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| Crim On Coe |
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| :: Posted by Sid Smith on Tue., Feb 28, 2012 |
My thanks to Andrew John for alerting me to some impending Crimson on the radio. Andrew writes "it’s been a long time since I was able to point out to my mother
that King Crimson are refered to in the BBC Radio Times. Get yourselves
tuned to Gideon Coe this Thursday and wallow in the recognition only
occasionally the popular media affords ’our’ band. What is
chosen to be played will be interesting in itself." The session in question is likely to be the old BBC In Concert session taken from the Concertgebouw Night Watch concert. We wait with baited breath until Thursday!
More news
Displaying 4131 items (Viewing 631 to 640 of 4131)
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21st Century Skizoid Beer
:: Posted by Sid Smith on Fri., Oct 21, 2011
My thanks to Enzo Lamberti for sending me this link to an oddly named Italian beer.
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Is Grooveshark Purposely Screwing Over Musicians?
:: Posted by Sid Smith on Thu., Oct 20, 2011
That’s the not unreasonable question Flavourwire are asking given that Grooveshark keeps putting up King Crimson and Robert Fripp material to which it does not have the rights. Check out the comments section.
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Grooveshark - A Scarcity Of Ethics?
:: Posted by Sid Smith on Wed., Oct 19, 2011
Jakko Jakszyk has weighed into the the debate at Digital Music News about Grooveshark’s ethics and business practice. Scroll down to the bottom of the page for Jakko's comment.
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Geeks Of Doom Have WOW Factor
:: Posted by Sid Smith on Wed., Oct 19, 2011
The 2OAPT tour continues to attract rave reviews (including lotsa pics) and Tony Levin has taken a little time out to do this interview for Geeks Of Doom.
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Paul Geller of Grooveshark accuses Fripp of being economic with the truth
:: Posted by Sid Smith on Tue., Oct 18, 2011
Grooveshark's Paul Geller has written to Digital Music News accusing Robert Fripp of being economic with the truth. Check out Mr Geller's call for truth and transparency here.
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2OAPT Pix
:: Posted by Sid Smith on Tue., Oct 18, 2011
There's a great gallery of photographs by Mark Colman taken at the 2OAPT's appearance in Portland here.
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Grooveshark
:: Posted by Sid Smith on Tue., Oct 18, 2011
There's an insight into the working methods of Grooveshark in the comments section of the Digital Music News. My thanks to Rockette for sending in the following post. He writes "The row about Grooveshark rumbles on at
Digital Music News. Most commentators deplore the
company’s lack of ethics, and of course there are the usual dismissive
comments from Brave-New-Worlders claiming that the only future for the
music biz is for all artists to give away their tracks for free.
This recent anonymous post caught my eye:
I work for Grooveshark. Here is some information from the trenches:
We
are assigned a predetermined ammount of weekly uploads to the system
and get a small extra bonus if we manage to go above that (not easy).The
assignments are assumed as direct orders from the top to the bottom, we
don’t just volunteer to "enhance" the Grooveshark database.
All
search results are monitored and when something is tagged as "not
available", it get’s queued up to our lists for upload. You have to
visualize the database in two general sections: "known" stuff and
"undiscovered/indie/underground". The "known" stuff is taken care
internally by uploads. Only for the "undiscovered" stuff are the users
involved as explained in some posts above. Practically speaking, there
is not much need for users to upload a major label album since we
already take care of this on a daily basis.
Are
the above legal, or ethical? Of course not. Don’t reply to give me a
lecture. I know. But if the labels and their laywers can’t figure out
how to stop it, then I don’t feel bad for having a job. It’s tough
times.
Why
am I disclosing all this? Well, I have been here a while and I don’t
like the attitude that the administration has aquired against the
artists. They are the enemy. They are the threat. The things that are
said internally about them would make you very very angry. Interns are
promised getting a foot in the music industry, only to hear these people
cursing and bad mouthing the whole industry all day long, to the point
where you wonder what would happen if Grooveshark get’s hacked by
Anonymous one day and all the emails leak on some torrent or something.
And,
to confirm the fears of the members of King Crimson, there is no way in
hell you can get your stuff down. They are already tagged since you
sent in your first complaint. The administration knows that you can’t
afford to sue for infringement.
Judging by the way
Grooveshark have conducted themselves in their dealings with Declan
Colgan and Robert Fripp, this has the ring of truth. In the old days,
the enemy of musicians were what Zappa called "the old cigar-chomping
guys"; now it appears there is a new foe, somewhat younger but just as
devious and unscrupulous. As Pete Townshend said, "Meet the new boss,
same as the old boss".
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Play it Frippy, very Frippy
:: Posted by Sid Smith on Tue., Oct 18, 2011
My thanks to Andrea Tolin for alerting me to this episode from Live At Daryl's House. Andrea writes "during the "Greg Biek" part, the guitar player tells to the keyboard
player to slow down, to take his time....and Daryl said 'play it Frippy,
very Frippy'".
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