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Poseidon & Island Tracklistings
:: Posted by Sid Smith on Sat., Jul 31, 2010

As promised here's the details of the forthcoming 40th anniversary editions of In The Wake of Poseidon and Islands.



CD:

Original album - 2010 mix

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End

Bonus Tracks

11. Groon
12. Peace: An End - Alternate mix
13. Cadence & Cascade (Greg Lake guide vocal version)

DVD-A

MLP Lossless 5.1 Surround/DTS 5.1 Digital Surround - 2010 mix:

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End
11. Groon

MLP lossless/LPCM - 2010 stereo mix:

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End
11. Groon

Original 1970 stereo mix, 30th anniversary remaster:

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End

Bonus Tracks:

1. Cat Food (single version)
2. Groon (single b-side)
3. Cadence & Cascade (unedited master)
4. Cadence & Cascade (Greg Lake guide vocal version)
5. Cadence & Cascade (instrumental take from Wessex Studios)
6. Groon - Take 1
7. Groon - Take 5
8. Groon - Take 15
9. The Devil's Triangle (rehearsal version from Wessex Studios)
10. Peace: An End (alternative mix) 

Robert Fripp: Guitar, Mellotron & Devices
Greg Lake: Vocals
Michael Giles: Drums
Peter Giles: Bass
Keith Tippett: Piano
Mel Collins: Saxes & Flute
Gordon Haskell: Vocal (track 3)
Peter Sinfield: words

---------

Stereo files prepared at Super Audio

Mastering, Devon by Simon Heyworth

5.1 mastered by Simon Heyworth at Super Audio Mastering, Devon

DVD Design & Layout by Claire Bidwell at Opus Productions Ltd

DVD Authoring & Assembly by Neil Wilkes at Opus Productions Ltd

Tape transfers by Kevin Vanbergen at FX

DGM tape Archive: Alex Mundy

Package Art & Design by Hugh O'Donnell

Compiled & Coordinated by Declan Colgan for DGM

Published by UMG Music Ltd.

The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Crimson founder Robert Fripp.*

CD features a new stereo mix by Robert Fripp & Steven Wilson*

CD also features 3 extra tracks, 2 previously unreleased, including a new mix of Groon, an alternate mix of Peace: An End, & the first time availability on CD of the studio recording of Cadence & Cascade with Greg Lake's guide vocal.

DVD-A (compatible with all DVD players & DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mixes (24bit/48khz).*

DVD-A players can, additionally, access a 5.1 Lossless audio mix and Lossless Stereo mixes (24bit 96khz).

DVD-A features both the original album mix & the new album mix in High Resolution stereo*

DVD-A also features ten bonus tracks - all in High Resolution Stereo.

Presented as a 2 x digipack format in a slipcase with new sleeve notes by King Crimson biographer Sid Smith along with rare photos & archive material.

* The Devil's Triangle is one of the few missing King Crimson multi-tracks. In all cases the stereo version used is the 30th anniversary stereo master. For the 5.1 mix, the Penteo up-mixing system was utilised by mastering engineer Simon Heyworth & the mix approved by Robert Fripp.



CD:

Original album 2010 mix:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Bonus tracks:

7. Islands (studio run through with oboe prominent)
8. Formentera Lady (original recording sessions - take 2)
9. Sailor's Tale (original recording sessions - alternate mix/edit)
10. A Peacemaking Stint Unrolls (previously unreleased)
11. The Letters (rehearsal/outtake)
12. Ladies of the Road (Robert Fripp & David Singleton remix)

8 - 11 mixed by Steven Wilson from the original session reels

DVD:

MLP Lossless 5.1 Surround / DTS 5.1 Digital Surround:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Mixed & produced from the original multi track tapes by Steven Wilson.
Executive producer Robert Fripp.

MLP stereo / LPCM stereo - Original album 2010 stereo mix:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Original album 1971 mix, 30th anniversary remaster:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Islands: Alternative album:

1. Formentera Lady - Original recording sessions - take 2
2. Sailor's Tale - Original recording sessions - alternate mix/edit
3. The Letters - Rehearsal/outtake
4. Ladies of the Road - Rough mix
5. A Peacemaking Stint Unrolls - Previously unreleased
6. Islands - Studio run through with oboe prominent

1-3 & 5 mxed by Steven Wilson from the original session reels.

Routes to Islands:

1. Pictures of a City - Early rehearsal by Islands lineup
2. Sailor's Tale - Early rehearsal by Islands lineup
3. Islands (fragment) - Robert Fripp reference cassette - mellotron on vibes setting
4. Formentera Lady - Rough mix from album recording sessions
5. Sailor's Tale - Rough mix from album recording sessions
6. Drop In - Early rehearsal by Islands lineup
7. The Letters - Live at Plymouth, mastered by David Singleton
8. Sailor's Tale - Live at the Zoom Club, mastered by David Singleton

Islands: Additional tracks: Assorted Ladies:

1. Ladies of the Road - Robert Fripp & David Singleton remix
2. Ladies of the Road - Original recording sessions - take 5
3. Formentera Lady - Original recording sessions - take 1
4. Formentera Lady - Original recording sessions - take 3
5. Formentera Lady - Original recording sessions - take 4

2 - 5 mixed by Steven Wilson from the original session reels.

King Crimson personnel:

Robert Fripp: guitar, mellotron, Peter's Pedal Harmonium and sundry implements
Mel Collins: flute, bass flute, saxes, vocals
Boz: bass, lead vocals, choreography
Ian Wallace: drums, percussion, vocals
Peter Sinfield: words, sounds, visions

Featured players:

Keith Tippett: Piano
Paulina Lucas: Soprano
Robin Miller: oboe
Mark Charig: cornet
Harry Miller: string bass

---------

Stereo files prepared at Super Audio Mastering, Devon by Simon Heyworth

5.1 mastered by Simon Heyworth at Super Audio Mastering, Devon

DVD Design & Layout by Claire Bidwell at Opus Productions Ltd

DVD Authoring & Assembly by Neil Wilkes at Opus Productions Ltd

Tape transfers by Kevin Vanbergen at FX

DGM tape Archive: Alex Mundy

Package Art & Design by Hugh O'Donnell

Compiled & Coordinated by Declan Colgan for DGM, with input & suggestions from Steven Wilson & Sid Smith

Published by UMG Music Ltd.


More news

Displaying 4672 items (Viewing 161 to 170 of 4672)

Perry, Fripp & Eno
:: Posted by Sid Smith on Tue., Apr 1, 2014
Today marks the release of two recently discovered tapes found in the DGMLie archive by Alex Mundy featuring percussionist Frank Perry, Brian Eno and Robert Fripp.



Spiral Of Lo consists of a solo percussion set by Frank Perry recorded at Command Studios in June 1972 during the making of Keith Tippett’s Fripp-produced Blueprint album.



The other session was a solo VCS3 loop by Brian Eno, which hails from the Matching Mole’s Little Red Record sessions, again at Command Studios.  Fripp then overdubbed acoustic and sustained electric passages over both sessions.

They originally formed the backing tracks for The Cosmic Children album, a proposed Fripp collaboration with Walli Elmlark, a New York Journalist and wicca witch, which was never released and whose master tapes have long been lost.  

Side one of The Cosmic Children consisted of Fripp and Elmlark in conversation over the Perry / Fripp backing track, while side two had Elmlark in conversation with well-known London DJ Jeff Dexter as the Fripp and Eno piece played in the background.

Speaking to NME’s Simon Stable in July 1972 Fripp stated: "The function of the album is to reach out to the Children like the drummer from Badfinger, I want to say; ’You’re not nutty, you’re not a freak because you can’t relate to what’s around you…’ "

The album was discussed when Fripp gave an interview with Trouser Press’s Ihor Slabicky in 1978:

RF: The music for it was a 45-second piece by Eno on synthesizer which I did in a way that lasted about 20 minutes. I just repeated it time and time again and cross-faded it in places. Side one has a percussion solo by Frank Perry, who’s a quite remarkable percussion player. But overall it wasn’t a very good album. It certainly wasn’t a commercial one, so it was never released.

Sadly the spoken passages of The Cosmic Children were not part of the cache of tapes found in the DGM tape store in February this year. However, after some careful Mister Stormy restoration work, the separate instrumental tracks by Perry and Eno, along with their Fripp overdubs, are now available here on DGMLie as Spiral Of Lo. You can read my take over on the blog.


The Road To Red At Home 33
:: Posted by Sid Smith on Tue., Apr 1, 2014
When The Road To Red arrived in Dennis Montgomery's home in Olympia, Washington, he couldn't resist putting it next to his Gibson Les Paul...




Dennis liked the box set so much he penned this extensive review here.



King Crimson At The Felt Forum
:: Posted by Sid Smith on Mon., Mar 31, 2014
Today’s download features a hot date with KC74 in New York.



You can download the concert here.

My Red Book
:: Posted by Sid Smith on Fri., Mar 28, 2014
That's the title of the next album by Andrew Keeling and Otherworld which will be available later in the year. You can find more about the release and Robert Fripp's inadvertent role in the album's creation by taking a sneaky peek here


Bill & Yes
:: Posted by Sid Smith on Thu., Mar 27, 2014
Bill Bruford played his last gig with Yes in Boston, Massachusetts on March 27th 1972. They were supported that night by a happening beat combo called King Crimson whose gig is available here.  Bill would go onto record Close To The Edge and, of course, quit Yes for KC once it was completed.



More recently Panegyric have announced the forthcoming reissue of The Yes Album with brand new stereo and 5.1 mixes by Steven Wilson. You can find out more about the CD/DVD-A edition here and the CD/Blu-Ray edition here.

The Road To Red At Home 31 & 32
:: Posted by Sid Smith on Thu., Mar 27, 2014
It's been a while since we had a few The Road To Red At Home pix, so here's two for the price of one. First up here's Clive's package lounging about in Bedfordshire



And because this is the internet, there has to be a cat. Kos, from an undisclosed location somewhere on the planet (presumably), makes it so.





Crimson ProjeKCt Reviews
:: Posted by Sid Smith on Thu., Mar 27, 2014
The Crimson ProjeKCt's recent appearance in London is the subject of two reviews. First up is Minty's track by track assessment and then Jez's ear and eye view over at the Dutch Progressive Rock Pages, where their gig in the Netherlands is also considered. Meanwhile Chris McGarel takes Live In Tokyo for a spin. 


Management Assistant wanted
:: Posted by David S on Wed., Mar 26, 2014

We have just posted an "Assistant wanted" job description on Linkedin - and as we all know that DGMLive is far more "Linked in" than anywhere else, it seems only right to post it here as well.

 

With the benefits of cut and paste - the advert reads  :

 

We are seeking an outstanding candidate interested in music management, with a particular focus on marketing and the exciting, fast-changing world of digital media.   
The successful candidate would join our management team, with a brief to expand the reach of the catalogue and the artists – covering, for example, the areas of social media, Youtube, sync licenses, radio, press, sponsorships and personal appearances.

We invite applications from bright, ambitious candidates who share our passion for the arts and who want to pursue a career supporting them.
Relevant educational qualifications are an advantage but not a requirement.

DGM is a small independent company based near Salisbury, UK.  Ideally, candidates would work in our office for an initial period. Thereafter, working at a distance combined with regular meetings in person could be arranged if needed.

The varied role of the winning candidate will include the following tasks :

1. Helping develop a social media strategy and then overseeing this on a daily basis. The candidate would need to be confident in writing postings for Twitter, Facebook and mailing lists

2. Developing and managing relationships with business partners in such key areas as sync licenses and sponsorships.

3. Helping develop and oversee strategies for radio & press.

4. Arranging and overseeing suitable personal appearances.

 

SKILLS

·                      Strong organizational skills – The ability to co-ordinate and micro-manage a series of diverse initiatives.

·                      Strong communication skills – Phone and face-to-face. Much of the role is about managing relationships.

·                      Good command of the English language :  The ability to create content for social media and e-newletters, as well as communicate clearly and appropriately in written correspondence.

·                      Good technical skills: Confident using all basic Office programmes and online social media applications. Also able to research, learn and adopt appropriate new software.

 

You should be

·                      Self-motivated : We encourage and support initiative, and are always available to offer advice and encouragement. We do not, however, expect to oversee tasks to ensure that they are completed on time to a high standard.

·                      Diligent and organized with a good attention to detail : We need a candidate to whom we can reliably delegate, confident in the knowledge that items will not be forgotten or overlooked.

·                      Highly personable: A confident, personable individual, with a friendly nature who fits in neatly with our team.

·                      Willing to learn: We are not expecting a candidate with knowledge of all areas. We want a bright individual, who displays a willingness to learn and undertake independent research. The right person will grow and use this role as a great step in their career.

 

Should there be any interested souls out there, a CV should be dispatched by email, owl or carrier pigeon to indeg @ dgmhq.com (without the spaces). 

 

 

 

 


The photographer knew their faces well...
:: Posted by Sid Smith on Wed., Mar 26, 2014
My thanks to the many people who sent gave me the heads-up regarding President Obama's photo-op in front of Rembrandt's The Night Watch.




See here for a bit more context about the photograph.



King Crimson Record Club This Weekend
:: Posted by Sid Smith on Wed., Mar 26, 2014
The King Crimson Record Club is featuring Larks' Tongues In Aspic this month.



If you're a Twitter user the date for your diary is Friday 28th March at 7.30pm GMT. You'll need to use the #KCRC hashtag to join in the chat.

Facebook users get their turn on Saturday 29th March at 7.30pm GMT (Facebook of Saturday, anyone?). You'll need to be a member of the Facebook King Crimson Record Club group.

If you've not come across it before, the King Crimson Record Club takes place on Twitter and Facebook and the idea is that Crimheads around the world sit down at a pre-arranged time to play their copy of the album and comment upon it in real time with other Crimheads.

Last month In The Court Of The Crimson King was played and discussed (you can see the Storyfied conversation over on the blog).
 

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