Discipline Global MobileKing CrimsonRobert FrippThe VicarTour DatesDiariesnav_catalogNewsAccountsForumShopSearch Archives
  News Login | Register | Help

 
Fripp vs Morello?
:: Posted by Sid Smith on Fri., Mar 30, 2012

Guitar World want to know who is the greatest guitarist of all time and the play off today is between Tom Morello of Rage Against The Machine and Boppin' Bobby of Dorset. Stifle your yawns and point your browser here!


More news

Displaying 4126 items (Viewing 641 to 650 of 4126)

We Asked Grooveshark What They Pay Artists. And This Is What They Said...
:: Posted by Sid Smith on Thu., Oct 13, 2011
My thanks to SSImuse for sending in this article published in Digital Music News.

We Asked Grooveshark What They Pay Artists. And This Is What They Said...
 

 

 

Saturday, October 08, 2011
 

 

It’s one simple question. But getting Grooveshark to answer it was a complicated affair - and ultimately, one that produced a very complicated answer.           

Attempt #1: Email

Digital Music News (to Grooveshark SVP Paul Geller): How much does Grooveshark pay artists, labels, or other rightsholders per on-demand stream? On any song?

[two attempts, no answer]

Attempt #2: @ Digital Music Forum West

Friday, Q&A session immediately following a presentation by Grooveshark SVP Paul Geller.

Digital Music News (Paul Resnikoff): "Right now Grooveshark has money coming in.  I’m curious to know on a granular basis - on a per on-demand stream basis - what is the rights holder receiving?  What is the artist getting, what is the label getting - per stream, per actual song?"

Geller (from stage): "So all of the contracts that we’re doing now are rev-share based, except for those with the PROs.  The PROs get their statutory rates, and so do the publishers for interactive.  And, the rest of them is just a pro-rata share.  So I think that’s the common way to go about it now, I think that’s the only way that you can subsist on this type of money.  And that’s why I think that we have to be creative about how to get more money into this ecosystem, because I don’t think anyone sees those numbers and is really inspired by them, I think people look at them and say ’well this is a soft landing for the music industry,’ it’s ’hopefully we don’t have to lay off too many people.’  And that’s why I think that Grooveshark is out there trying to be creative about how to infuse the industry with more money in ways that I don’t think are commonplace right now."

Digital Music News: "But if I’m an artist coming onto Grooveshark, what should I expect?  What kind of check should I expect if I get - let’s say - 100 plays?"  

Geller: "I think there are plenty of independent artists out there that can expect to be paid a good amount of money, if they’ve gone it alone or gone without a label and they’ve promoted themselves in a way that is effective and you know - they’re big.  So if you’re looking for a per-stream rate number..."

Digital Music News: "Yeah, something, some number."

Geller: "Well I can’t give you a number because it’s really hypothetical.  But I can tell you this, though: moving forward, we’re going to be completely transparant about how people are paid.  And you can log in as an artist, you can see how many streams you’re getting.  And that artist payment system is going to be completely on-demand, so when we roll out this direct-to-artist payment system, you’re not going to need a label.  You don’t need a big label to claim your money, that’s not what we’re trying to do.  This is an open platform where anyone in the world can distribute their music anywhere in the world.  And I think the licensing question is a question - it’s complicated.  We’re aggressive about licensing and when we go directly to the artist, the artist has complete control.  You have complete control over what you put on Grooveshark and what you don’t."


SSImuse comments: "I think that’s pretty self-explanatory, don’t you?" Indeed! 

Crimson Fairy Book
:: Posted by Sid Smith on Thu., Oct 13, 2011
My thanks to jhessel who, referring to Boz Burrell's Crim-quote, writes "It must be true about the airy-fairy sh-t"


Michael Giles Goes Pop (Matters)
:: Posted by Sid Smith on Wed., Oct 12, 2011
The latest album from the Michael Giles MAD band In The Moment (featuring special guest, Keith Tippett), has been given the thumbs-aloft over at PopMatters


Leviathan Party
:: Posted by Sid Smith on Wed., Oct 12, 2011
Stick Man, Michael Bernier is having a launch party for his new CD. Leviathan. The party takes place on November 19th and will include special guest, Tony Levin on the bill.



You can check out the album here.
You can buy the physical CD here.

All About Levin Torn White
:: Posted by Sid Smith on Mon., Oct 10, 2011
The new album by Levin Torn White is the subject of this review over at All About Jazz


Crimso Chart Action
:: Posted by Sid Smith on Sun., Oct 9, 2011
My thanks to Vinylex for letting me know that the 40th anniversary editions of S&BB and Discipline have made an impact in the Amazon charts. "These things change but by the hour but I was pretty stoked to see them up there!" writes Mr.V.


Here's the Bestsellers in the Rock category...







Guitar Circle Courses
:: Posted by Sid Smith on Sun., Oct 9, 2011
There are two more GC courses coming up. First up is a preparation course for the Orchestra of Crafty Guitarists V. Secondly, there is a beginner's introduction to the Guitar Circle. Both take place in Barcelona this coming November.


All About Discipline
:: Posted by Sid Smith on Sat., Oct 8, 2011
"Discipline stands out, along with Lizard, Islands and Starless and Bible Black, as entries which reveal so much more that they've finally become the albums they were always intended—and destined—to be." That's the verdict of John Kelman's All About Jazz on the 40th anniversary edition of Discipline. Read the whole review here. 


Tony's Tour Page
:: Posted by Sid Smith on Sat., Oct 8, 2011
Tony Levin's website contains a substantial update on the 2 Of A Perfect Trio tour. 


All About Starless & Bible Black
:: Posted by Sid Smith on Fri., Oct 7, 2011
"Starless and Bible Black (40th Anniversary Series) continues the winning combination of Steven Wilson and Robert Fripp's reinvigoration of the Crimson catalog, and an unbroken winning streak of definitive editions that are only predictable, at this point, in their documentary completeness and stunning sonic clarity." So says John Kelman's All About Jazz - read the full review here


<< Previous 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 Next >> 

Newest Additions
REQUIEM BASS AND DRUMS
FREE MP3 DOWNLOAD


King Crimson
7 April 1982

Full Recording

Subscribe to Podcast

 
Hit Parade
King Crimson in Chicago 08/07/2008
King Crimson in Chicago 08/07/2008

 
On this Day
Robert Fripp's Diary - 2007

 
Random Blast from the Past
Robert Fripp
Robert Fripp's Diary - 07/24/2011

 
New to the DGM Shop
In The Court Of The Crimson King - 40th Anniversary Series
In The Court Of The Crimson King - 40th Anniversary Series

 
Top Downloads
King Crimson - Aug. 7th, 2008 in Chicago

King Crimson - Jun. 28th, 1974 in Asbury Park

King Crimson - Oct. 23rd, 1973 in Glasgow

Fripp & Eno - May. 28th, 1975 in Paris

Fripp & Eno - Mar. 14th, 2006 in London
 

Home | About DGM | Contact Us | Privacy Policy | Terms of Service | Help | RSS Feeds