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 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsFruit Of The Fripperboard   February 5, 2012
Written by happypig

This is the essence of Robert Fripp’s Guitar Work, for me, at least. The interlocking stuff, the complex-timed constructions, the Soundscapes, I wait (and sometimes suffer) through all of that to get the smidgen of this. Solos like the "Hammond Song", like "St. Elmo’s Fire"-A sui generis tone, playing melodies not based in the blues, but having just as much emotion. The few notes of "Heroes" says more than all the notes of all the shredders together. A reviewer once wrote "Withering" and I couldn’t agree more.

I often wanted to attend a Guitar Craft course, just for the chance  to ask RF a "burning question" -"Why are you so parsimonious with these gems?" The Frippertronics shows of yore were rich with the melodic solos, but they really shine as part of a song. A fantasy of mine would put RF in a studio with Art Garfunkel or Aaron Neville, a piano trio (preferably Larry Goldings) and new songs by people who know better.  Produced "audio verité" style. That guitar with those voices, in that setting. Traditional and cutting edge simultaneously. And I’ll bet that record would shift a few units as well.

But I digress...

I do not mean to dismiss the larger portion of RF’s work, but the "Gamelan Guitars" start to sound like The Hanon and Czerny exercises I had to endure as a student. The Soundscapes remind  me of Tangerine Dream and Eno’s ambient stuff. The aleatoric-ish Crim tunes sometimes sound like they are dense and difficult for their own sake. I continue to buy Crim and Fripp-related music because I am assured that there will always be something that will interest me therein, and there is always a chance that there will be some sort of Fripp melodic moment contained.

2¢ deposited, Soapbox collapsed. And if anyone has Art or Aaron’s phone number, pass it over to RF-I have Larry’s...


More Articles

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Fan Review
Long lived - The King!!!   Sat., Apr 14, 2012
Posted by: eggplant
Great show... and now I would like to review the February 24th. 1982 show @ from E.J. Thomas Hall in Akron, Ohio! The best yet????? Come on, Ohio was a great place for Crimson and Read more

Fan Review
Brescia   Wed., Apr 11, 2012
Posted by: arkangel2605
Why do we always have pictures of Willie Scott Bruford on the ads for live sets? Read more

Fan Review
My favourite Crimson bootleg   Fri., Apr 6, 2012
Posted by: Kibitz
The hottest show from the hottest leg of the ’74 tour, and I’ve heard every available bootleg from this era. This is the one you need to buy. Bruford’s funkiest and most authoritative performance Read more

Fan Review
Possible future direction for someone else...   Tue., Apr 3, 2012
Posted by: hardhead
I understand the choice to NOT use this piece. It wouldn’t have fit with the general direction the rest of the recording took but it does point in an interesting jazz direction, at least for the overall Read more

Fan Review
Hooray   Mon., Apr 2, 2012
Posted by: microbunny
Great to hear more Marc Charig with Crimson! For the curious...align it with the last verse...it’s beautiful ! Read more

Fan Review
charig cornet   Mon., Apr 2, 2012
Posted by: crimson_king22
for some reason, i can’t recognize Starless on this one. With just the bass accompaniment, it’s hard to make out the song.  I’ll have to listen to the original Starless to figure this one Read more

Fan Review
Prince Rupert is Smiling   Thu., Mar 22, 2012
Posted by: SSImuse
You can tell Fripp’s just getting warmed up on this take. It still doesn’t have the full ferocity of the final master but still sheds light on the Beast yet to Read more

Fan Review
Utterly beguiling   Thu., Mar 22, 2012
Posted by: Hubert
This piece certainly makes my day. Lizard has always been my favourite Crimson album and I only wish Mr Fripp would be willing to issue a Lizard box with all the bits and takes that didn’t end up on the Read more

Fan Review
Another missing link   Mon., Mar 19, 2012
Posted by: myshadow
This is an absolute jewel. This solo, and the section where Jon Anderson sings over Keith Tippett’s glistening arpeggios have always been my favorite parts of the original Lizard. It is quite surprising this didn’t make it on the 40th Anniversary Read more

Fan Review
Sustaining!   Mon., Mar 19, 2012
Posted by: syncopatico
Concurring heartily with previous reviews! I’ve actually "always" loved Lizard (and felt the initial stereo mix and mastering was *state of the art* for 1970 (especially the drum sound!) so i haven’t quite understood all the hubbub over the new Read more

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