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| P2 At Albany Again |
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| :: Posted by Sid Smith on Mon., Feb 20, 2012 |
My thanks to J Eric Smith for sending in this marvelous review of P2 playing Albany. You can hear the gig that Eric is writing about here.
Eric writes "I was a music critic (for better or worse) in Albany, New York for many years. My wife and I recently relocated to Des Moines, Iowa, and as part of launching a web presence in my new home community, I have been reviewing old archives of my work for items that might lend themselves to new purposes. I found a ProjeKCt Two live review (copied below) while digging through old floppy discs and files, and thought I would share it here, since I have not seen many other formal newsprint reviews from that era posted here. It was a lovely show, one that I still cite as one of my all-time favorite live performances.
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ProjeKct Two
Valentine’s Music Hall, Albany, New York, May 8, 1998
Copyright 1998, J. Eric Smith (Originally appeared in Metroland, The Alternative Newsweekly of Northeastern New York)
"OK, now we’ve played everything we don’t know,so we can play something that we actually do know," announced electronic drummer Adrian Belew at the end of ProjeKct Two’s second all-instrumental, all-improvised set. Belew, 10-string Warr guitarist Trey Gunn and electric six-string guitarist Robert Fripp then encored with King Crimson’s "Vrooom," an angular number originally created by Fripp, Belew, Gunn and their Crimson bandmates Tony Levin, Bill Bruford and Pat Mastelotto.
As nice as it was to hear "Vrooom," the true value of the encore was to place the evening’s improvisational extravaganza in context by providing a single sample of how ProjeKct Two sounded when tackling a fully developed and structured instrumental piece. Frankly speaking, the encore paled in comparison to the 90 minutes of music preceding it, as its rehearsed complexities and nuances were nowhere near as impressive as the knotty, towering sound collages that ProjeKct Two created on the fly as the rapt audience watched and listened.
Fripp, Belew and Gunn were watching and listening to each other as well, and much of the thrill of this concert came from witnessing the interactions between these deeply talented musicians who have played together long enough to anticipate each other’s thoughts, sometimes before they eve realize that they’ve had them. Belew or Fripp typically opened each number with a drum or guitar pattern that the other musicians would would investigate, mount and ride, sometimes to loud and uplifting summits, sometimes to quiet, scary grottoes, sometimes back to the point at which they started. It was actually harrowing to experience in many cases, as the trio careened just on this side of control as they rode, the looks on their faces indicating that it was just as thrilling (and frightening) for them as it was their audience.
As important as technical prowess was to the concert’s success, mention must also be made of ProjeKct Two’s technological proficiancy. Belew was playing the latest generation of Roland virtual drums, allowing him to create a seemingly infinite number of sonic assaults as he clattered and rattled along with a look-Ma-I’ve-got drums grin on his face. (Understandable, given that he’s normally a guitarist.) Gunn matched Belew’s rhythmic and textural intensity as he tapped, stroked and and beat the touchboard of his Warr guitar.
Fripp spun out any number of his trademark spine-tingling sustained guitar lines but also used the treatment technology he has developed over the years via his Soundscape and Frippertronic performance experiments to create a wealth of tones and intonations. At times, the bands’ sounds were so far skewed from what your eyes were reporting to your brain that it was almost psychologically easier to look at the floor and imagine that Fripp was playing cluster chords on some beaten-up jazz-hall piano while Gunn blew on a baritone sax and Belew kept time by tapping on whisky bottles and ashtrays. Crazy, man, crazy.
All told, ProjeKct Two’s concert was a magnificent one, and I must confess to feeling great relief in being able to report that. Why? Because Robert Fripp’s written and recorded works have done more to shape both how I listen to and how I think about music than have any other artist’s over the last two decades, although I never actually stood in the same space with Fripp until last Friday. So imagine the potential for debilitating disappointment at this show, and then imagine the transcendent relief and joy when it didn’t come to pass. It literally moved me to tears. And how often can a wordless concert do that?"
More news
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Keeling Brought To Book
:: Posted by Sid Smith on Tue., Apr 3, 2012
Robert’s recent diary entry featured a photograph of Andrew Keeling’s King Crimson analysis.
In response to several queries, all three books can be obtained directly from Andrew’s publishers, Spaceward. Andrew also has a new rock album out called Bells Of Heaven. Featuring a full rock band with contributions from Comsat Angels’ Stephen Fellows and No-Man’s Tim Bowness, the album was recently reviewed in R2 magazine: "It’s a hugely ambitious and complex work, as intricate in its construction as it is in its assemblage of supporting musicians and if it’s reasonable to describe it as progressive then it’s gently progressive; there’s a lightness of touch that belies its intricacies." You can grab Bells Of Heaven here.
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The Pros & Cons Of Streaming
:: Posted by Sid Smith on Mon., Apr 2, 2012
Respected music writer and creator of the excellent Innerviews website, Anil Prasad shares his presentation The Economic Reality Of Streaming For Musicians here.
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OCG V
:: Posted by Sid Smith on Mon., Apr 2, 2012
If you're interested in attending the special performance project of the Orchestra of Crafty Guitarists in Italy, there are still a few places available. Check out the website for further details
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UK Play London
:: Posted by Sid Smith on Sun., Apr 1, 2012
The reformed UK - featuring Eddie Jobson, John Wetton, guitarist Alex Machacek and drummer Gary Husband - will be playing London in May.
Tickets for UK’s London appearance go on sale on APRIL 2nd.
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Fripp vs Morello?
:: Posted by Sid Smith on Fri., Mar 30, 2012
Guitar World want to know who is the greatest guitarist of all time and the play off today is between Tom Morello of Rage Against The Machine and Boppin' Bobby of Dorset. Stifle your yawns and point your browser here!
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Gavin Harrison Band & Stick Men Tour UK
:: Posted by Sid Smith on Fri., Mar 30, 2012
Gavin Harrison and his band are playing a series of double-headliner concerts with Stick Men in the UK in June.
Alongside Gavin will be 05Ric (guitar and lead vocals), Justin Dwyer (on guitar & backing vocals) and Tiago Coimbra (bass).Gav and 05Ric have just released their third album, The Man Who Sold Himself. You can find our more about the album by taking a peek here.
Tickets for the dates go on sale today and can be found here.
The tour will also mark the live debut in the UK of Stick Men featuring Tony Levin, Pat Mastelotto and Markus Reuter who are currently working on a new album.
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Sylvian Looks Back
:: Posted by Sid Smith on Fri., Mar 30, 2012
My thanks to Kev Mills for sending in this link to an extensive interview with one-time Fripp collaborator, David Sylvian.
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