Discipline Global MobileKing CrimsonRobert FrippThe VicarTour DatesDiariesnav_catalogNewsAccountsForumShopSearch Archives
  Diaries and Reviews Login | Register | Help

 
     SOUND  VISION WORD
   

 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsFree Download: Bill Bruford Radio Interview 9.26.81   October 31, 2009
Written by kernal_clink

Originally, when king crimson reformed it had been discussed that perhaps they will call themselves ’Discipline’. Amazingly, after listening to one of the bands new tracks (edited out), the interviewer points out that perhaps, as a point of criticism, this new formation could be compared to the band ’The Talking Heads’. (or maybe i misunderstood the dialogue) As usual, Bill very quickly and intelligently answers the question which leaves a good feeling to all concerned.

The interview then goes to the question of ’new members’ which includes the Americans Adrian Belew and Tony Levin.

Adrian was "a Midwesterner who had become known because of his work with David Bowie and Frank Zappa. Adrian is the band’s ’Talking Head’, if you will." Bill felt that his guitar playing was original and was impressed with his selection of effects. Adrian had been discovered by Robert.

In regards to Tony Levin: "Tony is one of those ’Quiet Men’ of the New York session scene."

Bill was also impressed with Tony’s resume which included work with Yoko Ono, John Lennon and Paul Simon. In Bill’s mind, having Tony join the band was an asset and ’quite a feat’ being able to ’lure him away from the New York studios’. Indeed, this was Tony’s first band and he was very ’keen to join’.

In regards to the song "Discipline", Bill explains:

"It’s an Oriental way of ’not attracting attention to yourself’ within the playing. Therein lies a continuum of minute little changes that happen within the texture."

He continues that one must be observant and attentive in order to hear the subtleties of the playing.

At this point, a short excerpt of the song plays.

In his video, "Bruford and the Beat", Bill explains exactly how the song originated from an improvisation from his practice sessions. After creating "the beat", he changes sound sources and brings out his african slit drum. Later still, the discipline logo begins to turn as the band goes into the song.

The interview ends with an amusing explanation of ’Heat in the Jungle’ and a story of Adrian’s adventure in Knotting hill Gate 

If you like Bill Bruford, then this will be an interesting 9-10 minute listen.


~







More Articles

Your search found 1961 items (Viewing 151 to 160 of 1961)


Fan Review
My favourite Crimson bootleg   Fri., Apr 6, 2012
Posted by: Kibitz
The hottest show from the hottest leg of the ’74 tour, and I’ve heard every available bootleg from this era. This is the one you need to buy. Bruford’s funkiest and most authoritative performance Read more

Fan Review
Possible future direction for someone else...   Tue., Apr 3, 2012
Posted by: hardhead
I understand the choice to NOT use this piece. It wouldn’t have fit with the general direction the rest of the recording took but it does point in an interesting jazz direction, at least for the overall Read more

Fan Review
Hooray   Mon., Apr 2, 2012
Posted by: microbunny
Great to hear more Marc Charig with Crimson! For the curious...align it with the last verse...it’s beautiful ! Read more

Fan Review
charig cornet   Mon., Apr 2, 2012
Posted by: crimson_king22
for some reason, i can’t recognize Starless on this one. With just the bass accompaniment, it’s hard to make out the song.  I’ll have to listen to the original Starless to figure this one Read more

Fan Review
Prince Rupert is Smiling   Thu., Mar 22, 2012
Posted by: SSImuse
You can tell Fripp’s just getting warmed up on this take. It still doesn’t have the full ferocity of the final master but still sheds light on the Beast yet to Read more

Fan Review
Utterly beguiling   Thu., Mar 22, 2012
Posted by: Hubert
This piece certainly makes my day. Lizard has always been my favourite Crimson album and I only wish Mr Fripp would be willing to issue a Lizard box with all the bits and takes that didn’t end up on the Read more

Fan Review
Another missing link   Mon., Mar 19, 2012
Posted by: myshadow
This is an absolute jewel. This solo, and the section where Jon Anderson sings over Keith Tippett’s glistening arpeggios have always been my favorite parts of the original Lizard. It is quite surprising this didn’t make it on the 40th Anniversary Read more

Fan Review
Sustaining!   Mon., Mar 19, 2012
Posted by: syncopatico
Concurring heartily with previous reviews! I’ve actually "always" loved Lizard (and felt the initial stereo mix and mastering was *state of the art* for 1970 (especially the drum sound!) so i haven’t quite understood all the hubbub over the new Read more

Fan Review
   London, London, United Kingdom   September 12, 1970
Posted by: crazycow
My eyes are dimmed with tears Read more

Fan Review
   London, London, United Kingdom   September 12, 1970
Posted by: paulwelsh
I agree with the above and add the following; this is an astounding breakthrough in guitar playing per se. The use of modes in rock was still rare, and this is one of the purest recorded examples (in this case, Read more

<< Previous 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Next >> 

Newest Additions
REQUIEM BASS AND DRUMS
FREE MP3 DOWNLOAD


King Crimson
7 April 1982

Full Recording

Subscribe to Podcast

 
Hit Parade
King Crimson in Chicago 08/07/2008
King Crimson in Chicago 08/07/2008

 
On this Day
The Vicar's Diary - 2002

 
Random Blast from the Past

Robert Fripp - Salisbury 06/14/2006

 
New to the DGM Shop
Beat - T-Shirt
Beat - T-Shirt

 
Top Downloads
King Crimson - Aug. 7th, 2008 in Chicago

King Crimson - Jun. 28th, 1974 in Asbury Park

King Crimson - Oct. 23rd, 1973 in Glasgow

Fripp & Eno - May. 28th, 1975 in Paris

Fripp & Eno - Mar. 14th, 2006 in London
 

Home | About DGM | Contact Us | Privacy Policy | Terms of Service | Help | RSS Feeds