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  No Subject January 13, 2011
Written by peter29
It’s really interesting how in such circumstances, when there is no audience and no expectations music can be so moving, as if this is the perfect time for its creation. This reminds me 2006 sound check from Broad Chalke. This short piece is in my opinion very close in its mood to Soundscapes from mid 90s. But perhaps that’s just the musical key RF accidentally used. However this distinctive, rough guitar sound presented on all of the Churchscapes here seems to be even more dark and definitive.
Technical question: this is not a big problem here but is it something to do with the recording process that the track itself is in mono?
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Your search found 579 items (Viewing 171 to 180 of 579)
| Fan Review |
utter and thoroughly present Wed., Dec 16, 2009
Posted by: leakstev
murky subterranean rumblings define the ground of the beginning of this music, then muted trumpets and strings edge into the cloudy hovering aether as the emotive colour locates squarely on the reddish-hued bronze and the Read more
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| Fan Review |
Decemberdarkness. Wed., Dec 16, 2009
Posted by: Armand
This is a very moving show, it hovers between impossible and unreachable situations in the future and the deep pain of life. Nevertheless a very grotesque and timeless soundscapeconcert! Thanks DGM.
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| Fan Review |
Wasn't this performance at Rose Records? Sun., Nov 29, 2009
Posted by: jlauer
I’m embarrassed to say that I just found this performance available on the DMG website. I immediately downloaded it. I was at this show and it was my first (of now many) live experiences with Read more
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| Fan Review |
Because it asks nothing...for a change. Tue., Nov 10, 2009
Posted by: CraftyBlaine
I give this 5 stars for it’s novelty value within RF’s body of work, because it has a delightfully "ordinary" sound--the kind of thing you’ve played yourself, jamming with friends. Of course,a little goes a long way and I wouldn’t Read more
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| Fan Review |
unfolding. emergent Wed., Oct 21, 2009
Posted by: leakstev
there’s beauty throughout this recording. it is (despite the geographic placement of its emerging) very pacific sounding. where the frippertronics can be coloured with smears of yellow and shards of red (crimson even), shades of blue abound in this Read more
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| Fan Review |
l'homme brûlant Mon., Oct 19, 2009
Posted by: lotusspray
Fine work by both performer and audio engineer. Very much appreciate the original loops which have a power apart from being vehicles for soloing.
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| Fan Review |
A no-brainer purchase Mon., Oct 19, 2009
Posted by: jblock
Great sound quality and performance, with some interesting components to every loop. If you have any interest in vintage Fripptronics this is a good place to start (or continue).
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| Fan Review |
Nagoya, Aichi, Japan November 27, 2006
Posted by: peter29
There is something different in this set of Soundscapes from Nagoya. Something quite different than in the following shows from Osaka and Tokyo. Even the preceding Churchscapes. Probably it is the mournful tone of Time Stands Still so close in mood to Read more
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| Fan Review |
Great !!! Mon., Oct 12, 2009
Posted by: maxtognoni
Fripp + Gunn = Pure Alchemy. The perfect musical
partnership. Ciao Massimo
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| Fan Review |
Almost perfect Fri., Oct 2, 2009
Posted by: MichaelCPE
Having not heard Thread, it was a real pleasure to hear Travis & Fripp for the first time. Moonchild is a very pleasant and fun diversion! I have only given this four stars because I felt that Read more
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