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KCCC
:: Posted by David Singleton on Wed., May 2, 2012

Following the various comments on the guestbook, I can confirm that the Collectors Club will draw to an exciting, honourable close at Club50. Club 46 The Marquee 1972, (one of the best sounding shows of the RF/Boz/Ian/Mel line-up) will be the last audio-only release. The last four Collectors Club releases will be DVDs (possibly with accompanying CDs), of which the first of which, Club47, will be a DVDA with footage of two shows in Buenos Aires in 1994.

So the reluctant completists are nearly there.


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Meet The New Boss...Same As The Old Boss
:: Posted by Sid Smith on Wed., Oct 17, 2012
Somebody is making a lot of money out of streaming services but it's not the musicians. Pandora want to make their business profitable at the expense of the very musicians that give their service its content, and thus value. Elsewhere,  Chicago-based musician Benn Jordan is discovering how difficult it is when dealing with streaming services, in this case, Spotify. 


Wetton's Afterglow
:: Posted by Sid Smith on Tue., Oct 16, 2012
John Wetton contributes vocals to Steve Hackett’s new album Genesis Revisited II. He’s singing Afterglow and is one of several guests featured on the new double album which you can preview in its entirety here. In something of a Crim-related bonus, Jakko Jakszyk also sings Entangled and Steven Wilson can also be heard singing Can-Utility & The Coastliners


Frippertronics Tour Bundle Goes Live
:: Posted by Sid Smith on Mon., Oct 15, 2012
The Frippertronics tour undertaken around the release of Exposure is now available to download either as single concerts or as a complete bundle. $60 for FLAC or $45 for mp3 for 17 shows - from May 17th through to May 29th


LTIA Box Set Reviewed
:: Posted by Sid Smith on Sun., Oct 14, 2012
Record Collector magazine has given the about-to-be-released LTIA box set a 4-star review.

Aspic’n’mix


Generally considered to be one of King Crimson’s undeniable peaks – if just for Exiles, The Talking Drum and both parts of the title track alone – Larks’ Tongues In Aspic was the result of one hell of a chemical reaction between David Cross (violin/viola/ mellotron), Bill Bruford (drums), Jamie Muir (percussion), John Wetton (bass/vocals) and Robert Fripp (guitar/mellotron/devices). Panegyric are marking its 40th anniversary with the release of four different reissues, from basic CD, 2-CD and CD+DVD packages featuring new mixes by Steve Wilson and Robert Fripp, to a luxurious box set limited.

Those with a royal treasury at their disposal will certainly plump for the latter booty: an embarrassment of riches that includes alternate mixes, session reels, first takes of all the tracks, restored bootlegs and soundboard recordings. The audio goods are matched by the visuals, which include unseen studio footage, a lavish booklet and even sleeve art print. It is, essentially, everything that this particular line-up ever recorded.

At 80 minutes, the CD of session reels is manna from heaven for Crimson fans, putting you in the studio with them as they recorded the album; so evocative, it’s as if you’re there at the very moments of creation. Studio chatter sees engineer Nick Ryan essentially become an old friend as the recordings progress, such is the amount of time he’s spending with the group. Elsewhere, during the recording of the album’s gamelan intro, we hear Jamie Muir getting into the zone, insisting, “I’ll do it without the cans. Can you leave me alone? Nothing personal or anything.”

There’s nothing more thrilling than hearing the call for “Larks’ Tongue, Take One”, before the band bite into the meat of the composition – and then re-record its various sections. Such lifting of the veil allows you to hear both the old and new mixes of the album under a new light. It also offers insight to the live recordings, which reveal a band familiar not only with with the material but also with each other, launching into to some interstellar versions of the likes of Exiles and Easy Money.

With King Crimson’s reputation soaring and their and influence even more apparent these days, Crimson fans shouldn’t lark about: the box set is strictly limited to a 7,000-only run.  

Ian Shirley


Down Under And Out
:: Posted by Sid Smith on Fri., Oct 12, 2012
My thanks to Owen Keenan for passing on the news that The Church's Steve Kilbey is quitting the band because of issues around royalties.  


Toop Harps On
:: Posted by Sid Smith on Fri., Oct 12, 2012
Jamie Muir gets an honourable mention in David Toop's review of avant-harpist Rhodri Davies' recent gig.


Ex-Stick Man's Support Act
:: Posted by Sid Smith on Wed., Oct 10, 2012
Michael Bernier, a founder member of Stick Men is wanting folks to buy his very fine solo album, Leviathan. Not just because he thinks it’s worthy (it is) but because he could some help at the moment.

Michael writes "After a few major life threatening seizures recently, a CT scan revealed a "growth" on my brain that should not be there. This afternoon I am having an MRI to determine just exactly what it is. I don’t expect charity or donations to pay for the ever increasing medical costs of just these diagnostics (or what may follow)...but I am posting a link to my album "Leviathan" in hopes that with enough sales of this digital download, my family can manage through this little speedbump of sorts. Wish me luck this afternoon....many hugs and thanks in advance."



You can nab your copy of Leviathan right here.


Radio Threep
:: Posted by Sid Smith on Wed., Oct 10, 2012
My thanks to Andrew John for letting me know that Robert Fripp's Orchestral Soundscapes will be on BBC Radio 3's Late Junction programme tonight. 


Mister Stormy's Monday Selection
:: Posted by Sid Smith on Mon., Oct 8, 2012
Here's a bit of a belter: Level Six - a full track previously been unreleased from the 2001 writing sessions 


Is Spotify Broken?
:: Posted by Sid Smith on Mon., Oct 8, 2012
Well fancy that. There's some speculation that Spotify's numbers don't add up. 


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