here to play for you, and play we will" (I’m paraphrasing Read more
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| Fan Review |
Just... Fri., Jun 17, 2011
Posted by: HarryPipco
...love this Improv. parts.
Here they are absolutely fabulous...
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| Fan Review |
I was AT this show.... Wed., Jun 15, 2011
Posted by: JackK777
It was a very funny situation cause I wasn’t a fan of the earlier KC (the only thing I’d heard was "Court of the Crimson King") and I went because it still sounded like a cool Read more
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| Fan Review |
Monday Rendez-Vous Mon., Jun 13, 2011
Posted by: Radiolux
Thank you very much for this little KC gem. This Monday rendez-vous is always a pleasure. As we mostly had 1969-1972 or post 1977 material so far, I hope this one is the beginning of a 1973-1974 Crimson Read more
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| Fan Review |
acoustic harmonics Tue., Jun 7, 2011
Posted by: crimson_king22
I had read once, I think in Sid Smith’s bio of the group, that these notes were the last ones Fripp would play on an acoustic guitar on a KC Read more
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