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The Road To Red Tracklisting
:: Posted by Sid Smith on Thu., Aug 29, 2013

The final tracklisting and running order for The Road To Red has been released by Panegyric.




The Road to Red

1
Veterans Memorial Coliseum,
Columbus, OH
April 28, 1974

1 The Great Deceiver *
(Wetton/Fripp/Palmer-James)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Improv I
(Cross/Fripp/Wetton/Bruford)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Fracture
(Fripp)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv II
(Cross/Fripp/Wetton/Bruford)
8 The Night Watch
(Fripp/Wetton/Palmer-James)
9 RF Announcement

* incomplete recording
Disc 1 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously available as a download only from www.dgmlive.com (2007)



2
Stanley Warner Theatre,
Pittsburgh, PA
April 29, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 The Great Deceiver
(Wetton/Fripp/Palmer-James)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Improv: Bartley Butsford
(Cross/Fripp/Wetton/Bruford)
5 Exiles
(Cross/Fripp/Wetton/Palmer-James)
6 Fracture
(Fripp)
7 Easy Money
(Fripp/Wetton/Palmer-James)
8 Improv: Daniel Dust
(Cross/Fripp/Wetton/Bruford)
9 The Night Watch
(Fripp/Wetton/Palmer-James)

Disc 2 mixed by Robert Fripp, Tony Arnold and David Singleton
at the Courthouse, Cranborne, Dorset.
Previously released in part on "The Great Deceiver"(1992). Selected tracks
previously available as a download from www.dgmlive.com (2009)

3
Stanley Warner Theatre,
Pittsburgh, PA
April 29, 1974

1 Doctor Diamond
(Cross/Fripp/Wetton/Bruford/Palmer-James)
2 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
3 Improv: Wilton Carpet
(Cross/Fripp/Wetton/Bruford)
4 The Talking Drum
(Cross/Fripp/Wetton/Bruford/Muir)
5 Larks’ Tongues In Aspic (Part II)
(Fripp)
6 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

Disc 3 mixed by Robert Fripp, Tony Arnold and David Singleton
at the Courthouse, Cranborne, Dorset.
Previously released in part on "The Great Deceiver"(1992). Selected tracks
previously available as a download from www.dgmlive.com (2009)

4
Hofheinz Pavilion,
Houston, TX
June 5, 1974

1 The Great Deceiver *
(Wetton/Fripp/Palmer-James)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Improv
(Cross/Fripp/Wetton/Bruford)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Fracture
(Fripp)
6 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
7 The Talking Drum
(Cross/Fripp/Wetton/Bruford/Muir)
8 Larks’ Tongues In Aspic (Part II) *
(Fripp)

* incomplete recording
Disc 4 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously unreleased.

5
Tarrant County Convention Centre,
Fort Worth, TX
June 6, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Easy Money
(Fripp/Wetton/Palmer-James)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Fracture
(Fripp)
5 Improv
(Cross/Fripp/Wetton/Bruford)
6 The Talking Drum
(Cross/Fripp/Wetton/Bruford/Muir)
7 Larks’ Tongues In Aspic (Part II)
(Fripp)
8 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

Disc 5 taken from a band cassette soundboard and audience bootleg cassette
recording. Audio restored at DGM by David Singleton and Alex R Mundy
Previously available as a download only from www.dgmlive.com (2010)

6
Fairground Arena,
Oklahoma City, OK
June 7, 1974

1 The Great Deceiver *
(Wetton/Fripp/Palmer-James)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Improv I
(Cross/Fripp/Wetton/Bruford)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Fracture
(Fripp)
6 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
7 Improv II
(Cross/Fripp/Wetton/Bruford)
8 The Talking Drum *
(Cross/Fripp/Wetton/Bruford/Muir)
9 The Talking Drum insert †
(Cross/Fripp/Wetton/Bruford/Muir)
10 Larks’ Tongues In Aspic (Part II) *
(Fripp)

* incomplete recording

Disc 6 taken from a band cassette soundboard recording. † To maintain continuity a missing section of ‘Talking Drum’ & ‘LTIA’ has been added from Forth Worth, June 6th. Audio restored at DGM by David Singleton and Alex R Mundy.
Previously available as a download only from www.dgmlive.com (2010)

7
Civil Auditorium,
El Paso, TX
June 8, 1974

1 Larks’ Tongues In Aspic (Part II) *
(Fripp)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Improv I
(Cross/Fripp/Wetton/Bruford)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Easy Money
(Fripp/Wetton/Palmer-James)
6 Fracture
(Fripp)
7 RF Announcement
8 Starless (Part I) *
(Cross/Fripp/Wetton/Bruford/Palmer-James)
9 Starless (Part II) *
(Cross/Fripp/Wetton/Bruford/Palmer-James)

* incomplete recording
Disc 7 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously unreleased.


8
Coliseum,
Denver, CO
June 16, 1974

1 The Great Deceiver
(Wetton/Fripp/Palmer-James)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Exiles
(Cross/Fripp/Wetton/Palmer-James)
4 Easy Money
(Fripp/Wetton/Palmer-James)
5 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
6 The Talking Drum *
(Cross/Fripp/Wetton/Bruford/Muir)

* incomplete recording
Disc 8 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously unreleased.

9
Performing Arts Centre,
Milwaukee, WI
June 22, 1974

1 Larks’ Tongues In Aspic (Part II) *
(Fripp)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Improv I
(Cross/Fripp/Wetton/Bruford)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv II
(Cross/Fripp/Wetton/Bruford)
6 The Night Watch
(Fripp/Wetton/Palmer-James)
7 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

* incomplete recording
Disc 9 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously available as a download only from www.dgmlive.com (2012)


10
Aquinas College,
Grand Rapids, MI
June 23, 1974

1 Larks’ Tongues In Aspic (Part II) *
(Fripp)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Improv I
(Cross/Fripp/Wetton/Bruford)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Easy Money *
(Fripp/Wetton/Palmer-James)
6 Improv II
(Cross/Fripp/Wetton/Bruford)
7 Great Deceiver
(Wetton/Fripp/Palmer-James)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

* incomplete recording
Disc 10 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously unreleased.

11
Massey Hall,
Toronto, Ontario
June 24, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: The Golden Walnut
(Cross/Fripp/Wetton/Bruford)
6 The Night Watch
(Fripp/Wetton/Palmer-James)
7 Fracture
(Fripp)

Disc 11 mixed by Robert Fripp, Tony Arnold and David Singleton at the
Courthouse, Cranborne, Dorset.
Previously released in part on "The Great Deceiver"(1992) and via mail
order as part of King Crimson Collectors’ Club series 45 (2011)

12
Massey Hall,
Toronto, Ontario
June 24, 1974
1 Improv: Clueless And Slightly Slack
(Cross/Fripp/Wetton/Bruford)
2 Easy Money
(Fripp/Wetton/Palmer-James)
3 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
4 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

Disc 12 mixed by Robert Fripp, Tony Arnold and David Singleton at the
Courthouse, Cranborne, Dorset.
Previously released in part on "The Great Deceiver"(1992) and via mail
order as part of King Crimson Collectors’ Club series 45 (2011)


13
Convention Center,
Quebec City, Quebec
June 25, 1974

1 21st Century Schizoid Man *
(Fripp/McDonald/Lake/Giles/Sinfield)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Improv I
(Cross/Fripp/Wetton/Bruford)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Easy Money
(Fripp/Wetton/Palmer-James)
6 Improv II
(Cross/Fripp/Wetton/Bruford)
7 Fracture
(Fripp)
8 Starless *
(Cross/Fripp/Wetton/Bruford/Palmer-James)

* incomplete recording
Disc 13 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously available as a download only from www.dgmlive.com (2012)

14
Kennedy Centre,
Washington, DC
June 27, 1974

1 Lament
(Fripp/Wetton/Palmer-James)
2 Improv I
(Cross/Fripp/Wetton/Bruford)
3 Exiles
(Cross/Fripp/Wetton/Palmer-James)
4 Easy Money
(Fripp/Wetton/Palmer-James)
5 Improv II
(Cross/Fripp/Wetton/Bruford)
6 Fracture
(Fripp)
7 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

Disc 14 taken from a band cassette soundboard recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously available as a download only from www.dgmlive.com (2006)

15
Casino Arena,
Asbury Park, NJ
June 28, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv
(Cross/Fripp/Wetton/Bruford)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
10 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

Disc 15 mixed by Robert Fripp, Tony Arnold and David Singleton at the
Courthouse, Cranborne, Dorset.
Previously unreleased.

16
Casino Arena,
Asbury Park, NJ
June 28, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Fracture
(Fripp)
8 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
9 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

Disc 16 mixed by Ronan Chris Murphy at DGM.
Previously released on "The Collectable King Crimson Vol. 1"(2006)
and available as a download from www.dgmlive.com (2005)

17
Penn State University,
University Park, PA
June 29, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Is There Life Out There?
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv: It Is For You, But Not For Us
(Cross/Fripp/Wetton/Bruford)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

Disc 17 mixed by Robert Fripp, Tony Arnold and David Singleton at the Courthouse, Cranborne, Dorset.
Previously released in part on "The Great Deceiver"(1992). Selected tracks
previously available as a download from www.dgmlive.com (2008)

18
Palace Theatre,
Providence, RI
June 30, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: A Voyage To The Centre Of The Cosmos
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv: Providence
(Cross/Fripp/Wetton/Bruford)

Disc 18 mixed by Robert Fripp, Tony Arnold and David Singleton at the
Courthouse, Cranborne, Dorset.
Previously released on "The Great Deceiver"(1992).

19
Palace Theatre,
Providence, RI
June 30, 1974

1 Fracture
(Fripp)
2 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
3 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

Disc 19 mixed by Robert Fripp, Tony Arnold and David Singleton at the
Courthouse, Cranborne, Dorset.
Previously released on "The Great Deceiver"(1992).
20
Central Park,
New York, NY
July 1, 1974

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Improv
(Cross/Fripp/Wetton/Bruford)
5 Exiles
(Cross/Fripp/Wetton/Palmer-James)
6 Improv: Cerberus
(Cross/Fripp/Wetton/Bruford)
7 Easy Money
(Fripp/Wetton/Palmer-James)
8 Fracture *
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
10 The Talking Drum
(Cross/Fripp/Wetton/Bruford/Muir)
11 Larks’ Tongues In Aspic (Part II)
(Fripp)

* incomplete recording
Disc 20 taken from a bootleg cassette recording.
Audio restored at DGM by David Singleton and Alex R Mundy.
Previously available via mail order as part of King Crimson Collectors’ Club
series 10 (2000)


Discs 1 - 20 - audio restored at DGM SoundWorld February - August 2013.
21

Red
2013 Stereo Mix

1 Red
(Fripp)
2 Fallen Angel
(Fripp/Wetton/Palmer-James)
3 One More Red Nightmare
(Fripp/Wetton)
4 Providence
(Cross/Fripp/Wetton/Bruford)
5 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

Produced & mixed from the original multi-track tapes by Steven Wilson  & Robert Fripp

22
DVD
AUDIO CONTENT

LPCM Stereo (24/96)

Casino Arena, Asbury Park, NJ
2013 Mix

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv
(Cross/Fripp/Wetton/Bruford)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
10 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

LPCM Stereo (24/48)

Casino Arena, Asbury Park, NJ
2005 Mix

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Fracture
(Fripp)
8 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

9 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)


LPCM Stereo (24/48)

USA
30th Anniversary Remaster

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

LPCM Stereo (24/96)

USA
Original UK Vinyl Transfer

1 Larks’ Tongues In Aspic (Part II)
(Fripp)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Exiles
(Cross/Fripp/Wetton/Palmer-James)
4 Asbury Park
(Cross/Fripp/Wetton/Bruford)
5 Easy Money
(Fripp/Wetton/Palmer-James)
6 21st Century Schizoid Man
23
Blu-Ray Disc 1
AUDIO CONTENT LPCM Stereo (24/192)

Stanley Warner Theatre,
Pittsburgh, PA

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 The Great Deceiver
(Wetton/Fripp/Palmer-James)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Improv: Bartley Butsford
(Cross/Fripp/Wetton/Bruford)
5 Exiles
(Cross/Fripp/Wetton/Palmer-James)
6 Fracture
(Fripp)
7 Easy Money
(Fripp/Wetton/Palmer-James)
8 Improv: Daniel Dust
(Cross/Fripp/Wetton/Bruford)
9 The Night Watch
(Fripp/Wetton/Palmer-James)
10 Doctor Diamond
(Cross/Fripp/Wetton/Bruford/Palmer-James)
11 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
12 Improv: Wilton Carpet
(Cross/Fripp/Wetton/Bruford)
13 The Talking Drum
(Cross/Fripp/Wetton/Bruford/Muir)
14 Larks’ Tongues In Aspic (Part II)
(Fripp)
15 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)


Massey Hall,
Toronto, Ontario

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: The Golden Walnut
(Cross/Fripp/Wetton/Bruford)
6 The Night Watch
(Fripp/Wetton/Palmer-James)
7 Fracture
(Fripp)
8 Improv: Clueless And Slightly Slack
(Cross/Fripp/Wetton/Bruford)
9 Easy Money
(Fripp/Wetton/Palmer-James)
10 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
11 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)
Penn State University,
University Park, PA

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Is There Life Out There?
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv: It Is For You, But Not For Us
(Cross/Fripp/Wetton/Bruford)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

Palace Theatre,
Providence, RI

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: A Voyage To The Centre Of The Cosmos
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv: Providence
(Cross/Fripp/Wetton/Bruford)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
10 21st Century Schizoid Man
24
Blu-Ray Disc 2
AUDIO CONTENT

LPCM Stereo (24/192)


Casino Arena, Asbury Park, NJ
2013 Mix

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Improv
(Cross/Fripp/Wetton/Bruford)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
10 21st Century Schizoid Man
LPCM Stereo (24/48)

Casino Arena, Asbury Park, NJ
2005 Mix

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 Fracture
(Fripp)
8 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)
9 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)

LPCM Stereo (24/96)

USA
30th Anniversary Remaster

1 Walk On: No Pussyfooting
(Fripp/Eno)
2 Larks’ Tongues In Aspic (Part II)
(Fripp)
3 Lament
(Fripp/Wetton/Palmer-James)
4 Exiles
(Cross/Fripp/Wetton/Palmer-James)
5 Improv: Asbury Park
(Cross/Fripp/Wetton/Bruford)
6 Easy Money
(Fripp/Wetton/Palmer-James)
7 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)
8 Fracture
(Fripp)
9 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

USA
Original UK Vinyl Transfer

1 Larks’ Tongues In Aspic (Part II)
(Fripp)
2 Lament
(Fripp/Wetton/Palmer-James)
3 Exiles
(Cross/Fripp/Wetton/Palmer-James)
4 Asbury Park
(Cross/Fripp/Wetton/Bruford)
5 Easy Money
(Fripp/Wetton/Palmer-James)
6 21st Century Schizoid Man
(Fripp/McDonald/Lake/Giles/Sinfield)


DTS-HD Master Surround
LPCM 5.1 Surround

Red
The 2009 Surround Mix

1 Red
(Fripp)
2 Fallen Angel
(Fripp/Wetton/Palmer-James)
3 One More Red Nightmare
(Fripp/Wetton)
4 Providence
(Cross/Fripp/Wetton/Bruford)
5 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

Bonus studio track

1 Fallen Angel Trio Version (instrumental)
(Fripp/Wetton)

Bonus live tracks

1 Providence
(Cross/Fripp/Wetton/Bruford)
2 A Voyage To The Centre Of The Cosmos
(Cross/Fripp/Wetton/Bruford)


LPCM Stereo (24/96)

Red
30th Anniversary Remaster

1 Red
(Fripp)
2 Fallen Angel
(Fripp/Wetton/Palmer-James)
3 One More Red Nightmare
(Fripp/Wetton)
4 Providence
(Cross/Fripp/Wetton/Bruford)
5 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

Red
2013 Stereo Mix

1 Red
(Fripp)
2 Fallen Angel
(Fripp/Wetton/Palmer-James)
3 One More Red Nightmare
(Fripp/Wetton)
4 Providence
(Cross/Fripp/Wetton/Bruford)
5 Starless
(Cross/Fripp/Wetton/Bruford/Palmer-James)

Bonus studio tracks

1 Red Trio Version
(Fripp)
2 Fallen Angel Trio Version (instrumental)
(Fripp/Wetton)

Disc 22 DVD playable in all DVD players, Discs 23/24 playable in all Blu-ray Disc players
ALSO INCLUDES:
2 album prints, a 36 page album sized booklet
with rare photos, eye witness accounts of the
concerts & sleevenotes incorporating new
interview material with all band members
plus postcards & other memorabilia.
--------------------------------------------------------------------------------------------------------------------
The Tale of the Tapes.

The sixteen concert recordings in this box fall into three basic types: one bootleg (an unofficial audience recording), ten board mixes (recordings of the sound sent to the PA system on the night) and five professional recordings (all by George Chkiantz from a mobile recording studio outside the venue). These last five concerts are presented in both conventional CD resolution and in Blu-Ray high resolution 192 khz.  All have their merits and each has good claim to be the most “realistic”.

The professional multi-track recordings offer the best audio quality. They were originally mixed in 1991 at the time of The Great Deceiver (although only selected parts were included in that box set). At the time, the various mixes were recorded both onto analogue half inch tape and into a Sadie computer system, one of the first digital editors, running on Windows 3.0. As Fripp wrote in his original liner notes: “Digital equipment remains in its infancy and computers crash – not if but when. Both formats have advantages – a properly balanced Ampex with Dolby SR is maybe unbeatable for a sweet, true sound. But with the amount of compiling on this project, let’s hear it for digital assembly!” Given the huge advances in digital equipment since the early 1990s, I proposed in a rash unguarded moment that for this project we (or rather I) should return to the “properly balanced Ampex with Dolby SR” and recompile these mixes in super high resolution. I had somehow chosen to forget that the practice at the time, pre-automation, was to mix each section of each song three or four times and to then select and compile the best. And that Robert Fripp’s acute interest in the stereo architecture of pieces meant that he would continuously reposition players. So we were faced with roughly two hundred separate mixes to be auditioned and recompiled, often trying to join segments with violently differing tonal qualities and musicians seemingly leaping around the stage. It became the work of months, not the days I had foolishly imagined.

I make no claim that the high resolution versions on the Blu-Ray are “better” than the original versions presented on the CDs. They are different, wider in their stereo image and brighter with extended high end (which, despite the trends of mastering engineers over many decades, is not necessarily better). The editing particularly in matters such as the audience links is however undoubtedly more faithful to the exact flow of the original concerts.

The ten “board mixes” presented different challenges. These were recorded each night by Peter Walmsley, the sound engineer, and faithfully capture the sound sent to the PA system. They are inevitably heavily biased towards the voice and drums, as the other instruments were already amplified onstage. DGM has become an unwilling world leader in the dark arts of audio necromancy, rescuing the semblance of a listenable concert from such unprepossessing starting points (not a life-skill any of us wanted or expected).  In this instance, Peter Walmsley added an additional challenge through his habit of pausing the cassette machine between songs – frequently forgetting to switch it back on until just after the downbeat of the next piece. Where audience links existed, we have kept them, where they were missing, we have recreated them to maintain continuity.  The music is, however, with the exception of those odd errant downbeats, exactly as it was played. In just one instance (the Talking Drum on the 7th June) we have completed the performance by inserting a section from the night before.  As such fabrication is a mortal sin to lovers of authenticity, we have PQ’d the inserted section, so that purists can take the bumpy road and bypass it.

The recording of the final concert from Central Park on July 1st is of unknown provenance. It seems too well-balanced to be the usual illicit cassette player smuggled into the venue, and yet the presence of chatter during one of the pieces shows that neither is it a properly mixed recording. Possibly it is a bootleg recorded on a pair of microphones over the stage. The audience links jump around (as does one section of Fracture), but in its way, it is possibly the closest to the actual sound of a venue. It is significant in that it captures the last live performance of this line-up.

Concert recordings are frequently incomplete (lovers of The Great Deceiver box set will recall The Law of Maximum Distress Parts 1&2, where a section was missing from the middle of the improvisation).  In the unusual case of Fort Worth on 6th June, we had two recordings of the same night, one being a board recording and the other an audience bootleg, and we were able to accurately complete the performance by flying in the missing opening and closing sections from that alternative source. Sadly, that is not often possible.  Where songs are obviously incomplete and either leap in half way through, or cut off before the end, they have been marked with an asterisk, so that it is clear this is not a CD error, but a failure of some poor tape operator or his machine at the time.

David Singleton
DGMHQ
August 2013



More news

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David Cross Album Launch Special
:: Posted by Sid Smith on Sat., May 21, 2016
The David Cross Band will be launching their new album, Sign Of The Crow, at a gig featuring special guest, ex-VdGG sax player, David Jackson in London
on Tuesday August 9th. The show will also feature a rare solo performance by King Crimson lyricist, Richard Palmer-James. 




Thus sayeth the blurb...

The David Cross Band with special guest David Jackson will perform at The Lexington on Tuesday 9th August 7.30 pm. This is the London launch concert for 'Sign of the Crow' the eagerly awaited studio album from the legendary David Cross Band which goes on sale on August 5th.

David Cross: A pioneer of rock violin and former member of the groundbreaking 'Larks' tongues in aspic' incarnation of King Crimson.

David Jackson was in UK Progressive Rock Band Van der Graaf Generator and is famous for his double horn parts and ferocious soloing.

Craig Blundell - one of the world's leading drummers is currently also working with Steve Wilson and Frost*.

The other DCB members are Jinian Wilde - vocals, Mick Paul - bass and Paul Clark - guitar.

The lyrics for ‘Sign of the Crow’ were written by King Crimson lyricist Richard Palmer -James (ex Supertramp) who will also perform a solo set on the evening.

This is a unique and very special prog rock event - to be sure there’s a space for you, book now!

The Lexington 96-98 Pentonville Road, Islington, London, N1 9JB (Angel tube). £12 on the door.



Robert & Toyah Say Thank You
:: Posted by Sid Smith on Thu., May 19, 2016
Toyah and Robert say Thank You for all the good wishes that have come their way following Robert’s birthday and the couple’s wedding anniversary earlier this week.



More Tour Dates!
:: Posted by Sid Smith on Thu., May 19, 2016
There are new additions to King Crimson’s forthcoming European tour with extra five gigs in Monaco and France. These come on top of those extra dates already announced yesterday.

Thursday 17th November Opéra Garnier, Monte Carlo
Friday 18th November Opéra Garnier, Monte Carlo
Sunday 27th November Le Silo, Marseille
Saturday 3rd December Salle Pleyel, Paris
Sunday 4th December Salle Pleyel, Paris

Tickets for Opéra Garnier, Monte Carlo, go on general sale Monday 30th May
10.00 a.m. CET

Tickets for Le SIlo, Marseille, go on general sale 23rd May
10.00 a.m. CET

Tickets for Salle Pleyel, Paris go on general sale Monday 30th May
10.00 a.m. CET.



So far the revised itinerary looks like this.

Sunday 4th September Friars at the Waterside Theatre
Monday 5th September Friars at the Waterside Theatre
Thursday, 8th September, Beethoven-Saal, Stuttgart
Friday 9th September, Beethoven-Saal, Stuttgart
Sunday 11th September, Admiralpalast, Berlin
Monday 12th September, Admiralpalast, Berlin
Wednesday 14th September, Forum Karlin,Prague
Thursday 15th September, Forum Karlin, Prague
Saturday 17th September, House of Music & Dance, Zabrze
Sunday 18th September, House of Music & Dance, Zabrze
Tuesday 20th September, National Forum Of Music, Wroclaw
Wednesday 21st September, National Forum Of Music, Wroclaw
Friday 23rd September, Falkoner, Copenhagen
Saturday 24th September, Falkoner, Copenhagen
Monday 26th September, Sentrum Scene,Oslo
Tuesday 27th September, Sentrum Scene, Oslo
Wednesday 28th September, Sentrum Scene. Oslo
Friday 30th September, Filadelfiakyrkan, Stockholm
Saturday 1st October, Filadelfiakyrkan. Stockholm
Monday 3rd October, Mehr! Theater, Hamburg
Wednesday 2nd November  Stadsschouwburg Antwerp 
Thursday 3rd November Stadsschouwburg Antwerp
Saturday 5th November Teatro degli Arcimboldi, Milan
Sunday 6th November  Teatro degli Arcimboldi, Milan
Tuesday 8th November Teatro Verdi, Florence,
Wednesday 9th November Teatro Verdi, Florence,
Friday 11th November Auditorium Conciliazione, Rome
Saturday 12th November Auditorium Conciliazione, Rome
Monday 14th November Teatro Coloseeo, Torino
Tuesday 15th November Teatro Coloseeo, Torino
Thursday 17th November Opéra Garnier, Monte Carlo
Friday 18th November Opéra Garnier, Monte Carlo
Sunday 27th November Le SIlo, Marseille
Wednesday 30th November Museumsquartier, Vienna
Thursday 1st December Museumsquartier, Vienna
Saturday 3rd December Salle Pleyel, Paris
Sunday 4th December Salle Pleyel, Paris


New Dates For King Crimson Euro Tour
:: Posted by Sid Smith on Wed., May 18, 2016
King Crimson have added a series of extra concerts to their European tour later this year, taking in Belgium, Italy and Austria. 

Tickets will be going on sale Friday 20th May at 10.00 CET.

Wednesday 2nd November  Stadsschouwburg Antwerp  
Thursday 3rd November Stadsschouwburg Antwerp
Saturday 5th November Teatro degli Arcimboldi, Milan
Sunday 6th November  Teatro degli Arcimboldi, Milan
Tuesday 8th November Teatro Verdi, Florence,
Wednesday 9th November Teatro Verdi, Florence,
Friday 11th November Auditorium Conciliazione, Rome
Saturday 12th November Auditorium Conciliazione, Rome
Monday 14th November Teatro Coloseeo, Torino
Tuesday 15th November Teatro Coloseeo, Torino
Wednesday 30th November Museumsquartier, Vienna
Thursday 1st December Museumsquartier, Vienna



Wine,Silence, Cups & Music
:: Posted by Sid Smith on Wed., May 18, 2016
In the wake of birthday salutations, Reporters Notebook rolled out one of Robert Fripp's most quoted misquotes, namely “Music is the wine that fills the cup of silence.”

The actual quote is as follows:

Music is the cup which holds the wine of silence.
Sound is that cup, but empty.
Noise is that cup, but broken.

The aphorism dates from the spring of 1980 when Fripp was playing in Paris with The League Of Gentlemen.

The origin of the phrase's popularity, albeit in a corrupted form, seems to stem from its misuse in a 2005 episode of the very popular  ITV detective series, Rosemary And Thyme entitled, The Cup Of Silence.

During the murder mystery show, writer Stephen Gallagher has one of the characters raise a glass and offer the toast, "Music is the wine that fills the cup of silence", even having the character attribute the phrase to Robert Fripp.

It seems likely that Gallagher found the quote via the internet where it enjoys a secondary life as an inspirational meme of sorts.
 



The mangled phrase also has its own page dedicated to explaining what it might mean.

The wrong quote even received a kind of municipal immortality when Southwark Council weaponised it as part of an anti-social behaviour strategy aimed at buskers. Who says irony is dead?



The Wine Of Silence was the title of the 2012 release by Fripp, Keeling and Singleton, an album of orchestral arrangements of Fripp's soundscapes.



All About Jazz's John Kelman said of the album "In collaboration with Keeling and Singleton, he's proven the continued relevance of his work on an album that stands alone in his discography, yet is the logical and inevitable consequence of a lifetime's work."

Coinciding with the launch of the album release, in May 2012 a special concert of the music was staged in Amsterdam with the Metropole Orchestra and the Crouch End Chorus under the baton of Jules Buckley. You can read my experience of the performance over on the blog and my take on the album here

The Wine Of Silence is available from Inner Knot and Burning Shed.


Happy Birthday Bill Bruford
:: Posted by Sid Smith on Tue., May 17, 2016
Let's give a big shout-out to Bill Bruford who celebrates his birthday today. The man who stoked the rhythmic engine room in King Crimson during the 70s, 80s and 90s is 67 years old today.



In case you've not been there, check out Bill's website for all sorts of fascinating archived interviews and commentary on the highpoints of his career from the man himself.









Happy Birthday Robert Fripp
:: Posted by Sid Smith on Mon., May 16, 2016
Raise a glass of your favourite tipple and send out your birthday wishes today to Robert Fripp, who in addition to being the birthday boy is also celebrating his wedding anniversary on the same day.

Here's Robert during King Crimson's 2014 rehearsals photographed by Scarlet Page



Burnin' Up Daryl's House
:: Posted by Sid Smith on Mon., May 16, 2016
My thanks to Chuck Benz who writes "It's always fun to keep an eye on Daryl Hall's show Daryl's House to see when a guest wants to do something from Sacred Songs or even Exposure - the latest is Cheap Trick joining on You Burn Me Up..., and at least for the next few days, the video of the show is up on the Daryl's House web site"


Ade Amped Up
:: Posted by Sid Smith on Sat., May 14, 2016
Adrian Belew discusses how he's gone post-amp and a lot more besides in this new interview. 


Theo's Guide To Good Sax
:: Posted by Sid Smith on Fri., May 13, 2016
Theo Travis recently appeared on Cliff Pearson’s Live From Progzilla Towers internet radio show talking about some of his favourite sax moments in progressive rock.



The show, which includes King Crimson’s Ladies Of The Road, can be downloaded or streamed here.

Last month Theo and Robert Fripp got together. Theo’s Facebook update noted "Just had a wonderful lunch, catch up and discussion about possible future plans with Robert Fripp."



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