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Keeling Brought To Book
:: Posted by Sid Smith on Tue., Apr 3, 2012

Robert’s recent diary entry featured a photograph of Andrew Keeling’s King Crimson analysis.



In response to several queries, all three books can be obtained directly from Andrew’s publishers, Spaceward.

Andrew also has a new rock album out called Bells Of Heaven. Featuring a full rock band with contributions from Comsat Angels’ Stephen Fellows and No-Man’s Tim Bowness, the album was recently reviewed in R2 magazine: "It’s a hugely ambitious and complex work, as intricate in its construction as it is in its assemblage of supporting musicians and if it’s reasonable to describe it as progressive then it’s gently progressive; there’s a lightness of touch that belies its intricacies."

You can grab Bells Of Heaven here.


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KC Is An Elite Club
:: Posted by Sid Smith on Sat., Oct 15, 2011
"King Crimson is an elite club", says Belew. "There have only been seven members in the last 30 years.  Having Tony, Pat and myself onstage, three legitimate Crimson players, will make this as close as currently possible to the actual thing." Here's a link to the full interview.


Grooveshark Problems with Truth & Ingestion
:: Posted by Sid Smith on Fri., Oct 14, 2011
Digital Music News have an article featuring the correspondence between various members of the DGM team and Grooveshark. There's an interesting response from Grooveshark's Paul Geller where he says that Grooveshark's original claim to have legitimately licensed KC material (something they told fans who queried KC tracks being made available) was due to "ingestion problems"and that Mr.Geller didn't know "where that mistruth originated".

Make sure you scroll down to the comments section as well and feel free to make your own thoughts heard.


Baidu - Bad News For Artists?
:: Posted by Sid Smith on Fri., Oct 14, 2011
It may be old news to you but eyebrows were raised at DGM Towers upon discovering that the major record labels have entered into a deal to stream content with China’s major search engine, Baidu. "Baidu will pay a fee to the labels for each time a song is downloaded or played in a stream. It will also share revenue from online ads if that revenue exceeds a certain amount, as well as provide promotional support for the labels. The companies declined to disclose financial details of the agreement."


We Asked Grooveshark What They Pay Artists. And This Is What They Said...
:: Posted by Sid Smith on Thu., Oct 13, 2011
My thanks to SSImuse for sending in this article published in Digital Music News.

We Asked Grooveshark What They Pay Artists. And This Is What They Said...
 

 

 

Saturday, October 08, 2011
 

 

It’s one simple question. But getting Grooveshark to answer it was a complicated affair - and ultimately, one that produced a very complicated answer.           

Attempt #1: Email

Digital Music News (to Grooveshark SVP Paul Geller): How much does Grooveshark pay artists, labels, or other rightsholders per on-demand stream? On any song?

[two attempts, no answer]

Attempt #2: @ Digital Music Forum West

Friday, Q&A session immediately following a presentation by Grooveshark SVP Paul Geller.

Digital Music News (Paul Resnikoff): "Right now Grooveshark has money coming in.  I’m curious to know on a granular basis - on a per on-demand stream basis - what is the rights holder receiving?  What is the artist getting, what is the label getting - per stream, per actual song?"

Geller (from stage): "So all of the contracts that we’re doing now are rev-share based, except for those with the PROs.  The PROs get their statutory rates, and so do the publishers for interactive.  And, the rest of them is just a pro-rata share.  So I think that’s the common way to go about it now, I think that’s the only way that you can subsist on this type of money.  And that’s why I think that we have to be creative about how to get more money into this ecosystem, because I don’t think anyone sees those numbers and is really inspired by them, I think people look at them and say ’well this is a soft landing for the music industry,’ it’s ’hopefully we don’t have to lay off too many people.’  And that’s why I think that Grooveshark is out there trying to be creative about how to infuse the industry with more money in ways that I don’t think are commonplace right now."

Digital Music News: "But if I’m an artist coming onto Grooveshark, what should I expect?  What kind of check should I expect if I get - let’s say - 100 plays?"  

Geller: "I think there are plenty of independent artists out there that can expect to be paid a good amount of money, if they’ve gone it alone or gone without a label and they’ve promoted themselves in a way that is effective and you know - they’re big.  So if you’re looking for a per-stream rate number..."

Digital Music News: "Yeah, something, some number."

Geller: "Well I can’t give you a number because it’s really hypothetical.  But I can tell you this, though: moving forward, we’re going to be completely transparant about how people are paid.  And you can log in as an artist, you can see how many streams you’re getting.  And that artist payment system is going to be completely on-demand, so when we roll out this direct-to-artist payment system, you’re not going to need a label.  You don’t need a big label to claim your money, that’s not what we’re trying to do.  This is an open platform where anyone in the world can distribute their music anywhere in the world.  And I think the licensing question is a question - it’s complicated.  We’re aggressive about licensing and when we go directly to the artist, the artist has complete control.  You have complete control over what you put on Grooveshark and what you don’t."


SSImuse comments: "I think that’s pretty self-explanatory, don’t you?" Indeed! 

Crimson Fairy Book
:: Posted by Sid Smith on Thu., Oct 13, 2011
My thanks to jhessel who, referring to Boz Burrell's Crim-quote, writes "It must be true about the airy-fairy sh-t"


Michael Giles Goes Pop (Matters)
:: Posted by Sid Smith on Wed., Oct 12, 2011
The latest album from the Michael Giles MAD band In The Moment (featuring special guest, Keith Tippett), has been given the thumbs-aloft over at PopMatters


Leviathan Party
:: Posted by Sid Smith on Wed., Oct 12, 2011
Stick Man, Michael Bernier is having a launch party for his new CD. Leviathan. The party takes place on November 19th and will include special guest, Tony Levin on the bill.



You can check out the album here.
You can buy the physical CD here.

All About Levin Torn White
:: Posted by Sid Smith on Mon., Oct 10, 2011
The new album by Levin Torn White is the subject of this review over at All About Jazz


Crimso Chart Action
:: Posted by Sid Smith on Sun., Oct 9, 2011
My thanks to Vinylex for letting me know that the 40th anniversary editions of S&BB and Discipline have made an impact in the Amazon charts. "These things change but by the hour but I was pretty stoked to see them up there!" writes Mr.V.


Here's the Bestsellers in the Rock category...







Guitar Circle Courses
:: Posted by Sid Smith on Sun., Oct 9, 2011
There are two more GC courses coming up. First up is a preparation course for the Orchestra of Crafty Guitarists V. Secondly, there is a beginner's introduction to the Guitar Circle. Both take place in Barcelona this coming November.


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