Fruit Of The Fripperboard February 5, 2012
Written by happypig
This is the essence of Robert Fripp’s Guitar Work, for me, at least. The interlocking stuff, the complex-timed constructions, the Soundscapes, I wait (and sometimes suffer) through all of that to get the smidgen of this. Solos like the "Hammond Song", like "St. Elmo’s Fire"-A sui generis tone, playing melodies not based in the blues, but having just as much emotion. The few notes of "Heroes" says more than all the notes of all the shredders together. A reviewer once wrote "Withering" and I couldn’t agree more.
I often wanted to attend a Guitar Craft course, just for the chance to ask RF a "burning question" -"Why are you so parsimonious with these gems?" The Frippertronics shows of yore were rich with the melodic solos, but they really shine as part of a song. A fantasy of mine would put RF in a studio with Art Garfunkel or Aaron Neville, a piano trio (preferably Larry Goldings) and new songs by people who know better. Produced "audio verité" style. That guitar with those voices, in that setting. Traditional and cutting edge simultaneously. And I’ll bet that record would shift a few units as well.
But I digress...
I do not mean to dismiss the larger portion of RF’s work, but the "Gamelan Guitars" start to sound like The Hanon and Czerny exercises I had to endure as a student. The Soundscapes remind me of Tangerine Dream and Eno’s ambient stuff. The aleatoric-ish Crim tunes sometimes sound like they are dense and difficult for their own sake. I continue to buy Crim and Fripp-related music because I am assured that there will always be something that will interest me therein, and there is always a chance that there will be some sort of Fripp melodic moment contained.
2¢ deposited, Soapbox collapsed. And if anyone has Art or Aaron’s phone number, pass it over to RF-I have Larry’s...
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|Thank you Tue., May 7, 2013|
Posted by: fhc339835
Indeed, Alex did a tremendous work in putting, cutting and glueing all the recordings together to one sequence. For sure, this recording and the whole tour will not be the top seller @ Read more
|Great sound Mon., May 6, 2013|
Posted by: davidfsnyder
I love the Frippertronics of course, but the lecture and Q&A were excellent. A clear, cogent, honest explanation of his development as a guitarist, for one thing. The demo of the use of the fuzz box to overcome the "feebleness" Read more
|ASU Lecture - Neeb Hall Tue., Apr 23, 2013|
Posted by: BlackPage
As I recall, a rainy night in Tempe, maybe why my tickets (see photos for this data) are blurred. We got lost trying to find this Hall on campus Read more
|very good Mon., Apr 15, 2013|
Posted by: Wilbert
I remember Vroom as being a bit of a disappointment, back in those days. I was excited to hear about that new KC album that was about to be Read more
|Immediacy and Poetry Mon., Apr 15, 2013|
Posted by: Ramshackle_Jukebox
It’s a curious phenomenom in modern artistic endeavor. In an age when performers and self-proclaimed artists alike take measures to "close the distance" between themselves and the audience, such efforts are often disingenuous and Read more
|Love this German tour... Sat., Apr 13, 2013|
Posted by: jeffoaster
The concerts from the German leg of Crimso’s ’74 tour are all top notch, and all bring something special to the table. There are some interesting nuances to this show. There is nothing particularly special about the opening improv and Read more
|Untouched By Response Thu., Apr 11, 2013|
Posted by: donhenson
It’s hard for me to imagine booing this music. This is sublime Soundscaping. Repeated listenings have revealed a beauty that is ineffable.
|Contributing Trey Thu., Apr 4, 2013|
Posted by: fhc339835
This recording’s mix is clearly presenting Trey’s contribution to the double trio on right channel. Highly recommended (and headphones).
Cheers Ps. of course, the rest beside Trey is fantastic as well :-)
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