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      A Unique Occasion February 25, 2012
Written by simkin_eden
So here I am nearly 40 years later reviewing a gig for a group of musicians some of which are still working, and I am still listening to (with probably even more enthusiam than at the time!) My introduction to KC was through a school friend who was a drummer and had long admired Bill Bruford. How he knew that this gig was taking place (we lived about 15 miles away) I don’t know but somehow he acquired tickets for us both. Though the university had a students union venue, with stage etc., and a theatre the gig was held in the main lecture theatres (actually two with a dividing wall that could be removed) consequently there was no proper stage only a large podium where lecturers would stand - this meant that this was the space that the band would perform on and we in auidience could sit as close as possible to them. As we queued to enter the theatre Robert Fripp strolled past us carrying his guitar in a very impressive custom made leather case that fitted the body of the instrument leaving the neck exposed. He then paused, we were close enough to speak to him, fear and admiration stopped us. We managed to seat ourselves close to the podium and so a close-up view of the band, memorable was Bruford in white boiler suite (bib and braces) and bare chested and Jamie Muir in a fake fur cropped jacket! Even more memorable was Muir’s ’instruments’ a seemingly random collection of percussion items and junk! Fripp sat on a stool seemingly impassive and so our attention in the main was on Muir and Bruford! The music was a revealation, we were both familir with ICOTCK (an LP whose impact on our musical tastes was in itself remarkable), but nothing prepared us for what was played that night, some of which would end up on LTIA. Forty years on my actual memories of the music is vague (for which I apologise), most of my memories are are incidents such as Jamie Muir using a blood capsule (I thought it was real until my friend explained!) This was a gig that would change my musical tastes and these years on I realise that I was very fortunate to see the line-up of KC that included Jamie Muir, when we saw them at the Rainbow in London nearly two years later he had moved on.
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I remember this show Fri., Apr 6, 2012
Posted by: Undude
For the few people who may have attended this amazing show, I am sure this will bring back some very unique and happy Read more
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My favourite Crimson bootleg Fri., Apr 6, 2012
Posted by: Kibitz
The hottest show from the hottest leg of the ’74 tour, and I’ve heard every available bootleg from this era. This is the one you need to buy. Bruford’s funkiest and most authoritative performance Read more
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Possible future direction for someone else... Tue., Apr 3, 2012
Posted by: hardhead
I understand the choice to NOT use this piece. It wouldn’t have fit with the general direction the rest of the recording took but it does point in an interesting jazz direction, at least for the overall Read more
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Hooray Mon., Apr 2, 2012
Posted by: microbunny
Great to hear more Marc Charig with Crimson! For the curious...align it with the last verse...it’s beautiful !
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charig cornet Mon., Apr 2, 2012
Posted by: crimson_king22
for some reason, i can’t recognize Starless on this one. With just the bass accompaniment, it’s hard to make out the song. I’ll have to listen to the original Starless to figure this one Read more
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Prince Rupert is Smiling Thu., Mar 22, 2012
Posted by: SSImuse
You can tell Fripp’s just getting warmed up on this take. It still doesn’t have the full ferocity of the final master but still sheds light on the Beast yet to Read more
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Utterly beguiling Thu., Mar 22, 2012
Posted by: Hubert
This piece certainly makes my day. Lizard has always been my favourite Crimson album and I only wish Mr Fripp would be willing to issue a Lizard box with all the bits and takes that didn’t end up on the Read more
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Another missing link Mon., Mar 19, 2012
Posted by: myshadow
This is an absolute jewel.
This solo, and the section where Jon Anderson sings over Keith Tippett’s glistening arpeggios have always been my favorite parts of the original Lizard.
It is quite surprising this didn’t make it on the 40th Anniversary Read more
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Sustaining! Mon., Mar 19, 2012
Posted by: syncopatico
Concurring heartily with previous reviews! I’ve actually "always" loved Lizard (and felt the initial stereo mix and mastering was *state of the art* for 1970 (especially the drum sound!) so i haven’t quite understood all the hubbub over the new Read more
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| Fan Review |
London, London, United Kingdom September 12, 1970
Posted by: crazycow
My eyes are dimmed with tears
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