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| Wilson Talks Lizard |
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| :: Posted by Sid Smith on Mon., Feb 13, 2012 |
There's a major interview conducted by Anil Prasad with Steven Wilson over on the ever-informative Innerviews website.
More news
Displaying 4132 items (Viewing 521 to 530 of 4132)
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Crimso 74 Montreal Goes Live
:: Posted by Sid Smith on Mon., Jan 16, 2012
King Crimson hit the ground running in this archive gig from their last tour in 1974.
Grab the show here!
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Boz-Era Recordings Wanted!
:: Posted by Sid Smith on Mon., Jan 16, 2012
Alex "stormy" Mundy is putting together ideas for a tour bundle of the Islands-era band but there’s some real gaps in the archive. Here’s what Alex has after the four concerts at the Zoom Club:
11 May Club 14 28 May Glasgow 29 May Sheffield
9 Aug Marquee 28 Aug Weeley Festival
4 Sept Hyde Park 19 Sept The Greyhound 28 Sept Leeds ( we think it is anyway?)
9 Oct Preston 15 Oct Bournemouth 16 Oct Brighton 19 Oct Sheffield
11 Nov Massey Hall 13 Nov Detroit Club (wrong date on club say 13th Dec) 24 Nov NY Academy of Music. Do you have anything from those concerts that you could share with DGMLive? If so get in touch via soundrequests@dgmlive.com or via the guestbook.
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Fripp Set To Dance
:: Posted by Sid Smith on Sat., Jan 14, 2012
My thanks to Antonion for this link to a review of a dance performance using Robert Fripp’s Let The Power Fall.
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Happy Birthday King Crimson
:: Posted by Sid Smith on Fri., Jan 13, 2012
January 13th is an auspicious date on the Crimson calendar, marking as it does the official beginning of rehearsals in the basement of 193 Fulham Palace Road. In 1969 the cafe was owned by Peter and George Calatychos although it has since changed hands. Crimson were there for two and half years. Since that time many fans have visited the cafe.
In 2011 Mark Ferraro, from Ozone Park, New York came over to London to make a pilgrimage to lots of buildings tinged with a bit of Crimson history. "I walked in the present day restaurant and went right downstairs without anyone questioning me and took some photos of this tiny space that once contained the sounds of ITCOTCK rehearsals. How the walls were able to take such thunder I can only wonder. Think of those lucky "invited guests" that were able to witness these young musicians and what was coming out of them in this tiny basement."
Here's some of Mark's photographs...



 In March 2011 a Japanese TV crew filmed in the basement during the making of a documentary about In The Court Of The Crimson King. You can see some similar photographs of the basement over on the blog.
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Mad Band Reviewed
:: Posted by Sid Smith on Fri., Jan 13, 2012
In The Moment - the second album by The Michael Giles MAD Band and Keith Tippett gets reviewed here.
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Mahler On Hold
:: Posted by Sid Smith on Fri., Jan 13, 2012
My thanks to RickyM for this link about a particularly intrusive telephone ringtone. As RickyM comments "So, if you’ve ever attended a concert, show, or other event (musical or
otherwise), and had an awful experience in that said concert, show or
event, where some very inconsiderate audience member disrupts it with
their cell phone, here’s what happened in NYC recently. Of note, is the conductors as well as audience reaction to the offender. And, it’s about time?
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In The Wake Of Vinyl
:: Posted by Sid Smith on Tue., Jan 10, 2012
Record Collector magazine awarded four stars to the vinyl edition of In The Wake Of Poseidon, and had this to say about it.
Definitive, de-vinyl Crimson
When it comes to reissue quality, it’s tough to usurp King
Crimson. Through the Panegyric label, their 40th anniversary has been
celebrated with stunning remasters of classic albums such as In The
Court Of The Crimson King, Starless And Bible Black, Islands and
Discipline. Their second album, In The Wake Of Poseidon, has also been
give five-star treatment on CD, and comes to you on vinyl – fittingly,
in its the original stereo mix. With Robert Fripp approving the
masters, the album has been cut to perfection and lavishly spread over
two sides of dinner plate-thick 200gm vinyl. Of course, it’s the music
that matters, and the album sounds wonderful. Peace – A Beginning is the
familiar opening fusillade of intricate power dominated by guitar and
saxophones, but the restrained Cadence And Cascade, with its quiet
opening passage, and Fripp’s pert acoustic flourish of Peace – A Theme
and Peace – An End shine through with a clarity and warmth that confirms
the quality of this reissue. As well as a perfectly-replicated
sleeve – right down to the rough texture – the LP also comes with a full
download card, the image on which craftily recreates the Cat Food/Groon
picture sleeve. You can grab yourself a copy here and here.
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