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GC Down Mexico Way
:: Posted by Sid Smith on Wed., Feb 15, 2012

Robert Fripp will be directing an introduction to the Guitar Circle in Mexico in 2013. You can check out the details over on the Guitar Circle website


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Wetton & Palmer-James Reissued
:: Posted by Sid Smith on Thu., Jul 10, 2014
I Wish You Would and Monkey Business 1972 - 1979 by John Wetton and Richard Palmer-James have been reissued in a 2CD set.



I Wish You Would, recorded in 1979, dusts off some blues numbers beloved by the duo back in their school days, while Monkey Business first released in 1998 sifts through items they worked on for the King Crimson back catalogue (including Night Watch, Book Of Saturday, Starless and a remake of Doctor Diamond as well as a tracks the pair wrote intended for the follow-up to Red.

You can grab the album via iTunes (I Wish You Would / Monkey Business) or Burning Shed.

F*cked Up Fripp
:: Posted by Sid Smith on Thu., Jul 10, 2014
The latest edition of The Wire contains an extensive interview with St Vincent who is found extolling the virtues of Robert Fripp's guitar playing with David Bowie.



KC On TV
:: Posted by Sid Smith on Wed., Jul 9, 2014
My thanks to eagle-eyed Chris Barron who spotted this manifestation of the mighty Crim on a programme about the making of the popular long-running UK TV series, University Challenge.



For those who want to see the appearance of what looks like it might be the LTIA box set in full television mode, the programme is available on BBCiPlayer and the album (and dinosaur - another KC reference?) can be seen at the 37.00 mark. 


Four Chords & The Crim
:: Posted by Sid Smith on Wed., Jul 9, 2014
Fancy an entire one hour show dedicated to the diatonic phrygian tetrachord with a snippet of King Crimson thrown in? Check out this WNYC radio show which takes the listener on a tour of what it calls the world's most-used musical sequence. 


On This Date 40 Years Ago
:: Posted by Sid Smith on Tue., Jul 8, 2014
On this date 40 years ago King Crimson entered Olympic Studios in London and began work on the final Crimson album of the 1970s,  Red



You can read an interview with John Wetton where he talks about the album and the subsequent break-up here.


Small But Perfectly Formed
:: Posted by Sid Smith on Tue., Jul 8, 2014
Here's an interview with Morgan Fisher, the man who brought the world Miniatures in 1980, which featured a 60 second keyboard contribution from Robert Fripp.

 



Also well worth reading is Morgan Fisher's encounters with Fripp over the years over on the excellent Miniatures website. 

Vote For King Crimson
:: Posted by Sid Smith on Mon., Jul 7, 2014
The Road To Red, the multi-disc box set documenting King Crimson's final American tour of 1974, has been nominated for an award at the 2014 Progressive Music Awards. The box set has been nominated in the Grand Design category of the awards organised by Prog magazine.



If you'd like to see King Crimson and The Road To Red win this year then you'll need to register at the awards website and do the Crims proud. 

Here's the full list of runners and riders in the Grand Design category:

King Crimson - The Road To Red

Dream Theater – Limited Edition Collectors Box Set

ELP – Brain Salad Surgery Deluxe Box Set 

Rush – Rush 40th Box Set 

Rick Wakeman – Journey To The Centre Of The Earth Box Set 

Pink Floyd – The Division Bell Deluxe Set 

Fish – Feast Of Consequences Box Set 

Cynic - Kindly Bent To Free Us Deluxe Book Set 

Ian Anderson - Homo Erraticus Deluxe Edition Hardback Book 

Transatlantic - Kaliedoscope Deluxe Edition Box Set






Practice May Not Make Perfect
:: Posted by Sid Smith on Mon., Jul 7, 2014
My thanks to BornCynic who posits this nugget of information: "I believe that Mr Fripp has stated that he had no natural ability when picking up the guitar - but did he have the right genes?"


On This Date 45 Years Ago
:: Posted by Sid Smith on Sat., Jul 5, 2014
On this date 45 years ago, King Crimson supported The Rolling Stones at the now legendary free concert in Hyde Park. The concert was a crucial milestone for Crimson who at that point had played just 23 gigs.




When Crimson took to the stage they restricted themselves to a truncated set consisting of 21st Century Schizoid Man, In The Court Of The Crimson King, Get Thy Bearings, Epitaph, Mantra, Travel Weary Capricorn and Mars.  Dik Fraser recalls that during the opening number a large framed photograph of Brian Jones fell, almost catching Greg Lake. The bass player shrugged off the mishap, but several people backstage thought it was some kind of augury or supernatural manifestation.



It was a good day for Crimson, however. The newest member of the road crew, Richard Vickers (better known as Vick), recalled in his memoir of that period: "The high point of that gig was the whole audience rising to their feet as one and cheering Ian McDonald solo during ‘Schizoid’ — I remember the hairs on the back of my spine rising in unison as the roar from this huge crowd went up."

In the crowd stood Jamie Muir. Having only recently moved down from Edinburgh, the future Crimson percussionist was then playing with free improvisers such as John Stevens and Derek Bailey. He was impressed by the force Crimson created. "What was incredible was that they just exploded on to the scene fully matured. Most bands come along and then develop but Crimson just came on and exploded with this very adult, intelligent, cutting-edge music. It was just this whole package that went wallop!"

Fourteen-year-old Trevor Lever, attending his first concert, found Crimson perplexing.  "At one point I thought an orchestra was playing but through my binoculars saw only four blokes on the stage. 'Where’s the orchestra?' I asked a mate. 'Dunno,' was the informed reply. 'Who is this playing?'  I said to no-one in particular. 'King something,' I was told.  I made a mental note to check this band out at a later stage."  It was the start of a love affair with Crimson which Lever — who has seen shows by every incarnation of the band — continues to this day.



Crimson finished as usual with “Mars” (complete with an air raid siren being cranked up from underneath the stage by Enthoven and Fraser).  Enthoven, celebrating his 25th birthday that day, regards this as the defining moment of the launch of King Crimson. McDonald agrees that it was the point at which Crimson arrived, but adds: "It would sound blasé to say that this was just another gig for us, though in a sense it was; we were having a great time discovering and enjoying our music, but we were also experienced enough individually not to be too greatly affected by any particular venue."




Sinfield was less than impressed with the set that day, feeling that the band was below par.  Lake disagrees: "It was the first open-air gig that Crimson played and to that extent it wasn't as sonically controlled as the ones indoors. Pete didn't have his lights to play with but it was an extraordinary show."  In his diary, Fripp noted: "Standing ovation. Mammoth success, of importance which will take time to appreciate. We'll look back to see this day in years to come and fully realise its significance."

Lake observes: "I think that even if that Hyde Park thing hadn't have happened, I don't think it would have affected the popularity of King Crimson.  The band had spread like wildfire." Certainly the next night when Crimson played their regular slot at The Marquee, the club was packed. Sinfield regards that gig as infinitely superior to Hyde Park. "The Marquee the next night.  NOW that was a humdinger!  Oh yes indeedy!"  McDonald in his diary notes that the band certainly picked up a few new admirers.  "Went to the Marquee. Did gig. Came back with nine chicks (!)"

Crimson continued to surf a wave of critical approval.  Richard Gott in The Guardian's review of Hyde Park asserted: "Most of the music, with the exception of a sensational group called King Crimson, was indifferent." And B.P. Fallon in that week's Melody Maker raved: "King Crimson are going to be giants. Perhaps I'm wrong. Perhaps. Give it a year and we'll know. No dammit. Six months will do. Really..." 

A more considered verdict was delivered by Richard Gilbert in The Listener.  "King Crimson played again at the Rolling Stones concert in Hyde Park and their confidence in careering from the gritty to the lyrical won them a massive and deserved ovation... if their records can match their live performances they will survive all the bandwagon leaping." 

For years it was assumed that there was no footage of Crimson other than a brief glimpse of an off-stage Fripp peering at Mick Jagger through the potted plants on the Stones In The Park DVD. Minutes later, Fripp and other KC members were unceremoniously thrown out of the back stage area.



However a five-minute snippet was eventually surfaced and was included on the 2009  40th Anniversary Edition of In The Court Of The Crimson King (available from Inner Knot and Burning Shed)

The audience recording of the concert was officially released on CD as KCCC12 in 2002  and is also available as a download from this site.



Were you there at this concert? We'd love to hear from you if so. Get in touch via the guestbook and share you memories of this important concert in the KC calendar.


Now it Seems The Bubble's Burst
:: Posted by Sid Smith on Fri., Jul 4, 2014
Hardly a week goes by without a story appearing claiming the major labels are enjoying a resurgence in revenues, but here's a report in Variety which says album and digital sales are slumping. 


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