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Poseidon & Island Tracklistings
:: Posted by Sid Smith on Sat., Jul 31, 2010

As promised here's the details of the forthcoming 40th anniversary editions of In The Wake of Poseidon and Islands.



CD:

Original album - 2010 mix

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End

Bonus Tracks

11. Groon
12. Peace: An End - Alternate mix
13. Cadence & Cascade (Greg Lake guide vocal version)

DVD-A

MLP Lossless 5.1 Surround/DTS 5.1 Digital Surround - 2010 mix:

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End
11. Groon

MLP lossless/LPCM - 2010 stereo mix:

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End
11. Groon

Original 1970 stereo mix, 30th anniversary remaster:

1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
5. Peace: A Theme
6. Cat Food
7. The Devil's Triangle (part I)
8. The Devil's Triangle (part II)
9. The Devil's Triangle (part III)
10. Peace: An End

Bonus Tracks:

1. Cat Food (single version)
2. Groon (single b-side)
3. Cadence & Cascade (unedited master)
4. Cadence & Cascade (Greg Lake guide vocal version)
5. Cadence & Cascade (instrumental take from Wessex Studios)
6. Groon - Take 1
7. Groon - Take 5
8. Groon - Take 15
9. The Devil's Triangle (rehearsal version from Wessex Studios)
10. Peace: An End (alternative mix) 

Robert Fripp: Guitar, Mellotron & Devices
Greg Lake: Vocals
Michael Giles: Drums
Peter Giles: Bass
Keith Tippett: Piano
Mel Collins: Saxes & Flute
Gordon Haskell: Vocal (track 3)
Peter Sinfield: words

---------

Stereo files prepared at Super Audio

Mastering, Devon by Simon Heyworth

5.1 mastered by Simon Heyworth at Super Audio Mastering, Devon

DVD Design & Layout by Claire Bidwell at Opus Productions Ltd

DVD Authoring & Assembly by Neil Wilkes at Opus Productions Ltd

Tape transfers by Kevin Vanbergen at FX

DGM tape Archive: Alex Mundy

Package Art & Design by Hugh O'Donnell

Compiled & Coordinated by Declan Colgan for DGM

Published by UMG Music Ltd.

The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Crimson founder Robert Fripp.*

CD features a new stereo mix by Robert Fripp & Steven Wilson*

CD also features 3 extra tracks, 2 previously unreleased, including a new mix of Groon, an alternate mix of Peace: An End, & the first time availability on CD of the studio recording of Cadence & Cascade with Greg Lake's guide vocal.

DVD-A (compatible with all DVD players & DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mixes (24bit/48khz).*

DVD-A players can, additionally, access a 5.1 Lossless audio mix and Lossless Stereo mixes (24bit 96khz).

DVD-A features both the original album mix & the new album mix in High Resolution stereo*

DVD-A also features ten bonus tracks - all in High Resolution Stereo.

Presented as a 2 x digipack format in a slipcase with new sleeve notes by King Crimson biographer Sid Smith along with rare photos & archive material.

* The Devil's Triangle is one of the few missing King Crimson multi-tracks. In all cases the stereo version used is the 30th anniversary stereo master. For the 5.1 mix, the Penteo up-mixing system was utilised by mastering engineer Simon Heyworth & the mix approved by Robert Fripp.



CD:

Original album 2010 mix:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Bonus tracks:

7. Islands (studio run through with oboe prominent)
8. Formentera Lady (original recording sessions - take 2)
9. Sailor's Tale (original recording sessions - alternate mix/edit)
10. A Peacemaking Stint Unrolls (previously unreleased)
11. The Letters (rehearsal/outtake)
12. Ladies of the Road (Robert Fripp & David Singleton remix)

8 - 11 mixed by Steven Wilson from the original session reels

DVD:

MLP Lossless 5.1 Surround / DTS 5.1 Digital Surround:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Mixed & produced from the original multi track tapes by Steven Wilson.
Executive producer Robert Fripp.

MLP stereo / LPCM stereo - Original album 2010 stereo mix:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Original album 1971 mix, 30th anniversary remaster:

1. Formentera Lady
2. Sailor's Tale
3. The Letters
4. Ladies of the Road
5. Prelude: Song of the Gulls
6. Islands

Islands: Alternative album:

1. Formentera Lady - Original recording sessions - take 2
2. Sailor's Tale - Original recording sessions - alternate mix/edit
3. The Letters - Rehearsal/outtake
4. Ladies of the Road - Rough mix
5. A Peacemaking Stint Unrolls - Previously unreleased
6. Islands - Studio run through with oboe prominent

1-3 & 5 mxed by Steven Wilson from the original session reels.

Routes to Islands:

1. Pictures of a City - Early rehearsal by Islands lineup
2. Sailor's Tale - Early rehearsal by Islands lineup
3. Islands (fragment) - Robert Fripp reference cassette - mellotron on vibes setting
4. Formentera Lady - Rough mix from album recording sessions
5. Sailor's Tale - Rough mix from album recording sessions
6. Drop In - Early rehearsal by Islands lineup
7. The Letters - Live at Plymouth, mastered by David Singleton
8. Sailor's Tale - Live at the Zoom Club, mastered by David Singleton

Islands: Additional tracks: Assorted Ladies:

1. Ladies of the Road - Robert Fripp & David Singleton remix
2. Ladies of the Road - Original recording sessions - take 5
3. Formentera Lady - Original recording sessions - take 1
4. Formentera Lady - Original recording sessions - take 3
5. Formentera Lady - Original recording sessions - take 4

2 - 5 mixed by Steven Wilson from the original session reels.

King Crimson personnel:

Robert Fripp: guitar, mellotron, Peter's Pedal Harmonium and sundry implements
Mel Collins: flute, bass flute, saxes, vocals
Boz: bass, lead vocals, choreography
Ian Wallace: drums, percussion, vocals
Peter Sinfield: words, sounds, visions

Featured players:

Keith Tippett: Piano
Paulina Lucas: Soprano
Robin Miller: oboe
Mark Charig: cornet
Harry Miller: string bass

---------

Stereo files prepared at Super Audio Mastering, Devon by Simon Heyworth

5.1 mastered by Simon Heyworth at Super Audio Mastering, Devon

DVD Design & Layout by Claire Bidwell at Opus Productions Ltd

DVD Authoring & Assembly by Neil Wilkes at Opus Productions Ltd

Tape transfers by Kevin Vanbergen at FX

DGM tape Archive: Alex Mundy

Package Art & Design by Hugh O'Donnell

Compiled & Coordinated by Declan Colgan for DGM, with input & suggestions from Steven Wilson & Sid Smith

Published by UMG Music Ltd.


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On This Date Nine Years Ago
:: Posted by Sid Smith on Mon., Jun 23, 2014
Robert Fripp played a stunning concert at the The Society For Ethical Culture in New York on this date nine years ago. Fripp's own verdict of the concert was "A good show for me, with new ideas. A very generous audience..."



You can download the full concert here.

Giles, Giles & Lunch
:: Posted by Sid Smith on Mon., Jun 23, 2014
My thanks to Pat Mastelotto who spotted this sign in Auckland where The Crimson ProjeKCt are playing...



It Was On This Date In 1982
:: Posted by Sid Smith on Wed., Jun 18, 2014
Beat, the ninth studio album by King Crimson was released on June 18th 1982. For the first time in Crimson's history, the same line-up had made two consecutive albums, and although they went on to release a third in 1984, recording Beat all but broke the band apart.



Looking back on this extreme example of difficult second album syndrome, Belew is unequivocal in his judgement. "Beat was the most awful record-making experience of my life and one I would never choose to repeat."

Things had come to a head during the recording of Requiem when Belew returned to the studio alone and overdubbed some further guitar parts.  Then Fripp followed suit, the two guitarists seemingly vying for position. "I seem to recall that Adrian was less than thrilled about this" said Tony Levin. Far away from home and under pressure to come up with lyrics and melodies, Belew pointedly told Fripp to leave the studio. Leaving for Wimborne and visibly upset, Fripp played no further part in the recording, leaving Belew and producer Rhett Davies to mix the rest of the tracks alone.  

When remastering the album in 2001, Fripp offered this take on the album “At the time (1982) Bill & Adrian thought that Beat was better than Discipline. For me, this is an indication of how far the band had already drifted from its original vision. I believe Ade changed his mind; I'm not sure what Bill's view would be now. The group broke up at the end of Beat, as it did during the Nashville rehearsals (1997). I had nothing to do with the mixing of Beat, nor did I feel able to promote it. Somehow we absorbed the fact, and then kept going.”

Speaking of the relative brevity of the album Bill Bruford explained "In our creative processes the junk got scrapped and the only bits that we could all agree on as being remotely effective went forward. As soon as that quota was fulfilled — being 35 or 40 minutes for an album — then you were gone.  Done.  Finished.  Nobody wanted to stay another minute."

Drawing upon the writing of Kerouac, Ginsberg and the iconography of the Beat generation in general, upon it’s release Beat was the object of much suspicion and outright hostility from the UK music press, with Record Mirror being fairly typical. “Here we are in 1982 and the hippest of the hip (among Talking Heads circles anyway) King Crimson have made an album about the movement. And it’s a miserable effort. The essence of the Beat Movement was that it should be spontaneous, free and exciting. King Crimson seem to think that they should be churning out carefully constructed guitar phrases with Adrian Belew screaming with a calculated passion over the top...Perhaps the most meaningful number is the instrumental Sartori In Tangier, simply because it doesn’t feature the silly overworked vocals... Beat is a wasted effort that would be better off not just in another era but another planet.”

The Melody Maker reckoned “For sweet and sour contrast Sartori In Tangier takes a lot of beating, and is a far better instrumental than Requiem which resurrects the fiddly, pretentious discordance that for me was always the worst watercolour in Crimson’s palate.”

American reviewers were far more interested with this album. Rolling Stone’s Chip Stern awarded the album 3 and 1/2 stars, observing that "Crimson creates a new kind of electronic string music that achieves an orchestral density without resorting to ersatz art-rock bombast...King Crimson may never rope in a pop audience like the Police and Asia have, but they stand a good chance of attracting a following of disaffected listeners who want more from rock than a party"

Stereo Review cconcluded that "Beat retains much of the flavour of its immediate predecessor, Discipline but it seems less frenzied. Belew, Fripp and Co. have taken the distinctive sound developed for the more experimental Discipline and applied it successfully here to more conventional subjects. The excellent results suggest that the King Crimson may be set for a long reign.”

The album with a brand new stereo and surround sound mix by Steven Wilson is due for release in October this year. In the meantime, what’s your verdict? Is Beat ripe for rediscovery or something best left alone?






The Madness Of King Crimson
:: Posted by Sid Smith on Wed., Jun 18, 2014
Here's an archive interview with Bill Bruford disinterred on the occasion of what the writer describes as the "almost Crimson" playing Australia and New Zealand next week.  


Meet The New Boss The Same As The Old Boss
:: Posted by Sid Smith on Wed., Jun 18, 2014
Remember when companies like Youtube and Google were seen as hip and somehow down with the kids? Well, meet The Man in his new threads here and here.


King Crimson 2014 Tour Dates
:: Posted by Sid Smith on Tue., Jun 17, 2014
Just in case you've been sleeping under a rock for the last few weeks, King Crimson have announced a series of live dates in the USA later this year. Tickets are on sale for all venues although the first three dates in New York have sold out.




Tue 9 Sep      Albany,    NY The Egg
Wed 10 Sep  Albany, NY The Egg
Fri 12 Sep Philadelphia, PA Verizon Hall
Sat 13 Sep Philadelphia, PA Verizon Hall
Mon 15 Sep Boston, MA Colonial Theatre
Tue 16 Sep Boston, MA Colonial Theatre
Thu 18 Sep New York, NY Best Buy
Fri 19 Sep New York, NY Best Buy
Sat 20 Sep New York, NY Best Buy
Sun 21 Sep New York, NY Best Buy
Tue 23 Sep Madison, WI Barrymore Theatre
Thu 25 Sep Chicago, IL The Vic Theatre
Fri 26 Sep Chicago, IL The Vic Theatre
Tue 30 Sep Los Angeles, CA Orpheum Theatre
Wed 01 Oct Los Angeles, CA Orpheum Theatre
Fri 03 Oct San Francisco, CA The Warfield
Sat 04 Oct San Francisco, CA The Warfield
Mon 06 Oct Seattle, WA Moore Theater

Happy Birthday Peter Giles
:: Posted by Sid Smith on Tue., Jun 17, 2014
Bassist with Giles, Giles & Fripp, King Crimson, McDonald & Giles and 21st Century Schizoid Man celebrates his birthday today.



Peter was behind the invaluable archive release The Brondesbury Tapes, which perhaps more adequately explains the transitional process from GG&F to King Crimson more fully than The Cheerful Insanity Of Giles, Giles & Fripp.



The Road To Red At Home 37 & 38
:: Posted by Sid Smith on Tue., Jun 17, 2014
Just when you thought there couldn’t possibly be any more The Road To Red At Home pics, last week we received a couple of fresh ones which will be going up on the site in the next few days.

These two however were found lurking in an old shoe box left over from last Christmas. First up is a splendid array from Diderot DeBritto in Brazil...



and perhaps channeling the back cover of Pink Floyd’s Ummagumma, Andy Puntis lays his set out for all to see....




The Road To Red is still available and can be purchased here.




Well Bugger My Russet
:: Posted by Sid Smith on Mon., Jun 16, 2014
This round of King Crimson rehearsals came to an end at the weekend. Here's a round-up of some of the snaps nabbed by the team, including this one taken by Trev Wilkins from Tony Levin's website, which might just be my favourite picture of any KC incarnation...



The next round of full-band King Crimson rehearsals takes place next month. In the meantime here's a selection from Friday 13th...















From Saturday 14th...

















Rendezvous With ToPaRaMa
:: Posted by Sid Smith on Mon., Jun 16, 2014
Pat Mastelotto and his colleague in Crimson ProjeKCt, Tobias Ralph have an album out. Entitled ToPaRaMa you can find out more details here


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