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King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

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"King Crimson is, as always, more a way of doing things. When there is nothing to be done, nothing is done: Crimson disappears. When there is music to be played, Crimson reappears. If all of life were this simple". Robert Fripp

King Crimson was conceived in November 1968 and born on January 13th 1969 in the Fulham Palace Cafe, London (Fripp/Ian McDonald/Greg Lake/Michael Giles/Pete Sinfield), coming to prominence after supporting The Rolling Stones at Hyde Park. Their ground-breaking debut In The Court Of The Crimson King (1969) described by Pete Townshend as "an uncanny masterpiece", began a career that has spanned four decades and influenced many bands and individuals including Yes, Genesis, Tool, and Porcupine Tree.

Despite the original line-up imploding after an American tour King Crimson continued to produce constantly challenging and intriguing music on albums such as In The Wake of Poseidon (1970), Lizard (1970), Islands (1971), Earthbound (1972), Larks' Tongues in Aspic (1973) and Red (1974).

Following Red, an exhausted Fripp declared "King Crimson is completely over for ever and ever."

After a period outside the music industry, Robert Fripp returned to work on solo projects (including Frippertronics and his first solo album, Exposure in 1979) and collaborations with artists such as, Daryll Hall, Blondie, Brian Eno, Peter Gabriel, David Bowie.

In 1981, Fripp reconvened King Crimson along with Adrian Belew (Zappa/Bowie/Talking Heads), Tony Levin (Paul Simon/John Lennon/Peter Gabriel) and his old sparring partner, Bill Bruford.

"The bleak Crim view lightened" according to Fripp as their musical vocabulary widened and Crimson combined gamelan, funk and rock grooves that would threaten to "tear out and flatten ear hairs within a mile." Albums which followed include Discipline (1981), Beat (1982) and Three Of A Perfect Pair (1984) and a stunning live album from their last ever performance in 1984, Absent Lovers (finally released in 1998).

Following a lengthy period outside the music industry mainstream - during which Fripp not only established Guitar Craft, engaged in a protracted but ultimately successful legal battle with his former mangers, and collaborated with David Sylvian—King Crimson re-emerged in 1994 with Trey Gunn (touch guitar) and Pat Mastelotto (drums).

Joining forces with Belew, Levin, Bruford and Fripp and dubbed the Double Trio, they recorded an ep VROOOM (1994) and THRAK (1995) and a suite of live improvs, THRaKaTTaK (1996). In 1997, the group subdivided into research and development units collectively known as the ProjeKcts, producing an exciting and inventive blend that mixed hard-core improv and electronica (King Crimson The ProjeKcts box set 1999).

With Tony Levin temporarily leaving to work with Seal and Peter Gabriel, and Bill Bruford returning full-time to his ongoing Earthworks jazz group, King Crimson entered the new millennium with The ConstruKction of Light (2000). In the same year the double duo of Belew, Fripp Gunn and Mastelotto produced a live set, Heavy ConstruKction, before returning to the studio to record the critically acclaimed, The Power To Believe (2003).

After a tour playing 21 countries with over 70 dates, Trey Gunn departed to pursue his own career in 2003. The present and seventh line-up of King Crimson is Adrian Belew (guitar, lead vocals), Robert Fripp (guitar), Tony Levin (bass guitar & Chapman stick) and Pat Mastelotto (drums) and work has begun on new material.

Sid Smith Whitley Bay, September 2005

"King Crimson lives in different bodies at different times and the particular form which the group takes changes. When music appears, which only King Crimson can play then, sooner or later, King Crimson appears to play the music" Robert Fripp.


New Release Posted: 12 September 2014
No Cameras Please    Albany, NY    Sep. 10, 2014
Here’s the announcement that’s played twice before the band come on stage during the 2014 tour. There’s a rumour circulating that one Crim mentioned he'd like to take a baseball bat the nuts of those snapping pix and recording but

Top Download Customer Rating:  out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 stars
Armoury    Wilmington, Delaware    Feb. 11, 1972
Since Crimso last played the States they’d not only parted company with Peter Sinfield but had managed to break-up during their first writing/rehearsal session in January.

On This Day
Abraham Chavez Theatre    El Paso, TX    Oct. 25, 1995
“Hola or even Hello. Thank you for coming tonight and we hope you enjoy yourselves. One thing I would like to point out, if you are going to smoke that stuff please don’t do it down here by the stage,

Library

 
Word
Random Blast
Robert Fripp's Diary       Mon., Aug 25, 2014
08.42 Cottage Quite Acceptable, Woodstock. In the first part of NightWorld, with Greg Lake: attempting to perform In The Wake Of Poseidon live with pre-recorded backing tracks, which wouldn’t quite load or Read more

Press Comment Sunday Times
Jazz Cafe   London, England    December 01, 1997
’Since 1992 it has again been possible to discuss without whispering the music of 1969-1976," writes King Crimson’s Robert Fripp in the sleeve notes to the recently Read more

Spotlight Review
Zoom Club   Frankfurt, Germany    October 13, 1972
Posted by: JordanClifford
I’m so curious about the track known as "Zoom." One could assume titled after the venue, but does not have the "Improv:" prefix, yet offers no other information, and is partly improv and partly Read more

 
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