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iTony eBook?
:: Posted by Sid Smith on Thu., Feb 16, 2012

My thanks to the mighty Vargan for alerting me to this item from Tony's website. "I have the opportunity to re-release my photo book, Crimson Chronicles in digital format (for iPad). It will feature all the photos, but also a lot of extras, including other shots that didn't make it to the original book. So, that's got me digging through my files for photos, itineraries, tour passes, and music I can use for that release."

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Jakko's Guitar Face
:: Posted by Sid Smith on Sat., Nov 1, 2014
Here's a short video of Jakko Jakszyk taking his Schizoid-faced PRS guitar through its paces. 

RF & The New Yorker
:: Posted by Sid Smith on Fri., Oct 31, 2014
Here's a fascinating account published by The New Yorker of a weekend in the company of Robert Fripp - albeit back in the mid-80s. 

Robert Fripp: I'm difficult to work with Shock Horror!
:: Posted by Sid Smith on Fri., Oct 31, 2014
There's an interview with Robert Fripp in today's edition of The Daily Telegraph. 

Fripp & The Champs
:: Posted by Sid Smith on Fri., Oct 31, 2014
Click on the link below to hear Patricia Fripp talking about the Lady & The Champs speakers conference taking place next year. Visitors to this site might be interested to know that Robert Fripp will be one of the main speakers and for those signing up and registering, you'll be able to stream Robert's contributions direct to the comfort of your own home. Click here to watch Patricia Fripp tell you what's going to be happening.

Mister Stormy's Monday Selection... On Tuesday!
:: Posted by Sid Smith on Tue., Oct 28, 2014
Want to hear an alternative view (you know what we mean) of Frame By Frame? Mister Stormy has gone to the original master tapes from the Discipline recording session and provides us with a very different perspective on one of the classic Crim tracks. As well as being able to downloading the track here, you can also watch and listen to it over on the DGM Live Youtube channel. Please share and tell all your friends. 

:: Posted by Sid Smith on Tue., Oct 28, 2014
That's the name of a collaboration between the Delta Saxophone Quartet and pianist and composer Gwilym Simcock. Simcock, who played with Bill Bruford's Earthworks early on in his career, has drawn upon the music of King Crimson for inspiration. The work receives its world premier in Milan at the end of next month with further dates in the UK in 2015. You can find out more details here. This isn't the first time the Delta Saxophone Quartet have adapted rock music. You can read my take on their arrangements of music by Soft Machine over on the blog.

#KC2014 - KC: A Progressive Progressive Band
:: Posted by Sid Smith on Tue., Oct 28, 2014
There's a short interview with Tony Levin reflecting on the recent King Crimson tour here. Don't forget you can relive the Elements tour by taking a look through Tony's stunning gallery of photographs accrued during rehearsals and gigs.

Under The Influence
:: Posted by Sid Smith on Tue., Oct 28, 2014
King Crimson are listed here as a key influence on lots of different bands, new and old alike. Which begs the question: which band would you nominate as having been influenced by that Crimso gene? 

The Eyes Of Robert Fripp Smile
:: Posted by Sid Smith on Mon., Oct 27, 2014
Here's one for our Spanish speaking visitors - a substantial newspaper article in which Robert discusses the work of the Guitar Circle, King Crimson and the current state of the industry during his recent visit to Argentina.

For those of us too lazy to bother to learn another language, here's the auto-translated version with all the flaws and mangling of the language you'd expect. If anyone would care to take on the monumental task of providing a more sympathetic translation please feel free!

The eyes of Robert Fripp smile. Maybe the smile does not extend so often to his face, but when an appreciable irony intrudes, there is a visible spark in the deep blue eyes of this 68-year-old man who has devoted his life to music. There are some monk at Fripp, but nothing of religious fanaticism; It is one of the indisputable talents that has given the English rock, but never was carried away by the rules of the star system. He is a polite, elegant and rigorous, man that does not pass a day without practicing with his guitar. In his more public facet, is the leader of King Crimson, band who since 1968 has had various incarnations and instrumental armed, and that just made a comeback for United States with a Septet training tour, with three drummers occupy the first line of the scene. But Fripp also devised the company Discipline Global Mobile, revolutionary in the approach of maintaining "small functional units" and all the musicians to retain the rights to their work. And it is also the creator of Guitar Craft, a system of education that approaches the instrumentalists to another way of tuning (New Standard Tuning) and a series of techniques and modes of working which sets apart it from any other "musical instruction", and which gave rise to the League of Crafty Guitarists (League of artisanal guitarists) and infinity of groups acting by the world since 1985.

That came the English musician to Mendoza: the convent our Lady of transit, in Lunlunta (to 20 km from the capital), occurred in a new meeting of Guitar Circle, introductory course which was attended by more than seventy guitarists of the Argentina and the world. For five days, the crafties and advanced trainers group headed by Fripp (which includes the Hernán Núñez Argentines and Fernando Kabusacki) had a coexistence intense, crowned by a concert in the Circular space of Le Parc Centre (see separate). The musician prefers to stay away from the press, and years that it does not grant a personal interview to an Argentine environment; Lunlunta peace meeting is therefore all a rarity.

-How was the experience of these days?

-With about 73 guitarists of moderate abilities: two or three that can play much better than me, and about six who can play almost as well as I. The majority of these people is much more enjoyable than I am, more kind and more gentle.

-It gives the impression that you like this image of being not so kind, but in reality it is not so.

-I have to say that Yes, this is true. I have a terrible reputation in the music industry, and that is probably a good thing.

-What expectations these people bring to the Guitar Circle?

-You should have a few words with them, I cannot speak for them. But the issue for me is that the world is clearly a disaster, with what the question is about what each of us can do about it. The problem is that it is very difficult to trust anyone who is in a position of authority. In terms of my background with respect to management companies and record companies, all of my professional life was interrupted on 22 February 1976, when it was at a retreat at Sherborne House (Gloucestershire) and I was visited by my management, so I gave my copyrights so they could collect my royalties. This explained my counter... and was a lie. At that time in England, a person of such professional position supposed to be reliable. But it was very clear to me that financial services are not reliable. And until 2008, more or less, the majority of ordinary people didn't know what I had done in previous decades. Control of the money people is not reliable. This counter now enrolled is a Director of the Isle of Man Government, has received an honorary doctorate for his philanthropy and his services to the music, he was Adviser to the Royal family: a pillar of society by its good offices. And yet his entire career is based on a lie. It is very easy to present criticism without personal knowledge, but in terms of issues that relate to my own life, I can speak with greater authority. And in this small image it is possible to see the greater picture. Then, if we can not rely on financial systems, and few in England can rely on politicians, who can we trust?

-In artists?

-Do you think John Lennon lied for money? Dylan? Hendrix? When we lose faith in our artists, our culture is extinguished. For example, if in 1969 he had a conversation with the President of a company and I told him "I am only interested in the money," Although this was business in the music industry people, I had set aside, they have not trusted in me. If I had that conversation today and told him "I'm only interested in music", I leave aside, they would not trust me. This is an example of how we have gone from a market economy to a market society, where social relations are governed by a price. Then, what you can do Robert about that? I cannot change the world, but when the Lord Núñez tells me "we have a course in Argentina", and if I can take a plane

Fair Trade Music?
:: Posted by Sid Smith on Mon., Oct 27, 2014
Here's a report that highlights the imbalance that exists between creators and the remuneration they receive via digital platforms.

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