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Greg On Tour
:: Posted by Sid Smith on Wed., Nov 14, 2012

Greg Lake is currently on tour in the UK and off to Europe thereafter. You can check out the dates on Greg's website and read this interview with him about his life and career. 


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New Crimson Titles Unveiled
:: Posted by Sid Smith on Fri., Mar 27, 2015
Robert Fripp has updated his online diary today and reveals the titles of three new tracks currently under construction at this week's King Crimson rehearsals. Robert also reveals that an album featuring a full set list taken from last year's American tour is in the pipleline though no release date has been set. You can read all about it here. 


Gathering The Threads
:: Posted by Sid Smith on Thu., Mar 26, 2015
Judy Dyble has a new three disc career-spanning anthology out now called Gathering The Threads.  The album features archive tracks featuring Judy's stint with Ian McDonald and Giles, Giles & Fripp.  By way of a launch event she's appearing in London tomorrow...




Judy will also be playing a concert in April. Check out this site for more details.

Sign Of The Times
:: Posted by Sid Smith on Wed., Mar 25, 2015
We’ve seen this sign before here on the news page but here it is again - spotted in the vicinity of Tate Modern, and still managing to screw up the actual quote.



Music is the cup which holds the wine of silence
Sound is that cup, but empty
Noise is that cup, but broken


Robert Fripp,
Paris
1980


On This Date 30 Years Ago
:: Posted by Sid Smith on Wed., Mar 25, 2015
30 years ago today the very first Guitar Craft course was held at Claymont Court, West Virginia. According to the wikipedia entry for Guitar Craft, by 2011 three thousand students had attended the Guitar Craft courses whose aim was to offer participants an opportunity to develop "a relationship with the guitar, music and oneself".


Fall Tour Bundle Available
:: Posted by Sid Smith on Mon., Mar 23, 2015
There’s a 28 date tour bundle available for download from today. Taken from King Crimson’s ConstruKction Of Light Fall tour, 28 gigs will cost you just $120 FLAC and $92 MP3. The tour starts on 19th Oct 2000 in San Francisco and comes to a rousing conclusion in Toronto on 24th November. if you’ve purchased three of the shows that were previously available before the bundle then you’ll be eligible for a free download of your choice.


King Crimson - c'est magnifique
:: Posted by Sid Smith on Mon., Mar 23, 2015
Due to the demand for tickets an extra date at Paris Olympia has been added to King Crimson’s forthcoming European dates. The band will now be playing Sunday, September 20th in addition to the already publicised dates 21st and 22nd September.

Tickets go on sale Wednesday 25th March at 10.00 a.m. (French local time) from here.

In case you missed it, three more dates were added to the band's UK itinerary last week:

Saturday 12th Sept The Lowry, Salford
Tuesday 15th Sept Symphony Hall, Birmingham
Friday 18th Sept Usher Hall, Edinburgh

Tickets can be obtained here and at the venues.



It Was 42 Years Ago Today...
:: Posted by Sid Smith on Mon., Mar 23, 2015
Larks’ Tongues In Aspic was released on this date 42 years ago.



Can you recall the day you first encountered this album? Please leave your comments on the guestbook. You can read my take on that over on the blog.

In the meantime here's what Ian McDonald, writing in the New Musical Express in March 1973 had to say about the album...

"A NICE RECORD of pleasant, middle-of-the-road music which should prove a great favourite with everybody’s mum and dad this Easter. Bill Bruford’s whistling has improved out of all recognition and Robert Fripp’s Gregorian Chant rendition of ’I Did It My Way’ cuts Joaquin Des Prez’s original stone dead.

Start again!

Sharks’ Lungs In Lemsip is, in fact, a record (in every sense) of King Crimson’s current cosmic stage-act, leaving out only the long improvisation called ’Vista Under Arc-Lights’ which comes in the middle.

The fact that the group have taken enormous trouble over the mixing of this album is not, in itself, remarkable in this age of quad, flash, and total theatre; what is remarkable, however, is their choice of mixes for.

At almost every point they have avoided the easy drama or conventional felicities most bands would be content with in favour of a sound-balance faithful to what’s actually been played – including the odd bomb here and there. And it’s in no way a literal proposition either.

This album embodies a creative reinterpretation of what a conventional rock-group should sound like in the studios, a tour-de-force of timbre and rhythm that, in the days of synthesizers and electronics, single-handedly reinstates credibility to the natural sound.

Bands lacking the technical know-how or simple inclination to set off in the direction Faust have indicated should bend an attentive ear to King Crimson. There’s a lot to be learned.

Whether you see the album as the group do – a sequence of vivid contrasts of design and sound-quality – or, like me, hear a still slightly uneasy meeting of two extremes, there’s no denying the force of the transition from the harsh intensity of Fripp City (’Easy Money’) to the windy African grassland on the outskirts of Muirsville (’The Talking Drum’).

In terms of personality, Larks’ Tongues In Aspic is throughout a respectful tension between Fripp The Composer and Muir The Performer, though to limit either to one function would be to miss the point.

Particularly outstanding from Fripp in his role as group architect are the two parts of the title track which open and close the album, the latter with its elaborately-engineered crescendoes and decrescendoes, the former with its complex and almost classical concept of organisation – echoing, dare I say it, the feel of a symphonic opening movement.

Fripp’s guitar is in the foreground to fine effect on ’Easy Money’ and runs ingeniously backwards during a brief passage on ’Book Of Saturdays’, but impresses most in the textural role, either snarling atmospherically around in the distance or chipping in as a third percussion voice.

Muir features brilliantly in his own right on a couple of tracks, but his introductions to ’Larks’ Tongues Part One’, ’The Talking Drum’, and ’Exiles’ are superb extempore compositions in themselves – particularly the last of these, performed on glass tubing.

David Cross’s violin is far more effective on record than it is, at present, onstage; both sections of ’Larks’ Tongues’ contain excellent solos from him, the quiet ’Interlude’ from the first part really standing out.

As for Bruford and Wetton, the unity and solidarity of these six performances is entirely in their hands and they don’t put a foot wrong, even throwing in some tricksy Yes-type unison work on the already complex verse of ’Easy Money’.

If there are drawbacks to this record they lie (at least for me) in the two ballads which close side one. The group obviously see them as valid contrast, apart from liking them as songs; my view is that they come over as anomalous throw-backs to an earlier, and entirely different, band.

I’m prepared to admit that this criticism merely reveals a personal blind-spot, and certainly fans of the previous versions of King Crimson will find ’Exiles’ and ’Book Of Saturdays’ the most immediately accessible of the new numbers – but the mix on the former is a little weedy anyway, and the violin sounds slightly out of tune. Nor am I overfond of the lyrics, but there aren’t that many of them so I won’t complain.

Larks’ Tongues In Aspic is a challenging record, but it’s rewards are very substantial, even if you’d have to be an odd mixture of a person to like it all without reservation. Final verdict: a classic of its kind and worth every penny of the asking price.

You know, I think old Crimso’s onto a winner here."

EXPOSURE
:: Posted by Sid Smith on Thu., Mar 19, 2015
Proving that it is impossible to achieve the promo without suffering, here's the rarely seen 1979 promo film made for Exposure available legally for the first time on Youtube. 


David Cross: Starless Starlight
:: Posted by Sid Smith on Thu., Mar 19, 2015
David Cross has a new album out in May entitled Starless Starlight. The album is based upon the short melody composed by David Cross and Robert Fripp that emerged as one of the key themes of King Crimson’s Starless from the final ’70s studio album, Red

The tune resurfaced in two improvisations performed and recorded by Fripp at Blueberry Hill, St Louis in 2006. These recordings and the theme itself were then transformed by David Cross (and co-producer Tony Lowe) into the album Starless Starlight.

There’s an album launch event taking place on May 26th at The Bedford, 77 Bedford Hill, Balham, London, £10 advance / £12 on the door which opens at 7.30 p.m.

Cross will be joined by Yumi Hara (The Artaud Beats), David Jackson (ex-Van der Graaf Generator) and Tony Lowe (Producer Guitarist) who will be performing new versions of music from this album and, in keeping with the spirit of this venture, will individually and collectively devise, compose and otherwise create original new interpretations of the Starless theme.



Starless Starlight is available for preorder here.




Daevid Allen - Moonchild Tribute
:: Posted by Sid Smith on Wed., Mar 18, 2015
Orlando Allen has recorded and released a version of Moonchild by way of a tribute to his late father and founder of Gong, Daevid Allen, who died last week. You can also read my obituary of Allen over at Prog magazine website.   


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