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Crim In Action
:: Posted by Sid Smith on Fri., Sep 2, 2011

My thanks to Ulli Spiegel who points out that although the Greater Crim is currently hibernating, its various members are busy with lots of different projects.

Adrian Belew’s e for orchestra CD and DVD are now available directly from Adrian’s store. You should also check out Ade’s blog for a report back on the 3 Of A Perfect Pair camp.

You can head over to Tony Levin’s website for details on the 2 Of A Perfect Trio tour that starts later this month. Tony is also part of another trio, this time with ex-BLUE member, guitarist David Torn, and Yes drummer, Alan White. You can hear a snippet of their forthcoming album by going to their soundcloud site.

Pat Mastelotto is part of a quartet called Naked Truth who have a new album out now. You can hear some tracks from the group as well as read my take on the album over on the blog.

Pat has also been busy with Trey Gunn. As TU they have a new album out called TU - Live In Russia. Check out Trey’s store to listen to a track and buy a digital or physical copy.

Finally, in case you’ve been sleeping under a rock, the next in the 40th anniversary edition series of King Crimson reissues arrives next month.

Here’s the details for the 40th Anniversary Editions of Discipline.



Discipline

The seventh release in the King Crimson 40th Anniversary series.

On its release in 1981 Discipline represented a startling reinvention for this most restless of bands.

* * * * *

When Robert Fripp declared in 1974 that King Crimson had "ceased to exist" nobody could have foreseen that they would break their silence seven years later with an album that perhaps had more in common with the then current post-punk new wave than the band’s progressive rock past.

Released in 1981, Discipline was a startling reinvention with a new line-up performing radically different material that managed to delight fans, confound critics & pick up a substantial new audience along the way.

30 years on, Discipline remains one of the key albums of the early 1980s and one of the most popular and influential in King Crimson’s catalogue.

As different from the 1970s King Crimson, as the 1970s line-ups had been from the 1960s band, the new quartet of Robert Fripp, Bill Bruford, Adrian Belew (ex-Zappa, Bowie, Talking Heads) and Tony Levin (Peter Gabriel), rapidly established itself as a force on the live circuit.

The longer songs of the 1960s & early 1970s & the extended improvisations of the live performances from the earlier touring bands were replaced with a series of short taut songs imbued with a minimalist aesthetic that featured complex interwoven guitar lines, (coined ’rock gamelan’) Belew’s distinctive vocals, Bruford’s new armoury of electronic percussion & Levin’s fluid bass & Chapman stick lines.

Songs written for the album became firm fixtures in the band’s repertoire and the stature and influence of the material has grown over the years. Matte Kudasai for example, has become something of a modern standard recorded by jazz vocalist Kurt Elling last year & performed live recently by K.D. Laing.

The album charted on release in many countries - including the UK & USA - while the touring schedule took the band through Europe, the US & Japan in its first year of activity. By the end of 1981 Crimson was, once again, viewed as one of rock music’s premier outfits.

King Crimson had also achieved a rare feat for a rock group by becoming one of the very few acts to release a classic album in three separate decades. From In the Court of the Crimson King in 1969, via Red in 1974 to Discipline in 1981, with differing line-ups & radically different sounds the band’s reputation for innovation & progression (in the best sense of the word) was unassailable.

As with other albums in the King Crimson CD/DVD-A series, the stereo CD features a new stereo mix by Robert Fripp & Steven Wilson, while the DVD-A features 5.1 mixes of the album by Steven Wilson, high resolution stereo mixes of the original & new stereo mixes, a rough mix of the album presented in its first intended running order,video footage from The Old Grey Whistle Test TV show & further audio extras & rarities.

Preorder now for 3rd October 2011 release


CD:

1. Elephant Talk
2. Frame by Frame
3. Matte Kudasai
4. Indiscipline
5. Thela Hun Ginjeet
6. The Sheltering Sky
7. Discipline

Bonus tracks:

Alt. mixes of The Sheltering Sky & Thela Hun Ginjeet mixed by Steven Wilson.

DVD Content 

Discipline

24/96 MLP Lossless 5.1 Surround DTS|9624 5.1 Digital Surround 

 Elephant Talk
 Frame by Frame
 Matte Kudasai
 Indiscipline
 Thela Hun Ginjeet
 The Sheltering Sky
 Discipline

Mixed and produced from the original multi track tapes by Steven Wilson 
Executive producer Robert Fripp
Mastered by Simon Heyworth Super Audio Mastering, Devon, assisted by Andy Miles
24/96 MLP stereo 24/48 LPCM stereo
Elephant Talk
 Frame by Frame
 Matte Kudasai
 Indiscipline
 Thela Hun Ginjeet
 The Sheltering Sky
 Discipline

Original album 2011 stereo mix
Mixed & produced from the original multi track tapes by Steven Wilson 
Executive producer Robert Fripp
Mastered by Simon Heyworth at Super Audio Mastering, Devon, assisted by Andy Miles


Original album 1981, 30th anniversary remaster 

Elephant Talk
Frame by Frame
Matte Kudasai
Indiscipline
Thela Hun Ginjeet
The Sheltering Sky
Discipline
Matte Kudasai (alternative version)


Produced by King Crimson and Rhett Davies

Mastered by Simon Heyworth

Album: Rough Mixes from recording sessions presented in original proposed running order.
Discipline
Thela Hun Ginjeet
Matte Kudasai
Elephant Talk
The Sheltering Sky
Frame By Frame
Indiscipline

These mixes date from the end of May 1981 and were prepared by Rhett Davies. The tape was almost certainly made as a “listening copy” prior to the full mixing stage. The tracks were assembled in Robert Fripp’s then preferred running order. The other point to note is the use of a far greater level of reverb than was applied to the final mix. Again this would have been a decision made by Rhett at the time and the levels applied were standard for the period. The fact that they sound so good – even in relatively unmixed form – is indicative of both the quality of the performances & the engineering. More generally, the early 1980s represented the dawn of an era when recordings can almost be carbon- dated to the year by the increased levels of reverb applied in each succeeding 12 month period, possibly to offset the limitations of then emerging digital technology. Robert Fripp’s decision to issue a final mixed album with minimal discernible reverb made “Discipline” stand out even further from the crowd. The rough mixes provide a suitable alternative. True to the spirit of the original ¼” tapes, the transfers were subject to no further mastering other than some noise reduction and a slight pitch correction applied at DGM by Alex R. Mundy.

Produced by King Crimson and Rhett Davies
24/48 LPCM Stereo
Additional Tracks
A selection of Adrian’s vocal loops
The Sheltering Sky (Alternate mix – Steven Wilson)
Thela Hun Ginjeet (Alternate mix – Steven Wilson)
The Terrifying Tale of Thela Hun Ginjeet
Elephant Talk 12” Dance mix

A small sample of Adrian’s vocal loops for the original album open this section followed by two Steven Wilson alternate mixes – including an instrumental version of ‘Thela Hun Ginjeet’ from the 2011 mixing session. ‘The Terrifying tale of..’ was assembled by David  Singleton & Alex Mundy at DGM for the 2008 US tour-box CD & consists of a talk given by Robert Fripp  at a Warner Bros. US sales meeting in NYC in 1981 outlining events, followed by tape of Adrian Belew from London’s Basing St. studios reliving events, followed by a blistering live take of the song from Philadelphia, PA in 1982. The 12” dance mix was issued as a radio promo in the USA.

Video Section
Selections from The Old Grey Whistle Test
Elephant Talk (recorded live at The Venue, October 1981)
Frame By Frame
Indiscipline
Elephant Talk
2-4 recorded at the BBC, March 15th 1982, introduced by Anne Nightingale

For some unknown reason, the studio recording of ‘Elephant Talk’ was grafted on to the live performance of the BBC film. It’s possible that the audio recorded at The Venue proved unusable.

Music by King Crimson, elephantosity by Belew

Published by UMG Music Ltd.

DVD Design & Layout by Claire Bidwell at Opus Productions Ltd

DVD Authoring & Assembly by Neil Wilkes at Opus Productions Ltd

DVD QC testing by Jon Urban, Bob Romano, Bob Squires, Tim McDonnell & Chris Gerhard 

Audio tape transfers by Kevin Vanbergen at FX Copyroom
Video Tape Transfers by DGM tape Archive: Alex Mundy 

Package Art & Design by Hugh O’Donnell 

Compiled & Coordinated by Declan Colgan for DGM, with input & suggestions from Sid Smith & Steven Wilson


Here’s the details for the 40th Anniversary Editions of Starless And Bible Black



Starless And Bible Black

The sixth release in the King Crimson 40th Anniversary series.

An experimental hybrid of live material and studio recordings, Starless sits between the landmark releases, Larks’ Tongues In Aspic and Red.

*****

Coming as it does between the startling re-invention of Larks’ Tongues In Aspic and the far-reaching repercussions of Red, when it comes to assessments of the King Crimson canon, Starless In Bible Black has often been overlooked. Yet even a cursory listen reveals this to be a powerful record, brimming with confidence borne out of the band’s increasing mastery of the concert platform.

Though the public weren’t aware of it when it was originally released in March 1974, Starless And Bible Black was in essence largely a live album, an experimental hybrid of in-concert material (much of it improvised) and studio recordings. Often the two are so finely dovetailed together it’s difficult to tell them apart.

Only two tracks on the record (The Great Deceiver and Lament) were fully recorded in the studio. The Night Watch contained a live introduction, while the instrumental backing to The Mincer was excised from an in-concert improvisation with vocals overdubbed later. The rest of the tracks were taken from concert recordings from the UK and Europe with the audience carefully edited out.

Starless And Bible Black demanded the attention and concentration of the listener. Crimson’s audience responded to the challenge, making it a much loved album by the band. As with the other recordings by the mid 1970s line-up, the intervening years have seen the album’s reputation increase among fans & musicians alike, while the then unusual approach to using live performances as core elements of subsequent studio recordings has also become increasingly commonplace.

Robert Fripp once talked about an album being a love-letter and a concert a hot date. Arguably, Starless combined the best of both worlds, making it the most accurate representation of the band’s uniquely powerful mid-70s identity.

As with other albums in the King Crimson CD/DVD-A series, the stereo CD features a new stereo mix by Robert Fripp & Steven Wilson, while the DVD-A features 5.1 mixes of the album by Steven Wilson, high resolution stereo mixes of the original & new stereo mixes, the full Law of Maximum Distress parts 1 & 2 improvs with The Mincer in their original unedited form/running order, Lament, The Night Watch & Fracture from the same Zurich concert, (completing the show presented in part on The Great Deceiver boxed set), a 1973 live recording of the concert favourite Dr. Diamond & an audio restored bootleg recording of the played onceonly  Guts on my Side.

The DVD-A also features live footage from New York’s Central Park in 1973 of Easy Money & the improv Fragged Dusty Wall Carpet the track that formed the basis of Guts on my Side.

* As a result of lost multi track tapes Trio & The Mincer have been up-mixed to 5.1 by Simon Heyworth & Robert Fripp.

Preorder now for 3rd October 2011 release

DGM Mail Order

Burning Shed

1. The Great Deceiver
2. Lament
3. We’ll Let You Know
4. The Night Watch
5. Trio
6. The Mincer
7. Starless and Bible
8. Black
9. Fracture

Bonus tracks:

Law of Maximum Distress (parts 1 and 2)
The Mincer improv
Dr. Diamond
Guts on my Side

DVD Content 

Starless And Bible Black

24/96 MLP Lossless 5.1 Surround DTS|9624 5.1 Digital Surround 

The Great Deceiver (Wetton, Fripp, Palmer-James)
 Lament (Fripp, Wetton, Palmer-James)
 We’ll Let You Know (Cross, Fripp, Wetton, Bruford)
 The Night Watch (Fripp, Wetton, Palmer-James)
 Trio (Cross, Fripp, Wetton, Bruford) *
 The Mincer (Cross, Fripp, Wetton, Bruford, Palmer-James)  *
 Starless And Bible Black  (Cross, Fripp, Wetton, Bruford)
 Fracture (Fripp)  
                                                                                 


Mixed and produced from the original multi track tapes by Steven Wilson and Robert Fripp
Mastered by Simon Heyworth and Robert Fripp at Super Audio Mastering, Devon, assisted by Andy Miles
Tracks marked *
*Upmixed to 5.1 from the original stereo masters by Simon Heyworth and Robert Fripp
                                      ---------------------------------------------------------
24/96 MLP Lossless 5.1 Surround DTS|9624 5.1 Digital Surround
Easy Money
Taken from the album “The Night Watch”
Mixed and produced from the original multi track tapes by Steven Wilson and Robert Fripp

                               ---------------------------------------------------------------------------------
24/96 MLP stereo 24/48 LPCM stereo 

Original album 2011 stereo mix
The Great Deceiver (Wetton, Fripp, Palmer-James)
 Lament (Fripp, Wetton, Palmer-James)
 We’ll Let You Know (Cross, Fripp, Wetton, Bruford)
 The Night Watch (Fripp, Wetton, Palmer-James)
 Trio (Cross, Fripp, Wetton, Bruford) *
 The Mincer (Cross, Fripp, Wetton, Bruford, Palmer-James)  *
 Starless And Bible Black  (Cross, Fripp, Wetton, Bruford)
 Fracture (Fripp)                                                                                    

Mixed and produced from the original multi track tapes by Steven Wilson and Robert Fripp
Mastered by Simon Heyworth and Robert Fripp at Super Audio Mastering, Devon, assisted by Andy Miles
Tracks marked *
*Produced by King Crimson – taken from the original stereo masters (30th anniversary mix) Mastered by Simon Heyworth and Robert Fripp

Original album 1974 mix, 30th anniversary remaster 

The Great Deceiver (Wetton, Fripp, Palmer-James)
 Lament (Fripp, Wetton, Palmer-James)
 We’ll Let You Know (Cross, Fripp, Wetton, Bruford)
 The Night Watch (Fripp, Wetton, Palmer-James)
 Trio (Cross, Fripp, Wetton, Bruford)
 The Mincer (Cross, Fripp, Wetton, Bruford, Palmer-James) 
 Starless And Bible Black  (Cross, Fripp, Wetton, Bruford)
 Fracture (Fripp)                                                                                    

Produced by King Crimson 
Mastered by Simon Heyworth and Robert Fripp

24/48 LPCM Stereo
Zurich Volkshaus: November 15th 1973
Lament (Fripp, Wetton, Palmer-James)
The Night Watch (Fripp, Wetton, Palmer-James)
Fracture (Fripp)                                                                                    
Improv – The Law Of Maximum Distress: Part One (Cross, Fripp, Wetton, Bruford)
Improv - The Mincer (Cross, Fripp, Wetton, Bruford, Palmer-James) 
Improv – The Law Of Maximum Distress: Part Two (Cross, Fripp, Wetton, Bruford) 

1 – 4, 6 mixed by Robert Fripp, Tony Arnold & David Singleton,
Produced by Robert Fripp
5 audio restoration to audience recording by David Singleton and Alex R. Mundy at DGM

Much of the Zurich concert was presented as part of “The Great Deceiver” 4CD boxed set overview of King Crimson live1973/74 (since reissued as two double CD sets). Tracks 1 – 3 were excluded from that set. ‘The Mincer’- the mid-section of ‘The Law Of Maximum Distress’ was extracted from this concert and ovrdubbed for the original “Starless and Bible Black” album. The multi-tracks for this extract remain, stubbornly, unfound. A more recently discovered bootleg audience recording of the ocncert, when restored, allowed DGM to reinstate the original version of ‘The Mincer’ into its original context as performed, between the parts of what would become ‘The Law Of Maximum Distress’. The difference in audio quality between the tracks is much reduced as a result of the restoration.

Additional Tracks
We’ll Let You Know (Unedited from “The Great Deceiver”)
Dr. Diamond (Live, June 23rd  1973, Richards Club, Atlanta, Georgia)
Guts On My Side (Live, March 19th 1974, Palazzo dello Sport, Udine, Italy
The Night Watch (Single edit – stereo)
The Night Watch (US radio single edit – mono)
30 second radio advert
60 second radio advert

1 mixed by Robert Fripp, Tony Arnold & David Singleton,
2, 3 audio restoration to audience recording by David Singleton and Alex R. Mundy at DGM
4 Produced by King Crimson
5 Reduced to mono without knowledge of or reference to the band

‘We’ll Let You Know’ was an improv taken from a concert on October 23rd 1973 in Glasgow. The original piece (as presented here) is slightly longer.
‘Dr. Diamond’ was a concert favourite from 1973 onwards, though never featured on a studio album. The 1973 performances differ somewhat from those in 1974.

‘Guts On My Side’ was, to the best of our knowledge, only performed once by the band in 1974. The song grew out of the improv ‘Fragged, Dusty, Wall Carpet’ (see video section).

The version presented here is a composite of two audience recordings that were layered together, mixed & mastered at DGM in 2011 by David Singleton & Alex R. Mundy.

‘The Night Watch’ single was issued in several countries. In the UK it was issued prior to the album. It is not clear that anyone in the band ever approved this edit prior to release.

The American mono mix – almost certainly a ‘fold- down’ of the stereo edit as no mono master was mixed by the band – was issued to radio stations. No member of the band would have been aware of this.

The radio adverts for the US & UK adverts were discovered in tapes returned to DGM some years ago.

Video Section
            Central Park, New York, June 25th 1973
Easy Money
Fragged, Dusty, Wall Carpet.

King Crimson shared a concert platform in Central Park 1973 with fellow Atlantic artists Black Oak Arkansas. Both sets were filmed for promotional purposes by Atlantic Records with ‘Easy Money’ edited & widely distributed. The balance of the King Crimson performance, if filmed, has not been found, although a few seconds of a performance of ‘Larks’ Tongues in Aspic (part II), with the full credits for the filming of King Crimson and Black Oak Arkansas have been seen online.

DVD Design & Layout by Claire Bidwell at Opus Productions Ltd

DVD Authoring & Assembly by Neil Wilkes at Opus Productions Ltd

DVD QC testing by Jon Urban, Bob Romano, Bob Squires, Tim McDonnell & Chris Gerhard 

Audio tape transfers by Kevin Vanbergen at FX Copyroom
DGM tape Archive: Alex R. Mundy 

Package Art & Design by Hugh O’Donnell 



Compiled & Coordinated by Declan Colgan for DGM, with input & suggestions from Sid Smith, Steven Wilson & Alex R. Mundy

My thanks to Spiegel for the heads-up.


More news

Displaying 5457 items (Viewing 1 to 10 of 5457)

Look Over Yondr
:: Posted by Sid Smith on Mon., Jun 27, 2016
For anyone who has had their concert ruined by their neighbours constantly texting and snapping on their phones, Yondr may have come up with a solution to make gigs a phone-free zone. Read all about it here and here. 


Happy Birthday Ian McDonald
:: Posted by Sid Smith on Sat., Jun 25, 2016
King Crimson founding member, Ian McDonald celebrates his birthday today.

 

The man whose writing and multi-instrumental talents played an such essential and pivotal role in establishing King Crimson on the world stage in 1969, is 70 years old today. So raise a glass of your favourite tipple in Ian's honour and shout out your favourite McDonald moment!

WillyFred Flies Away
:: Posted by Sid Smith on Wed., Jun 22, 2016
An update from Robert via his Facebook page.

WillyFred, Prince Of Rabbits, flew from this world c. 11.02 on this morning, Wednesday 22nd. July, 2016, immediately, gently, peacefully.
T carried Wilf down to his prepared space in the garden by the rose arbour, and laid him to rest. A beautiful creature, and a joyful presence, in our lives for eight years and nine months.
WillyFred c. 10.15...





Fragile As A Song
:: Posted by Sid Smith on Wed., Jun 22, 2016
Tony Levin, who is currently out on tour with Peter Gabriel and Sting, has published a book of poetry.  Fragile As A Song is only available directly from Tony and you can find out more about this latest publication here


Endless Grief: an Age Of Greed characterized by the Abuse Of Trust.
:: Posted by Sid Smith on Tue., Jun 21, 2016
From Robert Fripp’s Facebook page today:

Endless Grief undermined my confidence in the process of law, the public-school educated, the English Gentleman, chartered accountants and the professions, players within public life and charities: pretty much all those institutions that were an end-result of a long process of developing-standards in public and national life throughout C19-20th. Britain. In the postwar Dorset of my youth, I was brought up to have confidence in these institutions. In attempting to understand the mechanics of Endless Grief, I am also attempting to understand the present era: an Age Of Greed characterized by the Abuse Of Trust.

How to see all of this? The universe in a grain of sand, the Human Condition in one sorry management firm?

Robert’s diary: 12th March 2012

Development firm loses another appeal.


The EG Way continues?
DQ’s Tara Cubbon acted for Lloyds Bank International Limited (the “Bank”) in successfully striking out the claim by The Slegaby Estate Limited (“TSEL”) and Samuel George Alder (“Mr Alder”) against the Bank pursuant to the doctrine of res judicata and as an abuse of process...
His Worship further held that TSEL and Mr Alder had failed to treat the First Proceedings as they should have done. They had no excuse for not pursuing matters fully and adopting an “unduly casual attitude” in their response. This was contrary to the onus in the 2009 Rules on the expedition of litigation and the avoidance of multiplicity of proceedings and in His Worship’s view was an attempt to have “a second bite of the cherry” following the dismissal of their appeal in the First Proceedings.

Court confirms law on res judicata and abuse of process.


21st Century Make Believe
:: Posted by Sid Smith on Mon., Jun 20, 2016
Peter Sinfield appears in a BBC 4 programme about Top Of The Pops. Alongside a quick blast of 21st Century Schizoid Man, Peter gives the background to the huge hit he co-wrote for '80s pop darlings, Bucks Fizz entitled The Land Of Make Believe.  Peter's section begins at around 2.50 here


On This Date 34 Years Ago
:: Posted by Sid Smith on Sat., Jun 18, 2016
Beat, the 9th studio album by King Crimson and only the second to feature the same line-up in the band's history, was released on this date 34 years ago.



Don't forget that the new stereo and surround sound mixes of King Crimson’s Beat and Three Of A Perfect Pair are set to be released October 14th 2016.


The long-awaited albums represent the next installment in the acclaimed 40th Anniversary Series which began in 2009.

Pre-order for Beat
Inner Knot (America) or Burning Shed (UK & Europe)

Pre-order for Three Of A Perfect Pair
Inner Knot (America) or Burning Shed (UK & Europe)




Beat & Three Of A Perfect Pair Pre-Order
:: Posted by Sid Smith on Thu., Jun 16, 2016
The new stereo and surround sound mixes of King Crimson’s Beat and Three Of A Perfect Pair are set to be released October 14th 2016.

The long-awaited albums represent the next installment in the acclaimed 40th Anniversary Series which began in 2009.

Pre-order for Beat
Inner Knot (America) or Burning Shed (UK & Europe)

Pre-order for Three Of A Perfect Pair
Inner Knot (America) or Burning Shed (UK & Europe)




Beat was released in June 1982 just eight months after the 80s Crimson lineup debut album “Discipline”.

It marked the first occasion where a King Crimson line-up had remained intact for a two album stretch and was also the first album by the band to employ a separate producer – Rhett Davies. The juxtaposition of lyrics heavily influenced by 50s beat luminaries Jack Kerouac and Neal Cassady.

The complex polyrhythmic musical textures of the ‘80s Crimson, the strength of the songs and the cohesion of the studio performances, all helped the album chart upon release in the US and the UK.

Songs like Waiting Man, Neal and Jack and Me and Heartbeat became firm favourites with fans and concert goers. Heartbeat in particular was an FM radio regular in the US and even merited a promo film shot for the then-emerging music TV market, while one of the album’s twin instrumental tracks, Sartori In Tangier, anticipated the emerging interest in African based rhythmic styles that would become such a fascination for musicians in the latter part of the decade.

As ever, Crimson was pushing forward, looking for new methods to communicate internally as a band and externally with an audience. It was, perhaps, the nearest King Crimson ever came to the rock music ‘mainstream’.

As with other albums in the King Crimson CD/DVD-A series, the stereo CD features a new stereo mix by Robert Fripp and  Steven Wilson, while the DVD-A features 5.1 mixes of the album by Steven Wilson, high resolution stereo mixes of the original and  new stereo mixes. Additionally, the original album is presented in rough mix form along with additional audio extras, video performance footage of two songs from The Alabamahalle, Germany and the original promo film for Heartbeat.

Beat Track list
CD New stereo mix

Neal and Jack and Me
Heartbeat
Sartori In Tangier
Waiting Man
Neurotica
Two Hands
The Howler
Requiem (extended version)

Absent Lovers (instrumental studio recording)

DVD-A
5.1 Surround Sound Mix

 
Neal and Jack and Me
Heartbeat
Sartori In Tangier
Waiting Man
Neurotica
Two Hands
The Howler
Requiem (extended version)

Absent Lovers (instrumental studio recording)

New Stereo Mix 


Neal and Jack and Me
Heartbeat
Sartori In Tangier
Waiting Man
Neurotica
Two Hands
The Howler
Requiem (extended version)

Absent Lovers (instrumental studio recording)
Neal and Jack and Me (alt take)
Absent Lovers (live recording)

Original Stereo Mix (30th anniversary edition)

Neal and Jack and Me
Heartbeat
Sartori In Tangier
Waiting Man
Neurotica
Two Hands
The Howler
Requiem

Alternative album - early mix

Neal and Jack and Me
Heartbeat
Sartori In Tangier
Waiting Man
Neurotica
Two Hands
The Howler
Requiem

Video

Heartbeat (studio)
Waiting Man (live, Munich 1982)
Heartbeat (live, Munich 1982)

Please note that all material on this edition will be included on the forthcoming '80s box set, On And Off The Road.




Having released two albums in a nine month period between October 1981 and July 1982, Three of a Perfect Pair is the final part of the recorded trilogy begun with Discipline and Beat. Originally released in April 1984, from the pointillist minimalism of the title track through to the urgent rush of Sleepless and the album’s closer Larks’ Tongues in Aspic III - the only reference to the 1970s incarnations of the band – Crimson’s distinctive mixture of rock, electronica, funk and pure pop songs, ensured the group’s status as one of the most interesting and innovative bands of the decade.

Following the release of the album, the band embarked on a tour of Japan and from there America and Canada. At the completion of the last date in July 1984, Fripp, Bruford, Levin and Belew went their separate ways to pursue their respective solo commitments.

King Crimson would reconvene in the mid- 1990s with a double trio line-up featuring all of the 1908s band members, while the band’s current line-up (2014 – present) features both Robert Fripp and Tony Levin from the 1980s band.

King Crimson’s final album of the 1980s is augmented with extra tracks newly mixed for the 2016 edition on CD.

As with other albums in the King Crimson CD/DVD-A series, the stereo CD features a new stereo mix by Robert Fripp and Steven Wilson plus additional tracks, while the DVD-A features 5.1 mixes of the album by Steven Wilson and high resolution stereo mixes of the original and new stereo mixes. Additionally, the original album bonus tracks from the 30th anniversary CD are included as is the promo film for ‘Sleepless’, a song originally released as 12” single which became an unlikely hit on the New York dance scene of the time.

Three Of A Perfect Pair Track
list
CD New stereo mix

Three of a Perfect Pair   
Model Man   
Sleepless   
Man with an Open Heart   
Nuages (That Which Passes Passes Like Clouds   
Industry   
Dig Me   
No Warning   
Larks' Tongues in Aspic III   

Additional tracks
The King Crimson Barber Shop   
Robert's Ballad   
Shidare Zakura   
Industrial Zone A   
Industrial Zone B   
Industrial Zone C   

DVD-A
5.1 Surround Sound Mix


Three of a Perfect Pair   
Model Man   
Sleepless   
Man with an Open Heart   
Nuages (That Which Passes Passes Like Clouds   
Industry   
Dig Me   
No Warning   
Larks' Tongues in Aspic III   

The King Crimson Barber Shop   
Robert's Ballad   

New Stereo Mix

Three of a Perfect Pair   
Model Man   
Sleepless   
Man with an Open Heart   
Nuages (That Which Passes Passes Like Clouds   
Industry   
Dig Me   
No Warning   
Larks' Tongues in Aspic III   

Additional tracks
The King Crimson Barber Shop   
Robert's Ballad   
Shidare Zakura   
Industrial Zone A   
Industrial Zone B   
Industrial Zone C   


Original Stereo Mix (30th anniversary edition)
Left Side:
Three of a Perfect Pair   
Model Man   
Sleepless   
Man with an Open Heart   
Nuages (That Which Passes Passes Like Clouds   

Right Side:
Industry   
Dig Me   
No Warning   
Larks' Tongues in Aspic III   

Other Side:
The King Crimson Barber Shop   
Industrial Zone A   
Industrial Zone B   
Sleepless (Tony Levin mix)   
Sleepless (Bob Clearmountain mix)   
Sleepless (Dance mix - F. Kervorkian)   

Video
Sleepless

Please note that all material on this edition will be included on the forthcoming '80s box set, On And Off The Road.






 

King Crimson Nominated For Progressive Music Awards
:: Posted by Sid Smith on Wed., Jun 15, 2016
King Crimson have been nominated in three categories for this year’s Progressive Music Awards which are to be held in London later this year.



King Crimson’s THRAK BOX is one of the contenders for The Storm Thorgerson Grand Design Award.

The band’s tour of 2015 is in the Live Event category

King Crimson itself is up for Band/Artist of the Year award.

Voting requires registration so please head here to give your support for King Crimson. 

Pledge For Levin
:: Posted by Sid Smith on Wed., Jun 15, 2016
Tony Levin is to release another album with Marco Minnemann and Jordan Rudess. The trio recorded their self-titled debut in 2013 and have reunited to release Entitled From the Law Offices of LEVIN MINNEMANN RUDESS. You can check out the details on how to pledge support for the album here




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King Crimson Tour 2016
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